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2026 NACCS Conference: Featured Books & Discounts

March 30, 2026

The University of Arizona Press is attending the 2026 National Association for Chicana and Chicano Studies Conference in San Antonio this week! From April 1 to 4, find our table at The St. Anthony Hotel to browse books and meet Editor-in-Chief Kristen Buckles.

If you can’t attend this year, or if you’d like to purchase a book you discover at our table, we’ve got you covered: enter AZNACCS26 at checkout on our website for 40% off all titles through 4/29/26.

New & Featured Chicano/a/x and Latina/o/x Studies Titles

Book cover with the title "Indigenous Genres of the Human" by Gabriella Raquel Rios. In background, a photo of an agave from overhead.

In Indigenous Genres of the Human, scholar Gabriela Raquel Ríos considers how Latina/o/x communities engage in the ethical reclamation of indigeneity. Through case studies that include testimonios and other Indigenous storytelling practices, Ríos reveals how cultural logics of colonization continue to shape—and often constrain—understandings of indigeneity across Latin America and in the United States. Rather than reinforcing binaries defined by settler colonialism, Ríos proposes a framework that centers community knowledge and grounded practices.

Book cover for "Across Canons" by Thania Muñoz D., featuring two overlapping beige and orange circles with a wavy pattern at their intersection, and the subtitle ‘Language, Latin American Immigrant Literature, and the Making of Latinx Narratives’ displayed below.

Excavating narrative memories, Across Canons examines literary allusions to a classic Latin American canon that resurface in the work of Latin American writers who live and work in the United States. The immigrant literature of Edmundo Paz Soldán, Alberto Fuguet, and Cristina Rivera Garza from the late 1990s and early 2000s provides an important glimpse into representations of Latin America’s relationship with the United States and how immigration has shaped it. Author Thania Muñoz D. looks at immigrant experiences impacted by a prism of social and political factors, including free trade agreements, drug trafficking, political violence, massive foreign debt, and economic dependency.

Book cover for "Contentious Citizenship" by Arely M. Zimmerman, featuring an illustrated protest scene with crowds holding signs calling for solidarity, workers’ rights, and an end to violence in El Salvador.

Contentious Citizenship reshapes how we understand belonging, identity, and political participation in the context of migration. Drawing on decades of Salvadoran activism from the 1980s solidarity movement to the post–civil war era, Arely M. Zimmerman offers a powerful ethnographic account of how migrants challenge exclusionary state practices and redefine citizenship on their own terms using transnational networks and revolutionary politics that transcend borders.

Book cover for "Border Afterlives" by Gabriella Soto, showing colorful fabric‑strip figures arranged in a line on a paved surface, creating an abstract, faceless group that evokes themes of loss and remembrance.

Border Afterlives begins with the undocumented individuals who die crossing the U.S.-Mexico border—deaths that are both preventable and politically produced. Drawing on over a decade of ethnographic, participatory, and community-engaged research, author Gabriella Soto examines the postmortem journeys of these migrants through the fragmented infrastructure of medicolegal death investigation in the U.S. Southwest. She reveals how the state’s deterrence-based border policies not only generate death but also fail to provide adequate care for the dead. Soto argues that these deaths should be understood as structural homicides and that the forensic neglect they face is a form of ongoing violence.

Book cover for Forging a Mexican People by Pablo Zavala, showing a woodcut‑style illustration of a large crowd carrying union banners and flags in a postrevolutionary protest scene.

Forging a Mexican People shows how illustrated print culture helped to construct and deconstruct versions of “a people” in postrevolutionary Mexico. Through meticulous research, Pablo Zavala uncovers the ways photographers, graphic artists, writers, and activists used print culture to challenge hegemonic conceptions of state-guided narratives and forge alternative collective subjectivities. This book offers a fresh perspective on the sociopolitical landscape of postrevolutionary Mexico, revealing how cultural artifacts simultaneously crafted and reflected the people vis-à-vis different political and social categories.

Book cover for "Life Undocumented" by Edelina M. Burciaga, featuring horizontal painted bands of blue, green, yellow, and white with silhouettes of birds flying across the textured background.

Life Undocumented captures the compelling stories of Latinx undocumented young adults growing up and living in two distinct sociopolitical contexts: California, which provides legal pathways into higher education for undocumented youth, and Georgia, which does not. The book is about how undocumented young adults in these two contexts navigate the pathway to and through adulthood, and the powerful role state laws and policies play in shaping their prospects for social mobility and their sense of belonging. Edelina M. Burciaga examines how state laws and policies in California and Georgia shape the pathways to adulthood for these individuals.

Book cover with illustrated image of brown hands transforming into avocado trees and the title "Avocado Dreams: Remaking Salvadoran Life and Art in the Washington D.C. Metro Area" by Ana Patricia Rodriguez

For more than four generations, Salvadorans have made themselves at home in the greater Washington, D.C. metropolitan area and have transformed the region, contributing their labor, ingenuity, and culture to the making of a thriving but highly neglected and overlooked community. In Avocado Dreams, Ana Patricia Rodríguez draws from her own positionality as a Salvadoran transplant to examine the construction of the unique Salvadoran cultural imaginary made in the greater D.C. area.

Book cover with winding lines representing "routes" and the title, "MeXicana Roots and Routes" by Vanessa Fonseca-Chavez and Anita Huizar-Hernandez

Community voices are often an underrepresented aspect of our historical and cultural knowledge of the U.S. Southwest. In meXicana Roots and Routes, editors Vanessa Fonseca-Chávez and Anita Huízar-Hernández gather established and emerging scholars to draw upon their rootedness in the U.S. Southwest and U.S.-Mexico borderlands. The meXicana contributors use personal and scholarly inquiry to discuss what it means to cultivate spaces of belonging, navigate language policies, and explore and excavate silences in various spaces, among other important themes.

Featured Series

BorderVisions engages the U.S.-Mexico borderlands’ dynamic histories and cultures and expands our understanding of the borderlands beyond a site of geopolitical inquiry. The series conceptualizes borderlands as both a place and a methodology and addresses the constraints of traditional fields, challenging authors to think creatively and critically about the expansive frameworks and possibilities of borderlands studies.

The Feminist Wire Books: Connecting Feminisms, Race, and Social Justice is a new series from The Feminist Wire (TFW) and the University of Arizona Press that presents a cultural bridge between the digital and printing worlds. These timely, critical books will contribute to feminist scholarship, pedagogy, and praxis in the twenty-first century.

Latinx Pop Culture is a new series that aims to shed light on all aspects of Latinx cultural production and consumption as well as the Latinx presence globally in popular cultural phenomena in the late twentieth and early twenty-first centuries.

The Critical Issues in Indigenous Studies series anchors intellectual work within an Indigenous framework that reflects Native-centered concerns and objectives. Series titles expand and deepen discussions about Indigenous people beyond nation-state boundaries, and complicate existing notions of Indigenous identity.

Arizona Crossroads explores the history of peoples and cultures, events and struggles, ideas and practices in the place we know today as Arizona.

Are you an author or editor? Do you have a project that would be a great fit for The University of Arizona Press? For questions or to submit a proposal to any of these series, please contact Editor-In-Chief Kristen Buckles at KBuckles@uapress.arizona.edu.

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