Video: Ted Fleming on “Birds, Bats, and Blooms”

July 21, 2026

Theodore H. Fleming, author of Birds, Bats, and Blooms: The Coevolution of Vertebrate Pollinators and Their Plants, spoke as part of the Tumamoc Author Series with Elise Gordes, director of the Desert Laboratory at Tumamoc Hill.

In this Southwest Center video of the event, Fleming discusses the history of pollination and pollination ecology, focusing on insects as well as the roles of other pollinators such as hummingbirds and bats. The talk explains why pollinators and flowers exist, and discusses the context for the evolution of pollination species. The book also discusses the Sonoran Desert’s specific pollination environment.

When discussing the Sonoran Desert, Fleming says, “So we’re in a really unique kind of environment here in which there are resources, flower resources for hummingbirds and nectar feeding bats. And that’s not the case in any other desert in the world.”

Watch the video here.

The event was presented by Desert Laboratory on Tumamoc Hill, The University of Arizona Press, and The Southwest Center.

Theodore H. Fleming is a professor emeritus of biology at the University of Miami. He spent thirty-nine years in academia at the University of Missouri–St. Louis and the University of Miami, teaching ecology courses and conducting research on tropical rodent populations and plant-visiting bats and their food plants in Panama, Costa Rica, Australia, Mexico, and Arizona. He lives in Tucson.

Video: Patricia A. Gilman on “Mimbres Far from the Heartland”

July 14, 2026

Patricia A. Gilman, coauthor of Mimbres Far From the Heartland: Identity at the Powers Ranch Site of East-Central Arizona, spoke as part of the Tumamoc Author Series.

In this Southwest Center video of the event, Gilman discusses the Mimbres culture and Powers Ranch site on the Gila River near Duncan, Arizona. The talk discusses the difference between Mimbres in the heartland (the Mimbres Valley) versus Mimbres outside the heartland, and why these communities aren’t peripheral, but their own local versions.

Reflecting on the themes of identity and archaeology, Gilman said, “One of the problems that I think we run into in cultural identity with prehistoric cultures. . . is that we identify them by their material culture. So our branch, the decorated wear is pretty much all embrace pottery. . . So, yes, we are in a territory where most of the people are making that pottery, but is that how they would actually identify themselves? So that was [what] one of our research questions was, are these people Mimbres?”

Watch the video here.

The event was presented by Desert Laboratory on Tumamoc Hill, The University of Arizona Press, and The Southwest Center.

Patricia A. Gilman has done archaeological research in the Mimbres region of New Mexico and Arizona for more than fifty years. One of her research interests is the role of small Mimbres Classic sites beyond the Mimbres Valley. She co-authored Mimbres Life and Society: The Mattocks Site of Southwestern New Mexico and co-edited Mimbres Society and New Perspectives on Mimbres Archaeology. Dr. Gilman retired from the Department of Anthropology at the University of Oklahoma.

Video: Joe E. Watkins on “Indigenizing Japan”

July 7, 2026

Joe Watkins, author of Indigenizing Japan: Ainu Past, Present, and Future, spoke as part of the Tumamoc Author Series with Carol J. Ellick, Executive Director of Archaeological and Cultural Education Consultants.

In this Southwest Center video of the event, Watkins discusses his work with the Ainu, the indigenous people of Hokkaido, Japan. The talk explains the history and archaeology behind the divergence in cultural trajectories between mainland Japan and Hokkaido, and the recent cultural revival following the 2007 recognition of the Ainu as Japan’s Indigenous people.

Watkins explains how Ainu culture developed differently from Japan’s Waijin ethnic majority culture: “On Hokkaido, the climate cannot allow wet rice agriculture, as was developed on the Japanese mainland on Honshu, Shikoku, and Kyushu in 5000 BC, as seen in the archaeology.  So the Ainu on Hokkaido [and other northern islands] developed in place. So with that archaeological distinction as well as the genetic distinction from the Wajin of the mainland, we start getting the cultural differences, the historical differences, and we still see the expression of genetic differences in many Ainu.”

Watch the video here.

The event was presented by Desert Laboratory on Tumamoc Hill, The University of Arizona Press, and The Southwest Center.

Joe E. Watkins, a member of the Choctaw Nation of Oklahoma, currently works as a senior consultant for Archaeological and Cultural Education Consultants (ACE Consultants) and is an affiliated faculty member in the School of Anthropology at the University of Arizona. He was president of the Society for American Archaeology during 2019–2021. His study interests concern the ethical practice of anthropology and anthropology’s relationships with descendant communities and populations on a global scale.

Video: Ann Hedlund at Arizona Archaeological and Historical Society

June 4, 2026

Ann Lane Hedlund, author of Mac Schweitzer A Southwest Maverick and Her Art, gave a talk to the Arizona Archaeological and Historical Society on April 21, 2026, at the San Pedro Chapel in Tucson. In this richly illustrated talk, Ann draws from the artist’s letters, photo albums, and published reviews to tell the story of Mac’s creative and adventurous life in the Southwest, along with some of the Tucson anthropologists and artists she knew from the 1940s into the early 1960s.

