ASA 2026: Featured Books & Discounts

October 20, 2026

The University of Arizona Press will be at the American Studies Association meeting this week in Chicago! We hope you’ll stop by booth #38, where you can meet Acquiring Editor, Elizabeth Wilder.

We’re also extending the conference discount to everyone through November 19, so now is the time to pick up some discounted books! Use code AZASA26 for 40% off all titles on our website.

Finally, if you’re an author or editor and you have a project that might be a good fit for The University of Arizona Press, learn more about publishing with us here.


New & Featured Titles

Illustrated book cover showing the back view of a figure with one arm raised in a gesture of protest and solidarity. The figure stands against layered fields of pink, teal, and purple with paint-like textures and scattered color splashes. The bold black title, "El Salvador Reborn," spans across the center, while the subtitle appears in smaller magenta text near the top.

El Salvador Reborn examines the nation’s efforts to reshape its identity after the Peace Accords amid declining Cold War tensions. The book explores the criminalization of abortion and environmental activism in postwar El Salvador. Mellissa Linton-Villafranco makes the case for a holistic conception of life that integrates land, body, and community sovereignty, weaving reproductive justice with environmental activism to promote a broader, interconnected understanding of life and rights in El Salvador.


Book cover featuring a collage-style mural in warm orange, yellow, and green tones. Visual elements include a figure with outstretched arm, a white bird in the foreground, sculptural faces, plants, and fragments of printed text. Large white lettering overlays the artwork with the title "Caste War Now and Never."

In Caste War, Now and Never scholar S.B. West considers Yucatán’s nineteenth-century Caste War, the longest and most violent Indigenous uprising of the Western Hemisphere, to argue that it actually never occurred. Instead, West writes that the violent events grouped under the “Caste War” label must be understood through alternative frameworks that resist the emergent logics of race war and include related regulatory matrices like gender and land.


Painted book cover depicting a figure emerging from behind a large agave plant that has one hand raised. The figure wears a blue shawl and stands before a landscape of green fields, distant hills, and a cloudy sky. A small bird perches near the base of the agave. The title “Chicana Spiritual Activism” appears in large white letters.

Focusing on the lived experiences, histories, and spiritual activism of sixteen Chicanas/Tejanas, Brenda L. Sendejo’s Chicana Spiritual Activism shows how these trailblazing women confronted the enduring impacts and repercussions of colonial legacies in Texas through their involvement in movement initiatives such as electoral politics through Mujeres Por La Raza, the cultural arts movement, developing Chicana feminist thought, and the establishment of bilingual education and Chicana/o studies programs.


Book cover featuring a formal painted portrait of Meghan Markle wearing a crown, layered pearl necklaces, and an elegant blue-and-white gown. The portrait is set against a collage of torn newspaper clippings and headlines, creating a mixed-media backdrop. Large green text at the top reads “Meghan Markle.”

Meghan Markle speaks to readers interested in the intersections of monarchy, race, feminism, and celebrity culture. Through its interdisciplinary approach and critical insight, Duchess Harris and Julie Schwietert Collazo reveal how one woman’s experience within the royal family brings into focus broader social and historical processes of racial identity making and colonial power. This is essential reading for anyone seeking to understand the cultural and political significance of Meghan Markle’s story—and what it tells us about the world we live in.


Colorful illustrated book cover showing two people in animated conversation at the center while surrounded by a lively montage of characters inspired by television, film, comics, music, and popular culture. The artwork includes superheroes, musicians, action-adventure figures, and performers layered against a purple-to-orange gradient background. The title appears in large yellow lettering above the scene.

Two Vatos Talk Pop Cultura brings a leading Latinx media studies scholar, Frederick Luis Aldama, together with an award-winning television writer and producer, Peter Murrieta, to examine how Latinx representation has evolved—and stagnated—across seven decades of American TV, film, and pop culture. Two Vatos Talk Pop Cultura aims to be an essential book for students and lay readers alike, shedding light on who shapes representation—and why it matters.


Book cover designed with bold graphic typography over a grainy, high-contrast archival photograph. Large white block letters spelling the title, “HOW WE CAME TO BE”  dominate the left side, while a faded image of people gathered on steps fills the background in dark red and black tones. Contributor names are listed along the right margin, emphasizing the book's collective scholarly focus.

How We Came to Be is both a scholarly archive and a call to action, preserving the legacy of those who built Chicano studies and inspiring future generations to continue the work of transformation within and beyond the academy. This work by Teresa Córdova, Aída Hurtado, Francisco J. Hernández, and Avelardo Valdez chronicles the lives and legacies of Chicana and Chicano scholars whose formative experiences in the Chicano Movement shaped the development of Chicano studies and transformed higher education.


