November 11, 2024
The University of Arizona Press will be at the American Studies Association meeting this week in Baltimore! We hope you’ll stop by booth #204 where we’ll have a selection of new titles available for sale, and as a bonus, you can meet our Editor-in-Chief, Kristen Buckles!
Is holiday shopping on your mind? We’re also extending the conference discount to everyone until December 12, so now is the time to pick up some discounted books! Use code AZASA24 for 35% off all titles on our website.
Finally, if you’re an author or editor and you have a project that might be a good fit for The University of Arizona Press, learn more about publishing with us here.
New & Featured Titles
Rafael A. Martínez takes readers on a journey through the history of the rise of undocumented youth social movements in the United States in the twenty-first century. Illegalized follows the documentation trail of undocumented youth activists spanning over two decades of organizing. Each chapter carefully analyzes key organizing strategies used by undocumented youth to produce direct forms of activism that expose and critique repressive forms of state control and violence. This inquiry is particularly generative in relation to how immigrant bodies are erased, contained, and imagined as “aliens” or “illegal.”
In Indigenous Science and Technology, author Kelly S. McDonough addresses Nahua understanding of plants and animals, medicine and ways of healing, water and water control, alphabetic writing, and cartography. Interludes between the chapters offer short biographical sketches and interviews with contemporary Nahua scientists, artists, historians, and writers, accompanied by their photos. The book also includes more than twenty full-color images from sources including the Florentine Codex, a sixteenth-century collaboration between Indigenous and Spanish scholars considered the most comprehensive extant source on the pre-Hispanic and early colonial Aztec (Mexica) world.
Offering a provocative new perspective, Healing Like Our Ancestors examines sixteenth- and seventeenth-century Nahua healers in central Mexico and how their practices have been misconstrued and misunderstood in colonial records. Edward Anthony Polanco draws from diverse colonial primary sources, largely in Spanish and Nahuatl (the Nahua ancestral language), to explore how Spanish settlers framed titiçih, their knowledge, and their practices within a Western complex.
The contemporary literary movement of Maya writers of Chiapas and the Zapatista Army of National Liberation (or EZLN) insurgency are intricately intertwined. Even as each has forged its own path, they are bound by a shared commitment to rescuing, reclaiming, and recentering Maya worldviews. This shared vision emerges in Silvia Soto’s Caracoleando Among Worlds, which provides an in-depth analysis of poetry, short stories, and one of the first novels written by a Maya Tsotsil writer of Chiapas alongside close readings of the EZLN’s six declarations of the Lacandon Jungle. Themes echoing ancestral connections, informing epistemologies, and sustaining cultural and spiritual practices emerge and weave the texts to each other. The work brings into the conversation literature that has been translated into English for the first time and places Maya writers of Chiapas in discussion with other Native American and Indigenous scholars.
In recent years, the plight of immigrant children has been in the national spotlight. A primary issue of concern is the experience of child migrants in detention by the U.S. government. The authors in Kids in Cages approach the topic of child migrant detention from a range of perspectives but at the heart of these narratives lies a crucial debate: the tension between harm-reduction strategies and abolition. In this interdisciplinary work, editors Emily Ruehs-Navarro, Lina Caswell Muñoz, and Sarah Diaz bring together voices from the legal realm, the academic world, and the on-the-ground experiences of activists and practitioners.
Border Killers delves into how recent Mexican creators have reported, analyzed, distended, and refracted the increasingly violent world of neoliberal Mexico, especially its versions of masculinity. By looking to the insights of artists, writers, and filmmakers, Elizabeth Villalobos offers a path for making sense and critiquing very real border violence in contemporary Mexico. Focusing on both Mexico’s northern and southern borders, Border Killers uses Achille Mbembe’s concept of necropolitics and various theories of masculinity to argue that contemporary Mexico is home to a form of necropolitical masculinity that has flourished in the neoliberal era and made the exercise of death both profitable and necessary for the functioning of Mexico’s state-cartel-corporate governance matrix.
Featured Series
BorderVisions, edited by Vanessa Fonseca-Chávez and Yvette J. Saavedra, engages the U.S.-Mexico borderlands’ dynamic histories and cultures and expands our understanding of the borderlands beyond a site of geopolitical inquiry. We are especially interested in books that address the complexities and richness of borderlands experiences at different historical, cultural, and sociopolitical moments. Watch a recording of the series launch for BorderVisions here.
Critical Issues in Indigenous Studies, edited by Jeffrey P. Shepherd and Myla Vicenti Carpio, anchors intellectual work within an Indigenous framework that reflects Native-centered concerns and objectives. Series titles expand and deepen discussions about Indigenous people beyond nation-state boundaries, and complicate existing notions of Indigenous identity. The series editors are especially interested in works that analyze colonization, land dispossession, and oppression while foregrounding Indigenous peoples’ resistance to these processes.
The Feminist Wire Books presents a cultural bridge between the digital and printing worlds. These timely, critical books will contribute to feminist scholarship, pedagogy, and praxis in the twenty-first century. TFW and The Feminist Wire Books are dedicated to the sociopolitical and cultural critique of anti-feminist, racist, and imperialist politics. The series editors seek books that will analyze U.S. popular culture, media, and politics in order to identify, document, and seek to intervene in social and political phenomena that marginalize people and produce vulnerabilities. Central to the series is a critique of the persistence and functionality of race, racism, transnational anti-blackness, imperialism, and various structural practices of “othering.”
Latinx Pop Culture aims to shed light on all aspects of Latinx cultural production and consumption as well as the Latinx presence globally in popular cultural phenomena in the late twentieth and early twenty-first centuries. The books in the series are intended for lay readers, faculty, and students, and they provide crucial orientation and knowledge for further study and engagement.
For questions or to submit a proposal to any of these series, please contact Kristen Buckles, kbuckles@uapress.arizona.edu.