Alan Pelaez Lopez Reads Poetry at Rutgers Zoom Event

Date: Wednesday, April 17, 2024

Time: 5:30 p.m. – 7:00 p.m., EST

Where: Register for Zoom event here

Alan Pelaez Lopez, editor of When Language Broke Open: An Anthology of Queer and Trans Black Writers of Latin American Descent, will read their poetry and be in conversation with poet Desiree C. Bailey at “Black Poetic Freedom Dreams,” presented by Rutgers Institute for the Study of Global Justice Relations. Pelaez Lopez’s work attends to the quotidian realities of undocumented migrants in the United States, Black resistance in the Pacific, and intimate kinship units that trans and nonbinary people build in the face of violence.

The event is free and open to the public, register for Zoom event here.

About the book:

When Language Broke Open collects the creative offerings of forty-five queer and trans Black writers of Latin American descent who use poetry, prose, and visual art to illustrate Blackness as a geopolitical experience that is always changing. Telling stories of Black Latinidades, this anthology centers the multifaceted realities of the LGBTQ community. By exploring themes of memory, care, and futurity, these contributions expand understandings of Blackness in Latin America, the Caribbean, and their U.S.-based diasporas. The works collected in this anthology encompass a multitude of genres—including poetry, autobiography, short stories, diaries, visual art, and a graphic memoir—and feature the voices of established writers alongside emerging voices. Together, the contributors challenge everything we think we know about gender, sexuality, race, and what it means to experience a livable life.

Northern Arizona Book Festival 2024

When: April 13, 2024

Where: Heritage Square, 22 E. Aspen Ave, Flagstaff, AZ

We’re excited to be participating in the 2024 Northern Arizona Book Festival (NOAZBF), a celebration of literature from Northern Arizona, the Colorado Plateau, the American Southwest, and beyond. We’ll have books on sale at our table in Heritage Square along with Abalone Mountain Press.

Read more about the festival below or at the official website:

“Established in 1997, the Northern Arizona Book Festival (NOAZBF) is a literary nonprofit based out of Kinłání (aka the bordertown of Flagstaff, Arizona). It coordinates readings, panels, workshops, contests, and more that reflect the literary interests and cultural issues that define life in the Colorado Plateau region of Northern Arizona. As part of its regular programming, the NOAZBF includes the Indigenous Writers’ Symposium, Young Readers’ Festival, and Flagstaff Off-the-Page (FLG OTP, new in Fall 2021). Throughout the year, the NOAZBF collaborates with and supports the Northern Arizona Playwriting Showcase, the Northern Arizona University MFA Program, Cinder Skies Reading Series, Juniper House Reading Series, Flagstaff Poetry Slam, Red Ink., Thin Air MagazineCarbon CopyCurios, Eggtooth Editions, Tolsun Books, Salina Bookshelf, Abalone Mountain Press, Outspokin’ and Bookish, Poetry Out Loud, the National Park Service, Northern Arizona Museum, and Bright Side Bookshop.”

Alan Pelaez Lopez Speaks at LA Times Festival of Books

Date: Sunday, April 21, 2024

Time: 4:00 p.m. – 4:40 p.m., PDT

Where: Latinidad Stage, USC campus, Los Angeles, CA

Alan Pelaez Lopez, editor of When Language Broke Open: An Anthology of Queer and Trans Black Writers of Latin American Descent, will speak on “Everything Latinidad: Challenging the Myth of the Monolith” at the 2024 Los Angeles Times Festival of Books on Sunday, April 21. Pelaez Lopez is an Afro-Indigenous poet and installation and adornment artist from Oaxaca, Mexico. Their work attends to the realities of undocumented migrants in the United States, the Black condition in Latin America, and the transgender imagination. They will be on the Latinidad Stage from 4:00 p.m. to 4:40 p.m. Events on the outdoor Latinidad Stage are free and open to the public.

About the book:

When Language Broke Open collects the creative offerings of forty-five queer and trans Black writers of Latin American descent who use poetry, prose, and visual art to illustrate Blackness as a geopolitical experience that is always changing. Telling stories of Black Latinidades, this anthology centers the multifaceted realities of the LGBTQ community. By exploring themes of memory, care, and futurity, these contributions expand understandings of Blackness in Latin America, the Caribbean, and their U.S.-based diasporas. The works collected in this anthology encompass a multitude of genres—including poetry, autobiography, short stories, diaries, visual art, and a graphic memoir—and feature the voices of established writers alongside emerging voices. Together, the contributors challenge everything we think we know about gender, sexuality, race, and what it means to experience a livable life.