Book cover featuring a procession of human-shaped figures constructed from colorful strips of fabric and clothing. The figures stand in a line across a gray open space, receding into the distance. The title “Border Afterlives” appears in large white letters above the installation-like scene.

Border Afterlives begins with the undocumented individuals who die crossing the U.S.-Mexico border—deaths that are both preventable and politically produced. Drawing on over a decade of ethnographic, participatory, and community-engaged research, author Gabriella Soto examines the postmortem journeys of these migrants through the fragmented infrastructure of medicolegal death investigation in the U.S. Southwest. This is a book that insists on remembering the dead.


Painted book cover depicting a figure in a white garment holding a terracotta bowl filled with green herbs. The figure stands amid colorful flowers with a modern city skyline in the background and fiery orange, red, and gold patterns filling the sky above. The title, “Curandereando,” arches across the top, with the author's name, Lani Cupchoy, at the bottom.

Accessible yet scholarly, Curandereando bridges sacred traditions with academic discourse, challenging Western medical dominance while offering holistic frameworks grounded in ancestral knowledge. Lani Cupchoy reclaims curanderismo as a revolutionary practice of ancestral wisdom, resilience, and renewal. Blending poetry, Spanglish storytelling, oral histories, and testimonios, this hybrid work illuminates healing as both a sacred tradition and a decolonial act of resistance.


Featured Series

BorderVisions, edited by Vanessa Fonseca-Chávez and Yvette J. Saavedra, engages the U.S.-Mexico borderlands’ dynamic histories and cultures and expands our understanding of the borderlands beyond a site of geopolitical inquiry. We are especially interested in books that address the complexities and richness of borderlands experiences at different historical, cultural, and sociopolitical moments. Watch a recording of the series launch for BorderVisions here.

Critical Issues in Indigenous Studies, edited by Jeffrey P. Shepherd and Myla Vicenti Carpio, anchors intellectual work within an Indigenous framework that reflects Native-centered concerns and objectives. Series titles expand and deepen discussions about Indigenous people beyond nation-state boundaries, and complicate existing notions of Indigenous identity. The series editors are especially interested in works that analyze colonization, land dispossession, and oppression while foregrounding Indigenous peoples’ resistance to these processes.

The Feminist Wire Books presents a cultural bridge between the digital and printing worlds. These timely, critical books will contribute to feminist scholarship, pedagogy, and praxis in the twenty-first century. TFW and The Feminist Wire Books are dedicated to the sociopolitical and cultural critique of anti-feminist, racist, and imperialist politics. The series editors seek books that will analyze U.S. popular culture, media, and politics in order to identify, document, and seek to intervene in social and political phenomena that marginalize people and produce vulnerabilities. Central to the series is a critique of the persistence and functionality of race, racism, transnational anti-blackness, imperialism, and various structural practices of “othering.”

Latinx Pop Culture aims to shed light on all aspects of Latinx cultural production and consumption as well as the Latinx presence globally in popular cultural phenomena in the late twentieth and early twenty-first centuries. The books in the series are intended for lay readers, faculty, and students, and they provide crucial orientation and knowledge for further study and engagement.

For questions or to submit a proposal to any of these series, please contact Kristen Buckles, kbuckles@uapress.arizona.edu.

WHA 2026: Featured Books & Discounts

October 19, 2026

The University of Arizona Press is excited to be at the 2026 Western History Association meeting in Portland this week! Find us at booth #103 to browse our latest history titles and meet our staff.

If you can’t attend this year, or if you need an extra copy of a book you discover at our booth, we’ve got you covered: use AZWHA26 for 40% off all books.

Are you an author or editor? Do you have a project that would be a great fit for The University of Arizona Press? To learn more about publishing with us, click here.


New & Featured History Titles

Book cover for “A Peregrine Ethnography.” Large blue title text appears over a faded historic map background.

In 1775–1776, Francisco Garcés, O.F.M., undertook a remarkable three-thousand-kilometer journey through modern Arizona and the Californias. In A Peregrine Ethnography, Peter M. Whiteley identifies the ur-version of Garcés’s diary—a previously unknown copy written up by Pedro Font—and offers a new translation focusing on ethnographic significance in geographic context. Presenting also the Spanish text, Whiteley engages directly with Garcés’s account and provides readers with new interpretation and context.


