2025 Latino Book Awards: Finalists & Honorable Mentions

September 10, 2025

We are pleased to announce that many of our books and authors were recently recognized as finalists and honorable mentions in the 2025 International Latino Book Awards! Congratulations to all!

All finalists will earn a Gold, Silver, or Bronze Award at the October 25th International Latino Book Awards Ceremony at the Concert Hall at MiraCosta College in Oceanside, CA.

FINALISTS

They Call You Back: A Lost History, A Search, A Memoir – Victor Villaseñor Best Latino Focused Nonfiction Book Award

Frontera Madre(hood): Brown Mothers Challenging Oppression and Transborder Violence at the U.S.-Mexico Border – Best Women’s Issues Book

Illegalized: Undocumented Youth Movements in the United States – Best Academic Themed Book, College Level

Mujeres de Maiz en Movimiento: Spiritual Artivism, Healing Justice, and Feminist Praxis – Best Women’s Issues Book

Mujeres de Maiz en Movimiento: Spiritual Artivism, Healing Justice, and Feminist Praxis – Best Academic Themed Book, College Level

Mujeres de Maiz en Movimiento: Spiritual Artivism, Healing Justice, and Feminist Praxis – Best Latina Themed Book

HONORABLE MENTIONS

The Molino: A Memoir – Best First Book (Nonfiction), English

Writing that Matters: A Handbook for Chicanx and Latinx Studies – Best Academic Themed Book, College Level

The International Latino Book Awards recognize excellence in literature, honoring books written in English, Spanish, and Portuguese, with the goal of “growing the awareness for books written by, for and about Latinos.”

Once again, congratulations!

Arizona Friend Trips at National Book Festival

August 12, 2025

Authors Lisa Schnebly Heidinger and Julie Morrison will represent Arizona at the National Book Festival in Washington, DC, on September 6. The Arizona Center for the Book, Arizona State Library, Archives & Public Records, selected their book, Arizona Friend Trips: Stories from the Road as the “Great Read Adult Selection.”

The Arizona Center for the Book noted on its website: “As Lisa and Julie share their favorite trips and formative experiences, readers are treated to an intimate glimpse into their lives, making this book a joyous and uplifting read for travelers and armchair explorers alike.” The book will be part of the “Great Reads from Great Places” reading list, distributed by the Library of Congress’s Center for the Book. Books may be written by authors from the state, take place in the state, or celebrate the state’s culture and heritage.

Heidinger talk about the book at libraries throughout Arizona in August as part of the Arizona Great Reads from Great Places author tour, sponsored by the Arizona Center for the Book.

The 25th annual Library of Congress National Book Festival will be held at the Walter E. Washington Convention Center in Washington, D.C., on September 6, from 9 a.m. to 8 p.m. The event is free and open to the public. A selection of programs will be live-streamed online and videos of all programs will be available shortly after the Festival.

Congratulations Lisa and Julie!

About the book:

In Arizona Friend Trips, Lisa Schnebly Heidinger and Julie Morrison invite readers to explore the state’s most cherished places through a blend of poetry, prose, and photography. From the iconic landmarks to hidden gems, each chapter of this captivating travelogue provides a rich tapestry of historical insight, personal anecdotes, and emotional reflections, painting a vivid portrait of Arizona’s diverse landscapes and vibrant culture. Be part of this unique journey as Lisa and Julie embark on an unforgettable adventure, filled with laughter, nostalgia, and a deep appreciation for the beauty of the Grand Canyon State.

Video: Linda Gregonis and Victoria Evans on The Hohokam and Their World

July 31, 2025

Linda Gregonis and Victoria Evans, authors of The Hohokam and Their World: An Exploration of Art and Iconography, spoke with archaeologist Gayle Hartmann in the spring as part of the Tumamoc Author Series. In this Southwest Center video of the event, the conversation followed the traces of what the Hohokam left behind: pottery, carved stone, shell ornaments, and stunning rock imagery. These materials offer a glimpse into how the Hohokam viewed and navigated their world: how they understood water, the desert, the ocean, travel, their ancestors, and the cosmos. The talk reflected the powerful backdrop of Tumamoc Hill, itself a significant Hohokam archaeological site.

