Date: Tuesday, April 21, 2026
Time: 7-8:30 p.m., MST
Where: San Pedro Chapel, 5230 Ft. Lowell Rd., Tucson, AZ
Also available on Zoom, register here
Ann Lane Hedlund, author of Mac Schweitzer: A Southwest Maverick and Her Art, will give an illustrated talk at the San Pedro Chapel in Tucson. Her talk is titled “Mac Schweitzer: A Mid-century Tucson Artist and Her Southwestern Anthropology Connections.” The event is sponsored by the Arizona Archaeological and Historical Society. Hedlund is a cultural anthropologist who collaborates with visual artists, including contemporary Indigenous weavers. She is an internationally-recognized expert on historic and modern textiles from the American Southwest. From 1997 to 2013 she served as a curator at Arizona State Museum and professor at University of Arizona, Tucson, where she also directed the nonprofit Center for Tapestry Studies. This hybrid event is in-person, and also available on Zoom (register here). No pre-registration is required for in-person attendance.
About the book:
In Tucson during the 1950s, nearly everyone knew, or wanted to know, the southwestern artist Mac Schweitzer. Born Mary Alice Cox in Cleveland, Ohio, in 1921, she grew up a tomboy who adored horses, cowboys, and art. After training at the Cleveland School of Art and marrying, she adopted her maiden initials (M. A. C.) as her artistic name and settled in Tucson in 1946. With a circle of influential friends that included anthropologists, designer-craftsmen, and Native American artists, she joined Tucson’s “Early Moderns,” receiving exhibits, commissions, and awards for her artwork. When she died in 1962, Mac’s artistic legacy faded from public view, but her prize-winning works attest to a thriving career.
Author Ann Lane Hedlund draws from the artist’s letters, photo albums, and published reviews to tell the story of Mac’s creative and adventuresome life. Her watercolors, oil paintings, prints, and sculptures—a diverse body of work never before seen in public—range from naturalistic studies of Sonoran Desert animals to impressionistic landscapes to moody abstractions.