Artist Mac (Mary Alice Cox) Schweitzer (1921-1962) was well known in the Tucson and Scottsdale art colonies of the mid-twentieth century. Mac’s close friends, mentors and patrons—many of whom were associated with the University of Arizona and anthropology or art—included Fred Kabotie and Charles Loloma. Mac’s prize-winning watercolors, oil paintings, prints, and sculptures ranged from naturalistic and stylized studies of Sonoran Desert animals to impressionistic landscapes to moody abstractions. A keen observer of Indigenous life, she sketched and painted scenes of the Navajo (Diné), Hopi, Zuni, O’odham, and Yaqui (Yoeme) peoples and events. She depicted Ancestral Puebloan sites at Mesa Verde, Canyon de Chelly, and Navajo National Monument, and illustrated several books. At least one archaeological monograph contains many humorous as well as informative vignettes.

When reflecting on Mac Schweitzer, Hedlund said in her presentation, “Today I want to introduce you to an absolutely adventuring woman in love with the West from 75 years ago. . . You’re going to meet an amazing distinctive Tucson artist who becomes an interpreter of the Southwest during the mid-20th century and then disappears for almost 60 years. In short, we are rediscovering who this artist is to us in our time, and who she is to the art of the American West.”

Watch the video here.

Ann Lane Hedlund is a cultural anthropologist who collaborates with Indigenous weavers and other visual artists to understand creative processes in social contexts. From 1997 to 2013 she served as a curator at Arizona State Museum and professor at University of Arizona, Tucson, where she also directed the nonprofit Center for Tapestry Studies. She is author of Navajo Weaving in the Late Twentieth Century and Gloria F. Ross & Modern Tapestry, among other works.

“Science Friday” Interviews Brian May and Derek Ward-Thompson

March 6, 2024

Brian May and Derek Ward-Thompson, authors of Islands in Infinity: Galaxies 3-D, were interviewed by host Flora Lichtman for Science Friday. She talked with them about the enchanting nature of space and the collision of art and astronomy. And yes, they get into the music of Queen, because May is guitarist for the band.

When Lichtman explained that she’d seen many pictures of galaxies, but was surprised to see so many different galaxies shapes in this book, May replied, “Until you actually see it in 3-D, you don’t have the right image in your head, something that ticks.” Ward-Thompson said, “We talk about the true shapes of galaxies and in one chapter in the book, we talk about so-called ‘interacting galaxies.’ These are galaxies in the process of colliding with each other.”

Listen to Science Friday on your favorite public radio station on Friday, March 5, for the interview; or listen to the the extended podcast interview.

About the book:

This groundbreaking book brings the cosmos to life like never before. Featuring more than two hundred stunning color photographs from the world’s leading observatories and eighty detailed diagrams, this large-format book offers a mesmerizing journey through the formation, nature, evolution, and classification of galaxies.

Highlights include:

  • A look at the universe in three dimensions with Brian May’s patented 3-D viewer,
  • Accessible science, offering a non-mathematical review of modern cosmology and astronomy
  • An exploration of the chaotic beauty of colliding and merging galaxies,
  • A reference section on historical galaxy catalogues, plus a comprehensive index.

Authored by renowned astrophysicist Derek Ward-Thompson and the world’s most famous astronomer Brian May, with ground-breaking stereos by J-P Metsävainio, Islands of Infinity is a must-have for anyone fascinated by the night sky.

Brian May Video on His New Book “Islands in Infinity: Galaxies 3-D”

December 17, 2024

Brian May, editor with Derek Ward-Thompson (Author) and J-P Metsävainio (Illustrator) of Islands in Infinity: Galaxies 3-D, sent us this video about why they created this book.

Readers in North America can pre-order this amazing book through our website now, with delivery scheduled for early February.

About the book:

This groundbreaking book brings the cosmos to life like never before. Featuring more than two hundred stunning color photographs from the world’s leading observatories and eighty detailed diagrams, this large-format book offers a mesmerizing journey through the formation, nature, evolution, and classification of galaxies.

Highlights include:

  • A look at the universe in three dimensions with Brian May’s patented 3-D viewer,
  • Accessible science, offering a non-mathematical review of modern cosmology and astronomy
  • An exploration of the chaotic beauty of colliding and merging galaxies,
  • A reference section on historical galaxy catalogues, plus a comprehensive index.

Authored by renowned astrophysicist Derek Ward-Thompson and the world’s most famous astronomer Brian May, with ground-breaking stereos by J-P Metsävainio, Islands of Infinity is a must-have for anyone fascinated by the night sky.