Watch the video here.

The event was presented by Desert Laboratory on Tumamoc Hill, The University of Arizona Press, and The Southwest Center.

Linda M. Gregonis is an independent researcher who has spent more than forty years researching various aspects of Hohokam culture, including iconography, while working primarily as a ceramics analyst. Victoria R. Evans is an archaeologist who has conducted research in the Sonoran Desert for more than twenty years. The Hohokam and Their World offers readers the opportunity to explore how these various images and objects may have been used by the Hohokam. The authors discuss how artists drew inspiration from their Sonoran Desert homeland and were also influenced by the cultures of western Mexico, the hunter-gatherers of the western desert, the Mogollon to the east, and the Pueblo cultures of the northern Southwest.

Video: Stephen Strom on Forging a Sustainable Southwest

July 24, 2025

Stephen E. Strom, author of Forging a Sustainable Southwest: The Power of Collaborative Conservation, spoke with hydrologist Julia Fonseca in the spring as part of the Tumamoc Author Series. In this Southwest Center video of the event, Strom explains how diverse groups of people came together for the good of the Sonoran Desert in Pima County, preserving open spaces that you can see from Tumamoc Hill. We are faced today with an existential environmental and moral challenge: can we find common purpose in protecting and cherishing these masterpieces and in restoring a sense of shared responsibility for stewarding our endowment?

Watch the video here.

The event was presented by the Desert Laboratory on Tumamoc Hill, The University of Arizona Press, and The Southwest Center.

Stephen E. Strom began photographing in 1978, after studying the history of photography and silver and nonsilver photography at the University of Arizona. His photography complements poems and essays in six books published by the University of Arizona Press. Forging a Sustainable Southwest introduces readers to four conservation efforts that provide insight into how diverse groups of citizens have worked collaboratively to develop visions for land use that harmonized sometimes conflicting ecological, economic, cultural, and community needs.

Tim Z. Hernandez on Latino USA Podcast

July 14, 2025

Fernanda Echavarri of Latino USA interviewed Tim Z. Hernandez, author of All They Will Call You and They Call You Back, about the lasting impact of deportation over generations. She first interviewed him in 2018 about his life’s mission to find the families of the victims of the 1948 plane crash in Los Gatos Canyon, California. This new podcast interview reveals interesting developments on his search, including a forthcoming documentary film, and how the original Latino USA story uncovered clues that helped his search.

All thirty-two people on board died in the 1948 crash. Twenty-eight of them were Mexican farmworkers who were in the United States because of the Bracero Program, which brought millions of Mexican guest workers to the United States. All the people on the plane died the same way, but in death, they were not treated the same. For the four American crew members, U.S. officials gathered what remains they could, and sent caskets to their families. The remains of the twenty-eight Mexican braceros were not sent back to Mexico to be repatriated or given proper burial by their families. It was the deadliest crash in California history.

Listen to the Latino USA podcast here.

About All They Will Call You:

All They Will Call You is the harrowing account of “the worst airplane disaster in California’s history,” which claimed the lives of thirty-two passengers, including twenty-eight Mexican citizens—farmworkers who were being deported by the U.S. government. Outraged that media reports omitted only the names of the Mexican passengers, American folk icon Woody Guthrie penned a poem that went on to become one of the most important protest songs of the twentieth century, “Plane Wreck at Los Gatos (Deportee).” It was an attempt to restore the dignity of the anonymous lives whose unidentified remains were buried in an unmarked mass grave in California’s Central Valley. For nearly seven decades, the song’s message would be carried on by the greatest artists of our time, including Pete Seeger, Dolly Parton, Bruce Springsteen, Bob Dylan, and Joan Baez, yet the question posed in Guthrie’s lyrics, “Who are these friends all scattered like dry leaves?” would remain unanswered—until now.

