With sections that vary between poetry, science, Indigenous storytelling, numerical measurement, and narration, Valerie Martínez’s new work results in an epic panorama infused with the timely urgency of facing an apocalyptic future. This beautiful, tragic, and unusual poem is a testimonial, a warning, and a call to action that will captivate lovers of contemporary poetry and ecopoetry, environmentalists, and climate activists alike. Count skillfully calls on our collective desire to leave a livable world, filled with the potential for healing, as a legacy to the generations of children that come after us.
"Martínez’s brilliance, beyond her lyrical lines, is her querencia, her deep love of people and place, which moves us to a deep longing. Through the poet’s personal narration, science, and mythic story, we also understand even more deeply the drastic impacts of climate change."—Terrain.org
"Count is deeply moral, but never moralizing. Reckoning with grief, responsibility, and a deep love of nature, it manages “a delicate balance of beauty— / willows, bea-ver dams—and warning.”—Commonweal Magazine
"Simply put, this breathtaking book-length poem tells 'the story of water'—in all its epochs. It 'hovers in all its forms, a behemoth / pulsing through' us. It is literal: a 'book of mudslides, book of super-//storms,' but also linguistic: 'Times Square lifts a tide of cell phones' or 'a sea of brittle trees bursts wildly into flames.' In other words, it is a cautionary epic that we ignore at our peril, one which urges us to be “reverent and disciplined, to live / on the edge of great balance—the sum of incalculable beauty.'"—Francisco Aragón, author of After Rubén
"Count is forty-three poems written in couplets, poems full of water and also full of the act of counting. It is also a book that stuns with its attentions and its wisdoms as Valerie Martínez captures so much that is beautiful in this world, as she notices so much that is at risk."—Juliana Spahr, author of That Winter The Wolf Came
"After describing several of Earth’s spectacular, ordinary creatures—aspens, mice, katydids, Atlas moths—Valerie Martínez asks, 'Have we ever thought to count these out? / I mean, count?' Again and again, her brilliant book-length poem Count probes history, mythology, the environmental crisis, asking us to take account—to 'be reverent and disciplined, to live / on the edge of great balance—the sum of incalculable beauty.'"—Ann Fisher-Wirth, author of The Bones of Winter Birds and Mississippi
"Through elegant parataxis and interspersed narratives, Valerie Martínez’s eco-poetics blends Indigenous mythos, science, performance and installation art, and the author’s keen insights stemming from her own communion with the rest of the natural world. Her book-length poem, like Pando—'47,000 aspens / grown from a single seed, a single root system,' enacts this interconnectedness while also asking devastating questions: 'How much does it weigh to be 25 years in the world at this fateful witnessing?' Throughout, Martinez counts: steps down a mountain trail and along a 54-mile endangered river walk, rises in sea levels and Earth’s temperature, endangered and extinct species, millions of climate migrants. But as she counts down the days to our extinction, she invites us to walk with those who are learning 'to live on the edge of great balance' and blaze trails to a sustainable future."—Brenda Cardenas, author of Boomerang
“In Count, Valerie Martínez tethers science, art, memory, myth, and narrative to the exquisite language of poetry. Confronting the devastating effects of climate change, these miraculous poems exude the multiplicity of Count’s Spanish-language cognate, contar, reminding us that to count is not simply to make a calculation. It is to tell a story, to observe, and, above all, to witness. Martínez’s poems bear unflinching and rapturous witness to our natural world in distress and our denial in bloom.”—Mia Leonin, author of Fable of the Pack-Saddle Child