Buried in Shades of Night
Contested Voices, Indian Captivity, and the Legacy of King Philip's War
Hardcover ($45.00), Paperback ($26.95), Ebook ($26.95)
The captivity narrative of Mary Rowlandson, The Soveraignty and Goodness of God, published in 1682, is often considered the first “best seller” to be published in North America. Since then, it has long been read as a first-person account of the trials of Indian captivity. After an attack on the Puritan town of Lancaster, Massachusetts, in February 1676, Rowlandson was held prisoner for more than eleven weeks before eventually being ransomed. The account of her experiences, published six years later, soon took its place as an exemplar of the captivity narrative genre and a popular focal point of scholarly attention in the three hundred years since.
In this groundbreaking new book, Billy J. Stratton offers a critical examination of the narrative of Mary Rowlandson. Although it has long been thought that the book’s preface was written by the influential Puritan minister Increase Mather, Stratton’s research suggests that Mather was also deeply involved in the production of the narrative itself, which bears strong traces of a literary form that was already well established in Europe. As Stratton notes, the portrayal of Indian people as animalistic “savages” and of Rowlandson’s solace in Biblical exegesis served as a convenient alibi for the colonial aspirations of the Puritan leadership.
Stratton calls into question much that has been accepted as fact by scholars and historians over the last century, and re-centers the focus on the marginalized perspective of Native American people, including those whose land had been occupied by the Puritan settlers. In doing so, Stratton demands a careful reconsideration of the role that the captivity narrative—which was instrumental in shaping conceptions of “frontier warfare”—has played in the development of both American literary history and national identity.
"For readers looking for a provocative, post-colonial analysis of seventeenth-century Puritan literature, particularly Mary Rowlandson's famous narrative, Stratton's book should be at the top of your list."—New England Review
"Stratton unpacks Rowlandson's canonical Native American captivity narrative with unprecedented scrutiny. . . . An extremely well-researched study, with a succinct, powerful argument."—Ron Welburn for CHOICE Reviews
“In Stratton’s painstaking recreation of the European, English, and Puritan minds that produced and imbibed the captivity narrative as well as its ancillary genres, he has crafted a precise and concise ethnohistory of an English mindset that is integral to our understanding of the Native history of the Americas.”—James Carson, editor of American Exceptionalisms: From Winthrop to Winfrey
“In Buried in Shades of Night, Billy J. Stratton has written a superb post-colonial historiography, a new and wonderful account of puritan colonialist history associated with the English invasion and occupation of the land they re-named New England. Within this critique he focuses our attention on the so-called ‘captivity narrative’ titled The Sovereignty and Goodness of God, long attributed to Mary Rowlandson as a personal memoir of her experiences. His is a very different reading of the Rowlandson text, however, and a different telling of the historical narrative that dominates the usual colonialist histories.”—George E. Tinker, author of Spirit and Resistance: Political Theology and American Indian Liberation.
"Stratton's Buried in Shades of Night is an unexpected and provocative study of the motives behind and the authorship of Mary White Rowlandson's famous captivity narrative. Not everyone will agree with Stratton's arguments, but he certainly makes a compelling case for another look at how and why this narrative was written."—Annette Kolodny, author of In Search of First Contact: The Vikings of Vinland, the Peoples of the Dawnland, and the Anglo-American Anxiety of Discovery