Renae Watchman Speaks at Diné College

When: Thursday, April 18, 2024

Time: 5 – 6:30 p.m., AZT

Where: 1st Floor, Ned Hatathli Cultural Center, Diné College, Tsaile, AZ, and Facebook Live @dine.college

Renae Watchman will speak about her book Restoring Relations Through Stories: From Dinétah to Denendeh at Diné College’s Nits’áá dóó ídahwiil’aah “We are learning from you,” speaker series. Watchman is an associate professor of Indigenous studies at McMaster University; she teaches Indigenous literatures and Indigenous film and is the co-editor of Indianthusiasm: Indigenous Responses. Her book introduces the dynamic field of Indigenous film through a close analysis of two distinct Diné-directed feature-length films, and ends by introducing Dene literatures. This talk will be the final one for the Spring Speaker Series. The event will be in-person at Ned Hatathli Cultural Center at Diné College and on Facebook live. The lecture is free and open to the public.

About the book:

This insightful volume delves into land-based Diné and Dene imaginaries as embodied in stories—oral, literary, and visual. Like the dynamism and kinetic facets of hózhǫ́,* Restoring Relations Through Stories takes us through many landscapes, places, and sites. Renae Watchman introduces the book with an overview of stories that bring Tsé Bitʼaʼí, or Shiprock Peak, the sentinel located in what is currently the state of New Mexico, to life.

Kim Blaeser Reads at Asian/Pacific/American Institute at NYU

Date: Friday, March 1, 2024

Time: 7 p.m. – 9 p.m. EST

Where: A/P/A Institute at NYU, 20 Cooper Square, 3rd floor, New York, NY

Kimberly Blaeser, author of Ancient Light will read as part of the “Not One Without the Other:” A Reading and Conversation on Creativity and Community,” at the A/P/A Institute at NYU. In addition to Blaeser, this reading and conversation features George Abraham , Samiya Bashir, Cathy Linh Che, Deborah Paredez, and Glenn Shaheen. They will explore what it means to lead, create, and write, centering the idea “not one without the other.”

The event is free and open to the public. This is an in-person event, and registration is required. 

About the book:

Elegiac and powerful, Ancient Light uses lyric, narrative, and concrete poems to give voice to some of the most pressing ecological and social issues of our time. With vision and resilience, Kimberly Blaeser’s poetry layers together past, present, and futures. Against a backdrop of pandemic loss and injustice, MMIW (Missing and Murdered Indigenous Women), hidden graves at Native American boarding schools, and destructive environmental practices, Blaeser’s innovative poems trace pathways of kinship, healing, and renewal. They celebrate the solace of natural spaces through sense-laden geo-poetry and picto-poems.

Alan Pelaez Lopez Speaks on Trans* Imagination in Toronto

Date: Wednesday, February 28, 2024

Time: 4:30 – 6:30 p.m., EST

Where: Paul Cadario Conference Centre, University of Toronto, 1 Devonshire Pl, Toronto, ON

Alan Pelaez Lopez, editor of When Language Broke Open: An Anthology of Queer and Trans Black Writers of Latin American Descent  will give a lecture at the University of Toronto titled, Rehearsals and Refusal: notes on the trans* imagination. The lecture weaves North American Indigenous epistemologies with Black trans* theory to think about who we might be outside settler nations, genders, and sexualities. Pelaez Lopez says, “I talk through the radical activism of undocumented / illegalized trans* migrants in the United States to argue that the imagination is the first thing that empires take from us when we cross settler border.”  The event is presented by the Mark S. Bonham Centre for Sexual Diversity Studies, and is free and open to the public.  (Note: As of Feburary 27, 2024, this event is sold out).

About the book:

When Language Broke Open collects the creative offerings of forty-five queer and trans Black writers of Latin American descent who use poetry, prose, and visual art to illustrate Blackness as a geopolitical experience that is always changing. Telling stories of Black Latinidades, this anthology centers the multifaceted realities of the LGBTQ community.

By exploring themes of memory, care, and futurity, these contributions expand understandings of Blackness in Latin America, the Caribbean, and their U.S.-based diasporas. The volume offers up three central questions: How do queer and/or trans Black writers of Latin American descent address memory? What are the textures of caring, being cared for, and accepting care as Black queer and/or trans people of Latin American descent? And how do queer and trans embodiments help us understand and/or question the past and the present, and construct a Black, queer, and trans future?

Diane Dittemore on Virtual Basketry Panel

When: Saturday, February 17, 2024

Time: 1 p.m., EST

Where: Register for Zoom

Diane Dittemore joins Edward A. Jolie and August Wood in a virtual discussion, “Continuing Textile Traditions: Basketry in the North American Southwest, from Prehistory to Now,” presented by Weave a Real Peace. Dittemore, author of Woven from the Center, Native Basketry in the Southwest, will share her unique perspective on baskets, with topics ranging from the ancient, historic and contemporary cultural contexts from which they stem, and efforts to make study and interpretation more culturally inclusive. Diane Dittemore is an associate curator of ethnology at the Arizona State Museum, where she has worked for more than forty years. She was lead curator for the 2017 permanent exhibit Woven through Time: Native Treasures of Basketry and Fiber Arts.

