October 20, 2026
The University of Arizona Press will be at the American Studies Association meeting this week in Chicago! We hope you’ll stop by booth #38, where you can meet Acquiring Editor, Elizabeth Wilder.
We’re also extending the conference discount to everyone through November 19, so now is the time to pick up some discounted books! Use code AZASA26 for 40% off all titles on our website.
Finally, if you’re an author or editor and you have a project that might be a good fit for The University of Arizona Press, learn more about publishing with us here.
New & Featured Titles

El Salvador Reborn examines the nation’s efforts to reshape its identity after the Peace Accords amid declining Cold War tensions. The book explores the criminalization of abortion and environmental activism in postwar El Salvador. Mellissa Linton-Villafranco makes the case for a holistic conception of life that integrates land, body, and community sovereignty, weaving reproductive justice with environmental activism to promote a broader, interconnected understanding of life and rights in El Salvador.

In Caste War, Now and Never scholar S.B. West considers Yucatán’s nineteenth-century Caste War, the longest and most violent Indigenous uprising of the Western Hemisphere, to argue that it actually never occurred. Instead, West writes that the violent events grouped under the “Caste War” label must be understood through alternative frameworks that resist the emergent logics of race war and include related regulatory matrices like gender and land.

Focusing on the lived experiences, histories, and spiritual activism of sixteen Chicanas/Tejanas, Brenda L. Sendejo’s Chicana Spiritual Activism shows how these trailblazing women confronted the enduring impacts and repercussions of colonial legacies in Texas through their involvement in movement initiatives such as electoral politics through Mujeres Por La Raza, the cultural arts movement, developing Chicana feminist thought, and the establishment of bilingual education and Chicana/o studies programs.

Meghan Markle speaks to readers interested in the intersections of monarchy, race, feminism, and celebrity culture. Through its interdisciplinary approach and critical insight, Duchess Harris and Julie Schwietert Collazo reveal how one woman’s experience within the royal family brings into focus broader social and historical processes of racial identity making and colonial power. This is essential reading for anyone seeking to understand the cultural and political significance of Meghan Markle’s story—and what it tells us about the world we live in.

Two Vatos Talk Pop Cultura brings a leading Latinx media studies scholar, Frederick Luis Aldama, together with an award-winning television writer and producer, Peter Murrieta, to examine how Latinx representation has evolved—and stagnated—across seven decades of American TV, film, and pop culture. Two Vatos Talk Pop Cultura aims to be an essential book for students and lay readers alike, shedding light on who shapes representation—and why it matters.

How We Came to Be is both a scholarly archive and a call to action, preserving the legacy of those who built Chicano studies and inspiring future generations to continue the work of transformation within and beyond the academy. This work by Teresa Córdova, Aída Hurtado, Francisco J. Hernández, and Avelardo Valdez chronicles the lives and legacies of Chicana and Chicano scholars whose formative experiences in the Chicano Movement shaped the development of Chicano studies and transformed higher education.

Border Afterlives begins with the undocumented individuals who die crossing the U.S.-Mexico border—deaths that are both preventable and politically produced. Drawing on over a decade of ethnographic, participatory, and community-engaged research, author Gabriella Soto examines the postmortem journeys of these migrants through the fragmented infrastructure of medicolegal death investigation in the U.S. Southwest. This is a book that insists on remembering the dead.

Accessible yet scholarly, Curandereando bridges sacred traditions with academic discourse, challenging Western medical dominance while offering holistic frameworks grounded in ancestral knowledge. Lani Cupchoy reclaims curanderismo as a revolutionary practice of ancestral wisdom, resilience, and renewal. Blending poetry, Spanglish storytelling, oral histories, and testimonios, this hybrid work illuminates healing as both a sacred tradition and a decolonial act of resistance.
Featured Series
BorderVisions, edited by Vanessa Fonseca-Chávez and Yvette J. Saavedra, engages the U.S.-Mexico borderlands’ dynamic histories and cultures and expands our understanding of the borderlands beyond a site of geopolitical inquiry. We are especially interested in books that address the complexities and richness of borderlands experiences at different historical, cultural, and sociopolitical moments. Watch a recording of the series launch for BorderVisions here.
Critical Issues in Indigenous Studies, edited by Jeffrey P. Shepherd and Myla Vicenti Carpio, anchors intellectual work within an Indigenous framework that reflects Native-centered concerns and objectives. Series titles expand and deepen discussions about Indigenous people beyond nation-state boundaries, and complicate existing notions of Indigenous identity. The series editors are especially interested in works that analyze colonization, land dispossession, and oppression while foregrounding Indigenous peoples’ resistance to these processes.
The Feminist Wire Books presents a cultural bridge between the digital and printing worlds. These timely, critical books will contribute to feminist scholarship, pedagogy, and praxis in the twenty-first century. TFW and The Feminist Wire Books are dedicated to the sociopolitical and cultural critique of anti-feminist, racist, and imperialist politics. The series editors seek books that will analyze U.S. popular culture, media, and politics in order to identify, document, and seek to intervene in social and political phenomena that marginalize people and produce vulnerabilities. Central to the series is a critique of the persistence and functionality of race, racism, transnational anti-blackness, imperialism, and various structural practices of “othering.”
Latinx Pop Culture aims to shed light on all aspects of Latinx cultural production and consumption as well as the Latinx presence globally in popular cultural phenomena in the late twentieth and early twenty-first centuries. The books in the series are intended for lay readers, faculty, and students, and they provide crucial orientation and knowledge for further study and engagement.
For questions or to submit a proposal to any of these series, please contact Kristen Buckles, kbuckles@uapress.arizona.edu.


































































