Bring Down the Little Birds

On Mothering, Art, Work, and Everything Else

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How does a contemporary woman with a career as a poet, professor, and editor experience motherhood with one small child, another soon to be born, and her own mother suddenly diagnosed with a brain tumor and Alzheimer’s? The dichotomy between life as a mother and life as an artist and professional is a major theme in modern literature because often the two seem irreconcilable. In Bring Down the Little Birds, Carmen Giménez Smith faces this seeming irreconcilability head-on, offering a powerful and necessary lyric memoir to shed light on the difficulties—and joys—of being a mother juggling work, art, raising children, pregnancy, and being a daughter to an ailing mother, and, perhaps most important, offering a rigorous and intensely imaginative contemplation on the concept of motherhood as such.

Writing in fragmented yet coherent sections, the author shares with us her interior monologue, affording the reader a uniquely honest, insightful, and deeply personal glimpse into a woman’s first and second journeys into motherhood. Giménez Smith begins Bring Down the Little Birds by detailing the relationship with her own mother, from whom her own concept of motherhood originated, a conception the author continually reevaluates and questions over the course of the book.

Combining fragments of thought, daydreams, entries from notebooks both real and imaginary, and real-life experiences, Giménez Smith interrogates everything involved in becoming and being a mother for both the first and second times. She wonders what her children will one day know about her own “secret life,” meditates on the physical effects of pregnancy, and questions the myths about, nostalgia for, and glorification of motherhood.

While Giménez Smith incorporates universal experiences of motherhood that other authors have detailed throughout literature, what separates her book from these many others is that her reflections are captured in a style that establishes an intimacy and immediacy between author and reader through which we come to know the secret life of a mother and are made to question our own conception of what motherhood really means.
“A story that is as innovative in form as it is honest in emotion . . . linguistically searing and outrageously smart. . . . Bring Down the Little Birds seems to tip motherhood on its side to expose its brutal-though-beautiful underbelly.”—Austin American-Statesman (Best Books of 2010 Selection)
“Giménez Smith writes lyrically . . . [and] does the best thing a writer can do—she trusts her voice. She trusts that her point of view is fresh (it is), that her experiences and analysis are compelling (they are).”—Ms. Magazine
Bring Down the Little Birds is a hyper-shifting collage . . . whose engagement comes from the disciplined interweaving of remembrance and emotion.”—Contrary Magazine

"Carmen Giménez Smith elevates the motherhood memoir to pure poetry. Who are we, beyond somebody's mother and somebody's daughter? Bring Down the Little Birds dives into all the rich and irritating questions with heart, guts, and humor."—Ariel Gore, author of Bluebird: Women and the New Psychology of Happiness and founder of Hip Mama
Bring Down the Little Birds
112 Pages 6 x 9 x 0.5 Published: 2010 Paperback (9780816528691)
Ebook (9780816501151)

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