Book cover featuring a desert landscape of red sandstone cliffs beneath a clear blue sky. A herd of black cattle moves along a road in the foreground beside a pickup truck and rider. Large brown lettering spells out the title, “Zion's Last Frontier.”

From the arrival of the first Latter Day Saints pioneers in the 1870s to fifth- and sixth-generation descendants of those pioneers today, anthropologist Thomas E. Sheridan documents their ongoing struggles with the federal and state agencies that control 96 percent of the land they ranch. Changing policies and management philosophies profoundly impact the ranchers’ livelihoods and ways of life. Zion’s Last Frontier provides an in-depth look at the clash of cultures between the agrarian Old West and the New West of tourism and second-homers that is playing itself out across so many parts of the rural West today.


Painted book cover depicting a figure in a white garment holding a terracotta bowl filled with green herbs. The figure stands amid colorful flowers with a modern city skyline in the background and fiery orange, red, and gold patterns filling the sky above. The title, “Curandereando,” arches across the top, with the author's name, Lani Cupchoy, at the bottom.

Accessible yet scholarly, Lani Cupchoy‘s Curandereando bridges sacred traditions with academic discourse, challenging Western medical dominance while offering holistic frameworks grounded in ancestral knowledge. The book reclaims curanderismo as a living and revolutionary practice of ancestral wisdom, resilience, and renewal. Blending poetry, Spanglish storytelling, oral histories, and testimonios, this hybrid work illuminates healing as both a sacred tradition and a decolonial act of resistance.


Illustrated book cover showing a horned desert lizard reclining on a cluster of rocks in a landscape dotted with cacti and distant desert mountains. The title, "Sonoran Desert Bestiary," appears above the scene, with the subtitle, A More-than-Natural History, below.

Sonoran Desert Bestiary explores the many marvelous and well-known creatures the Sonoran Desert has such as the javelina and the coyote, often found on postcards and lawn ornaments. But what about the lesser-known creatures—the ones that are underfoot yet unseen, that lurk only in the shadows and in our imaginations? In this collection of essays, prose poems, and illustrations, naturalist Gary Paul Nabhan and artist Robert J. Long team up to celebrate these unsung beings of the Sonoran Desert.


Sepia-toned book cover centered on a historic portrait of Gunshooter wearing layered beaded necklaces and a patterned blanket. Below the portrait, the title, “The Sons of Gunshooter,” is displayed above the authors’ names, Dorothy Denetclaw and Matt Fitzsimons.

In 1919, the brother of one of the West’s most famous Indian traders was shot to death in a remote corner of the Navajo Nation. Part history, part true crime, Dorothy Denetclaw and Matt Fitzsimons‘ The Sons of Gunshooter reexamines the killing and subsequent murder trial, while simultaneously embedding the story in a much larger saga of colonization and resistance. One of the authors is a descendant of participants in the case; the other is an investigative journalist. By merging Diné oral traditions with archival evidence, they succeed in upending one false narrative after another.


Book cover featuring a close-up photograph of ceremonial staffs decorated with flowing red fabric, beadwork, and patterned textiles. The objects are arranged outdoors against a softly blurred background. The title, Understanding Tribal Sovereignty, appears in large white lettering on a gray background.

What does tribal sovereignty really mean—and why does it matter today? Accessibly written for the nonspecialist, in Understanding Tribal Sovereignty, acclaimed historian Donald L. Fixico unpacks the complex history and legal foundations of tribal sovereignty in the United States. From traditional Native governance to landmark treaties, federal laws, and court cases, Fixico guides readers through the evolution of tribal self-rule and its modern expressions—from tribal constitutions to license plates and casinos.


Book cover combining textured blue panels with a historic black-and-white street photograph. The image shows a large crowd gathered along a broad downtown roadway, with people standing in groups. The title, "Arizona’s Quest for Reform," appears above the photograph, and the author's name, David R. Berman, appears below.

In Arizona’s Quest for Reform, David R. Berman traces the rise and fall of a dynamic coalition of socialists, labor activists, and progressive Democrats led by the influential Governor George Hunt as they pursued sweeping reforms in a rapidly changing state. From the fight for workers’ rights and women’s suffrage to the use of the initiative process and the role of radical newspapers, Berman brings to life the people and movements that shaped Arizona’s early political identity.


Minimalist book cover with a textured cream background and bold red typography. Centered beneath the title is a stylized Indigenous-inspired motif with flowing geometric lines. The subtitle appears in black text below the title, “Confronting Colonial Legacies,” and the author's name is printed in red at the bottom of the cover.

