Girl of New Zealand
Colonial Optics in Aotearoa
Viewed through Māori, feminist, queer, and film theories, Erai shows how images such as Girl of New Zealand (1793) and later images, cartoons, and travel advertising created and deployed a colonial optic. Girl of New Zealand reveals how the phantasm of the Māori woman has shown up in historical images, how such images shape our imagination, and how impossible it has become to maintain the delusion of the “innocent eye.” Erai argues that the process of ascribing race, gender, sexuality, and class to imagined bodies can itself be a kind of violence.
In the wake of the Me Too movement and other feminist projects, Erai’s timely analysis speaks to the historical foundations of negative attitudes toward Indigenous Māori women in the eyes of colonial “others”—outsiders from elsewhere who reflected their own desires and fears in their representations of the Indigenous inhabitants of Aotearoa, New Zealand. Erai resurrects Māori women from objectification and locates them firmly within Māori whānau and communities.
“Catching the tide of a resurgence of women’s issues in the wake of #MeToo and other feminist projects, Michelle Erai’s Girl of New Zealand is timely. Erai’s analysis speaks to the historical foundations of negative attitudes toward Indigenous Maori women in the eyes of colonial ‘others,’ outsiders from elsewhere who reflected their own desires and fears in their representations of the Indigenous inhabitants of Aotearoa.”—Arini Loader, Victoria University of Wellington