About They Call You Back:

In this riveting new work, Hernandez continues his search for the plane crash victims while also turning the lens on himself and his ancestral past, revealing the tumultuous and deeply intimate experiences that have fueled his investigations—a lifelong journey haunted by memory, addiction, generational trauma, and the spirit world. They Call You Back is the true chronicle of one man’s obsession to restore dignity to an undignified chapter in America’s past, while at the same time making a case for why we must heal our personal wounds if we are ever to heal our political ones.

Video: Michelle Téllez on Border Women

July 10, 2025

Michelle Téllez author of Border Women and the Community of Maclovio Rojas, spoke with Desert Laboratory at Tumamoc Hill Director Elise Gornish in the spring as part of the Tumamoc Author Series. In this Southwest Center video of the event, hear Téllez read a short excerpt from her book, then talk about the book with Gornish. Asked about the transnational lens through which she tells the stories of the women of Maclovio Rojas, Téllez responded, “Maclovio not just a place or location, it’s embedded in longer histories, colonial histories, economic histories that shape the lives of people who live there. So when I say transnational that’s what I mean.”

Watch the video here.

The event was presented by Desert Laboratory on Tumamoc Hill, The University of Arizona Press, and The Southwest Center.

Michelle Téllez, an associate professor in the Department of Mexican American Studies at the University of Arizona, writes about transnational community formations, Chicana feminism, and gendered migration. Border Women and the Community of Maclovio Rojas tells the story of the community’s struggle to carve out space for survival and thriving in the shadows of the U.S.-Mexico geopolitical border. This ethnography demonstrates the state’s neglect in providing social services and local infrastructure. This neglect exacerbates the structural violence endemic to the border region—a continuation of colonial systems of power on the urban, rural, and racialized poor.

Video: Melani Martinez on “The Molino”

July 9, 2025

Melani Martinez, author of The Molino: A Memoir, spoke with poet Logan Phillips last winter as part of the Tumamoc Author Series. In this Southwest Center video of the event, hear Martinez read a short excerpt from her memoir. She then tells stories of her family, who owned and operated El Rapido restaurant in downtown Tucson. Phillips asked about how she came up with the format of her memoir, and Martinez responded, “I understood what the book could be structurally after having found the character of ‘El Pensamiento’ [the thinker] to help shape the stories. There are two narrative voices: my narrative voice and the other persona is a character called El Pensamiento. To some degree, I needed a conversation to do the book, so he allowed me to converse with him.”

Watch the video here.

The event was presented by Desert Laboratory on Tumamoc Hill, The University of Arizona Press, and The Southwest Center.

Melani “Mele” Martinez is a senior lecturer at the University of Arizona, where she teaches writing courses. Her family has lived in the Sonoran Desert for at least nine generations. The Molino weaves together history, culture, and Mexican food traditions, in the story of her family’s life and work in the heart of their downtown eatery, El Rapido. Opened by Martinez’s great-grandfather, Aurelio Perez, in 1933, El Rapido served tamales and burritos to residents and visitors to Tucson’s historic Barrio Presidio for nearly seventy years. For the family, the factory that bound them together was known for the giant corn grinder churning behind the scenes—the molino.

Video: William L. Bird on Saguaro Imagery

June 30, 2025

William L. Bird Jr., author of In the Arms of Saguaros, spoke with Bruce Dinges, former editor of the Journal of Arizona History last fall as part of the Tumamoc Author Series. In this Southwest Center video of the event, see historic photos and learn how in the late 1800s, the saguaro became a symbol of the west. The railroad first used saguaros to market new destinations in the American West, then all kinds of tourist destinations used saguaro iconography to attract customers to everything from health resorts to dude ranches to shopping centers. Today, the saguaro touches us as a global icon in art, fashion, and entertainment.

Watch the video here.

The event was presented by Desert Laboratory on Tumamoc Hill, The University of Arizona Press, and The Southwest Center.

