Casino and Museum
Representing Mashantucket Pequot Identity
To some degree, both institutions offer Native representations yet create different strategies for attracting and engaging visitors. While the casino is crucial as an economic generator, the museum has an important role as the space for authentic Mashantucket Pequot images and narratives. The book’s focus is on how the casino and the museum successfully deploy different strategies to take control of the tribe’s identity, image, and cultural agency.
Photographs in the book provide a view of Mashantucket, allowing the reader to study the spaces of the book’s central arguments. They are a key methodology of the project and offer a non-textual opportunity to navigate the sites as well as one finely focused way to work through the representation and formation of the Native American photographic subject—the powerful popular imagining of Native Americans. Casino and Museum presents a unique understanding of the prodigious role that representation plays in the contemporary poetics and politics of Native America. It is essential reading for scholars of Native American studies, museum studies, cultural studies, and photography.
“A wonderfully provocative text. . . . This book could easily become an important part of courses in Native American studies, cultural studies, and museum studies.”—Transformations: The Journal of Inclusive Scholarship and Pedagogy
“De Uriarte clearly describes how one tribe performs its ‘Indianness’ to millions of visitors every year.”—American Indian Culture and Research Journal
“The author’s background in documentary photography and training in anthropology make him an ideal person to read the visual representations of tribal identity.”—Paul Pasquaretta, author of Gambling and Survival in Native North America