May 6, 2022
The NAISA conference shifted to small, local gatherings this year, but we still want to celebrate our new and recent Native American and Indigenous studies books and offer a discount on all of our great titles. From now until 6/30/2022, use the code AZNAISA22 at checkout for 30% off plus free U.S. shipping.
If you have any questions about our publishing program, visit this page, or contact our Editor-in-Chief Kristen Buckles at email@example.com.
Returning Home features and contextualizes the creative works of Diné (Navajo) boarding school students at the Intermountain Indian School, which was the largest federal Indian boarding school between 1950 and 1984. Diné student art and poetry reveal ways that boarding school students sustained and contributed to Indigenous cultures and communities despite assimilationist agendas and pressures.
For the first time, Navigating CHamoru Poetry focuses on Indigenous CHamoru (Chamorro) poetry from the Pacific Island of Guåhan (Guam). In this book, poet and scholar Craig Santos Perez navigates the complex relationship between CHamoru poetry, cultural identity, decolonial politics, diasporic migrations, and native aesthetics.
As an Indigenous scholar researching the history and archaeology of his own tribe, Tsim D. Schneider provides a unique and timely contribution to the growing field of Indigenous archaeology, and his book, The Archaeology of Refuge and Recourse, offers a new perspective on the primary role and relevance of Indigenous places and homelands in the study of colonial encounters.
The Community-Based PhD explores the complex and nuanced experience of doing community-based research as a graduate student. Contributors from a range of scholarly disciplines share their experiences with CBPR in the arts, humanities, social sciences, public health, and STEM fields.
See the table of contents here.
Postindian Aesthetics is a collection of critical, cutting-edge essays on a new generation of Indigenous writers who are creatively and powerfully contributing to a thriving Indigenous literary canon that is redefining the parameters of Indigenous literary aesthetics.
The works featured are inventive and current, and the writers covered are visionaries. The artists covered include Orlando White, LeAnne Howe, Stephen Graham Jones, Deborah Miranda, Heid E. Erdrich, Sherwin Bitsui, and many others.
O’odham artist Michael Chiago Sr.’s paintings provide a window into the lifeways of the O’odham people. This book offers a rich account of how Tohono O’odham and Akimel O’odham live in the Sonoran Desert now and in the recent past.
Watch a talk from the artist, Michael Chicago Sr., here.
We are partnering with Western National Parks Association to host a book launch event for this book on August 25, 2022! Read more information here.
Trickster Academy is a collection of poems that explore the experience of being Native in Academia—from land acknowledgement statements, to mascots, to the histories of using Native American remains in anthropology. This collection illuminates the shared experiences of Indians across many regions, and all of us who live amongst Tricksters.
“With wry humor moistening the margins of her poems, Jenny Davis showcases how her Indigenous people have become experts in sorrow and seethe.”—Matt Sutherland, Foreword Reviews
On the heels of the fiftieth anniversary of the founding of the Department of Diné Education, this important education history explains how the current Navajo educational system is a complex terrain of power relationships, competing agendas, and jurisdictional battles influenced by colonial pressures and tribal resistance. In providing the historical roots to today’s challenges, A History of Navajo Nation Education by Wendy Shelly Greyeyes clears the path and provides a go-to reference to move discussions forward.
Read a brief interview with the author here.
A New Deal for Navajo Weaving provides a history of early to mid-twentieth-century Diné weaving projects by non-Natives who sought to improve the quality and marketability of Diné weaving but in so doing failed to understand the cultural significance of weaving and its role in the lives of Diné women.
Challenging the distinctions between “old” and “new” media and narratives about the deprecation of orality in favor of inscribed forms, The Maya Art of Speaking Writing draws from Maya concepts of tz’ib’ (recorded knowledge) and tzij, choloj, and ch’owen (orality) to look at expressive work across media and languages.
Centering on the relationship between Quaker colonists and the Lenape people, Finding Right Relations explores the contradictory position of the Quakers as both egalitarian, pacifist people, and as settler colonists. This book explores major challenges to Quaker beliefs and resulting relations with American Indians from the mid-seventeenth century to the late nineteenth century. It shows how the Quakers not only failed to prevent settler colonial violence against American Indians but also perpetuated it.
Transforming Diné Education honors the perspectives and voices of Diné educators in culturally relevant education, special education, Diné language revitalization, well-being, tribal sovereignty, self-determination in Diné education, and university-tribal-community partnerships. The contributors offer stories about Diné resilience, resistance, and survival by articulating a Diné-centered pedagogy and politics for future generations.
Pachamama Politics examines how campesinos came to defend their community water sources from gold mining upstream and explains why Ecuador’s “pink tide” government came under fire by Indigenous and environmental rights activists.
“This is a brilliant ethnography of Indigenous anti-mining movements in Ecuador from an activist-scholar who has spent decades working with social movements and learning from them.”—Nicole Fabricant, author of Mobilizing Bolivia’s Displaced: Indigenous Politics and the Struggle over Land