William L. Bird Jr. is a curator emeritus of the National Museum of American History, Smithsonian Institution. His interests lie at the intersection of politics, popular culture, and the history of visual display. Through text and lavish images, In the Arms of Saguaros explores the saguaro’s growth into a western icon from the early days of the American railroad to the years bracketing World War II, when Sun Belt boosterism hit its zenith and proponents of tourism succeed in moving the saguaro to the center of the promotional frame.

Logan Phillips Is Writer-in-Residence at Pima County Libraries

June 26, 2025

Logan Phillips, author of Reckon (forthcoming in spring 2026), will be Writer-in-Residence at Pima County Public Libraries (PCPL), July 5–August 12, 2025. This summer, Logan presents a “Tell Your Story” workshop to kick off his residency on Saturday, July 5, at Valencia Library for writers age 16+. He hosts a workshop and open mic for writers of all ages at MegaMania, PCPL’s ComiCon style event at Pima Community College’s Downtown Campus on Saturday, July 19. Logan also offers two workshops for kids aged 8–13 at Santa Rosa Library: Youth Writing Jam on Wednesday, August 13, and Make Your Own Book on Wednesday, August 20. Additionally, he is available for a limited number of one-on-one consultations with writers (sign up here) and a writing group based at Valencia Library.

Holding collaboration as a core creative practice, Phillips has contributed to a wide range of performance, music, and community-centered education projects in the U.S., Mexico, Colombia, and beyond. Phillips is a volunteer organizer with Tucson Birthplace Open Space Coalition (TBOSC), an intercultural effort to strengthen Indigenous sovereignty at the base of S-Cuk Ṣon / Sentinel Peak / ‘A’ Mountain.

About Reckon:

What’s it like to have been born in Tombstone, Arizona?

In Reckon, artist Logan Phillips returns to the fabled town to face the history he was raised on as a boy—gunfights, outlaws, and Hollywood cowboys—for a new, personal confrontation with the West’s foundational mythology. This hybrid memoir also explores sexuality, masculinity, parenting, and what it means to love a land rife with contradiction and “slathered in murder.”

As innovative as it is moving, this memoir is constructed of essays, photography, poetry, newspaper clippings from the Tombstone Epitaph Local Edition, and of course, movie screenplays. As he writes the characters of his past––including Youngfather and Teenme––Phillips finds the real history to be much more complex than the stories he was told. This is Tombstone in the 1980s and 90s, a century after the West’s most famous gunfight––a fifteen-second event still performed every day in historical reenactments––where Phillips’s father works as a historical exhibit designer at the Courthouse Museum and his uncle as a stuntman at Old Tucson Studios.

Video: David DeJong on Gila River Water Rights

June 10, 2025

David H. DeJong, author of Damming the Gila: The Gila River Indian Community and the San Carlos Irrigation Project, 1900-1942, spoke about his book as part of the Tumamoc Author Series last fall. In this Southwest Center video of the event, DeJong starts by telling how he came to write his books: “The story that’s told here about the San Carlos irrigation project is a story that I live every day. How do I live it? The system that was built in the 1920s is the system we are modernizing today. So it was a very natural step for me, and I had always been interested in going all the way back to when I was sixteen years old and wanting to know what happened [to water in the Gila River]. So this is my forty-first year of researching and writing on the history of the community.”

Watch the video here.

The event was presented by Desert Laboratory on Tumamoc Hill, The University of Arizona Press, and The Southwest Center.

DeJong is director of the Pima-Maricopa Irrigation Project, a construction project funded by the U.S. Bureau of Reclamation and designed to deliver water—from the Central Arizona Project, the Gila River, and other sources—to the Gila River Indian Reservation. Damming the Gila chronicles the history of water rights and activities on the Gila River Indian Reservation. Centered on the San Carlos Irrigation Project and Coolidge Dam, it details the history and development of the project, including the Gila Decree and the Winters Doctrine. Embedded in the narrative is the underlying tension between tribal growers on the Gila River Indian Reservation and upstream users.

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