To receive the Zoom link, register here.

About the book:

Woven from the Center presents breathtaking basketry from some of the greatest weavers in the Southwest. Each sandal and mat fragment, each bowl and jar, every water bottle and whimsy is infused with layers of aesthetic, cultural, and historical meanings. This book offers stunning photos and descriptions of woven works from Tohono O’odham, Akimel O’odham, Hopi, Western Apache, Yavapai, Navajo, Pai, Paiute, New Mexico Pueblo, Eastern Apache, Seri, Yaqui, Mayo, and Tarahumara communities.

 

Author William L. Bird Speaks in Palm Desert

Date: Friday, February 16, 2024

Time: 6 p.m., PST

Where: Portola Community Center, 45480 Portola Ave, Palm Desert, CA

William L. Bird Jr., author of In the Arms of Saguaros, will speak at the Historical Society of Palm Desert. He will show slides and explore the saguaro’s growth into a western icon from the early days of the American railroad to the years bracketing World War II, when Sun Belt boosterism hit its zenith and proponents of tourism succeed in moving the saguaro to the center of the promotional frame. Bird is a curator emeritus of the National Museum of American History, Smithsonian Institution. His interests lie at the intersection of politics, popular culture, and the history of visual display.  

About the book:

In the Arms of Saguaros shows how, from the botanical explorers of the nineteenth century to the tourism boosters in our own time, saguaros and their images have fulfilled attention-getting needs and expectations. This book explores how the growth of tourism brought the saguaro to ever-larger audiences through the proliferation of western-themed imagery on the American roadside. The history of the saguaro’s popular and highly imaginative range points to the current moment in which the saguaro touches us as a global icon in art, fashion, and entertainment.

 

“Woven from the Center” Celebration, Basketry Showcase and Basket Weaver Expo

Date: Saturday, March 23, 2024

Time: 10 a.m to 2 p.m., AZT

Where: Front Lawn, Arizona State Museum, University of Arizona, 1013 E. University Blvd, Tucson

Celebrate the publication of Woven from the Center: Native Basketry in the Southwest, by Diane Dittemore, at the Arizona State Museum.  Basket weavers from around the region, many highlighted in the book, will be showing and selling their wares as part of the Basketry Showcase and Basket Weaver Expo. In addition, the book will be available for purchase and signing by the author. Visitors may also go inside the museum to see the exhibit, “Woven Through Time: American Treasures of Native Basketry and Fiber Art,” curated by Dittemore.

About the book:

Woven from the Center presents breathtaking basketry from some of the greatest weavers in the Southwest. Each sandal and mat fragment, each bowl and jar, every water bottle and whimsy is infused with layers of aesthetic, cultural, and historical meanings. This book offers stunning photos and descriptions of woven works from Tohono O’odham, Akimel O’odham, Hopi, Western Apache, Yavapai, Navajo, Pai, Paiute, New Mexico Pueblo, Eastern Apache, Seri, Yaqui, Mayo, and Tarahumara communities. This richly illustrated volume stands on its own as a definitive look at basketry of the Greater Southwest, including northern Mexico.

Author Lucianne Lavin Speaks at Southbury Library

When: February 6, 2024

Time: 1 p.m., EST

Where: Southbury Public Library, 100 Poverty Rd., Southbury, CT

Registration recommended: Register for event here

Lucianne Lavin will speak on Our Hidden Landscapes edited by Lucianne Lavin and Elaine Thomas at the Southbury Connecticut Library. The event is co-sponsored by the Library and the Southbury Land Trust. Lavin will talk about built stone cultural features. The idea of Native Americans designing stone structures that represent sacred landscapes is fairly new to some Northeastern researchers, as it was historically–and erroneously—thought that local Indigenous peoples did not build in stone and all such structures were the result of European-American farming activities. Some of it is, but some of it is not.

This event is free to attend and open to all. Register here.

About the book:

Native American authors provide perspectives on the cultural meaning and significance of ceremonial stone landscapes and their characteristics, while professional archaeologists and anthropologists provide a variety of approaches for better understanding, protecting, and preserving them. The chapters present overwhelming evidence in the form of oral tradition, historic documentation, ethnographies, and archaeological research that these important sites created and used by Indigenous peoples are deserving of protection.

This work enables archaeologists, historians, conservationists, foresters, and members of the general public to recognize these important ritual sites.

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