Video: Stephen Strom on Forging a Sustainable Southwest

July 24, 2025

Stephen E. Strom, author of Forging a Sustainable Southwest: The Power of Collaborative Conservation, spoke with hydrologist Julia Fonseca in the spring as part of the Tumamoc Author Series. In this Southwest Center video of the event, Strom explains how diverse groups of people came together for the good of the Sonoran Desert in Pima County, preserving open spaces that you can see from Tumamoc Hill. We are faced today with an existential environmental and moral challenge: can we find common purpose in protecting and cherishing these masterpieces and in restoring a sense of shared responsibility for stewarding our endowment?

Watch the video here.

The event was presented by the Desert Laboratory on Tumamoc Hill, The University of Arizona Press, and The Southwest Center.

Stephen E. Strom began photographing in 1978, after studying the history of photography and silver and nonsilver photography at the University of Arizona. His photography complements poems and essays in six books published by the University of Arizona Press. Forging a Sustainable Southwest introduces readers to four conservation efforts that provide insight into how diverse groups of citizens have worked collaboratively to develop visions for land use that harmonized sometimes conflicting ecological, economic, cultural, and community needs.

Video: Michelle Téllez on Border Women

July 10, 2025

Michelle Téllez author of Border Women and the Community of Maclovio Rojas, spoke with Desert Laboratory at Tumamoc Hill Director Elise Gornish in the spring as part of the Tumamoc Author Series. In this Southwest Center video of the event, hear Téllez read a short excerpt from her book, then talk about the book with Gornish. Asked about the transnational lens through which she tells the stories of the women of Maclovio Rojas, Téllez responded, “Maclovio not just a place or location, it’s embedded in longer histories, colonial histories, economic histories that shape the lives of people who live there. So when I say transnational that’s what I mean.”

Watch the video here.

The event was presented by Desert Laboratory on Tumamoc Hill, The University of Arizona Press, and The Southwest Center.

Michelle Téllez, an associate professor in the Department of Mexican American Studies at the University of Arizona, writes about transnational community formations, Chicana feminism, and gendered migration. Border Women and the Community of Maclovio Rojas tells the story of the community’s struggle to carve out space for survival and thriving in the shadows of the U.S.-Mexico geopolitical border. This ethnography demonstrates the state’s neglect in providing social services and local infrastructure. This neglect exacerbates the structural violence endemic to the border region—a continuation of colonial systems of power on the urban, rural, and racialized poor.

Video: Melani Martinez on “The Molino”

July 9, 2025

Melani Martinez, author of The Molino: A Memoir, spoke with poet Logan Phillips last winter as part of the Tumamoc Author Series. In this Southwest Center video of the event, hear Martinez read a short excerpt from her memoir. She then tells stories of her family, who owned and operated El Rapido restaurant in downtown Tucson. Phillips asked about how she came up with the format of her memoir, and Martinez responded, “I understood what the book could be structurally after having found the character of ‘El Pensamiento’ [the thinker] to help shape the stories. There are two narrative voices: my narrative voice and the other persona is a character called El Pensamiento. To some degree, I needed a conversation to do the book, so he allowed me to converse with him.”

Watch the video here.

The event was presented by Desert Laboratory on Tumamoc Hill, The University of Arizona Press, and The Southwest Center.

Melani “Mele” Martinez is a senior lecturer at the University of Arizona, where she teaches writing courses. Her family has lived in the Sonoran Desert for at least nine generations. The Molino weaves together history, culture, and Mexican food traditions, in the story of her family’s life and work in the heart of their downtown eatery, El Rapido. Opened by Martinez’s great-grandfather, Aurelio Perez, in 1933, El Rapido served tamales and burritos to residents and visitors to Tucson’s historic Barrio Presidio for nearly seventy years. For the family, the factory that bound them together was known for the giant corn grinder churning behind the scenes—the molino.

Video: William L. Bird on Saguaro Imagery

June 30, 2025

William L. Bird Jr., author of In the Arms of Saguaros, spoke with Bruce Dinges, former editor of the Journal of Arizona History last fall as part of the Tumamoc Author Series. In this Southwest Center video of the event, see historic photos and learn how in the late 1800s, the saguaro became a symbol of the west. The railroad first used saguaros to market new destinations in the American West, then all kinds of tourist destinations used saguaro iconography to attract customers to everything from health resorts to dude ranches to shopping centers. Today, the saguaro touches us as a global icon in art, fashion, and entertainment.

Watch the video here.

The event was presented by Desert Laboratory on Tumamoc Hill, The University of Arizona Press, and The Southwest Center.

William L. Bird Jr. is a curator emeritus of the National Museum of American History, Smithsonian Institution. His interests lie at the intersection of politics, popular culture, and the history of visual display. Through text and lavish images, In the Arms of Saguaros explores the saguaro’s growth into a western icon from the early days of the American railroad to the years bracketing World War II, when Sun Belt boosterism hit its zenith and proponents of tourism succeed in moving the saguaro to the center of the promotional frame.

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