Confronting Colonial Legacies offers a groundbreaking account of how Chicana/o activists have engaged in sustained efforts to reclaim Indigenous identity through political struggle, cultural expression, and transnational solidarity. Drawing on extensive archival research, Serrano Nájera demonstrates how Chicana/o indigeneity has contributed to broader Indigenous rights movements, including efforts that culminated in the 2007 United Nations Declaration on the Rights of Indigenous Peoples.


Featured Series

We are excited to be adding new titles to our BorderVisions, Arizona Crossroads, Modern American West, and Critical Issues in Indigenous Studies series this year! Learn more below.

BorderVisions, edited by Vanessa Fonseca-Chávez and Yvette J. Saavedra, engages the U.S.-Mexico borderlands’ dynamic histories and cultures and expands our understanding of the borderlands beyond a site of geopolitical inquiry. We are especially interested in books that address the complexities and richness of borderlands experiences at different historical, cultural, and sociopolitical moments. Watch a recording of the series launch for BorderVisions here.

Arizona Crossroads, edited by Anita Huizar-Hernández, Eric V. Meeks, and Katherine G. Morrissey, is a series in collaboration with the Arizona Historical Society that explores the history of peoples and cultures, events and struggles, ideas and practices in the place we know today as Arizona. We are open to a variety of book formats: monographs, multi-authored works, and edited collections, as well as broader more synthetic works. Interdisciplinary projects that engage the past are encouraged.

Critical Issues in Indigenous Studies, edited by Jeffrey P. Shepherd and Myla Vicenti Carpio, anchors intellectual work within an Indigenous framework that reflects Native-centered concerns and objectives. Series titles expand and deepen discussions about Indigenous people beyond nation-state boundaries, and complicate existing notions of Indigenous identity. The series editors are especially interested in works that analyze colonization, land dispossession, and oppression while foregrounding Indigenous peoples’ resistance to these processes.

Modern American West, edited by Flannery Burke and Andrew G. Kirk, seeks to advance scholarly and public understanding of the rich history of the twentieth-century American West by publishing creative works of research and synthesis. Volumes in the series are distinguished by both original research and careful analysis of existing secondary literature. The series editors seek single- or co-authored works that identify new directions for scholarship and develop new interpretive frameworks, while also providing comprehensive introductions to particular topics.

For questions or to submit a proposal to any of these series, please contact Kristen Buckles, kbuckles@uapress.arizona.edu.

Arizona History Convention 2026: Featured Books

September 21, 2026

The University of Arizona Press will be at the Arizona History Convention this week in Tucson! We hope you’ll stop by our table inside the Arizona History Museum, 949 E. 2nd Street, on Saturday, September 26, where you can purchase and browse our new history books.

We’re also extending the conference discount to everyone through October 2, so now is the time to pick up some discounted books! Use code AZAHC26 for 30% off all titles on our website.

Finally, if you’re an author or editor and you have a project that might be a good fit for The University of Arizona Press, learn more about publishing with us here.


New & Featured Titles

book cover for Arizona’s Quest for Reform, David R. Berman


In Arizona’s Quest for Reform, David R. Berman traces the rise and fall of a dynamic coalition of socialists, labor activists, and progressive Democrats led by the influential Governor George Hunt as they pursued sweeping reforms in a rapidly changing state. From the fight for workers’ rights and women’s suffrage to the use of the initiative process and the role of radical newspapers, Berman brings to life the people and movements that shaped Arizona’s early political identity.


book cover of The Sons of Gunshooter


In 1919, the brother of one of the West’s most famous Indian traders was shot to death in a remote corner of the Navajo Nation. Part history, part true crime, The Sons of Gunshooter reexamines the killing and subsequent murder trial, while simultaneously embedding the story in a much larger saga of colonization and resistance. The result is a book that’s sweeping in its scope and surgical in its approach. Rewinding the clock to 1868, Dorothy Denetclaw and Matt Fitzsimons follow the intertwining paths of two families to offer a riveting, deeply personal account that has been hailed as “a new way of doing historiography.”


book cover for Damming the Gila by David H DeJong.


Unraveling a complex web of tension, distrust, and political maneuvering, Damming the Gila continues the story of the Gila River Indian Community’s struggle for the restoration of its water rights. David H. DeJong continues to chronicle the history of water rights and activities on the Gila River Indian Reservation. Embedded in the narrative is the underlying tension between tribal growers on the Gila River Indian Reservation and upstream users. Told in seven chapters, the story underscores the idea that the Gila River Indian Community believed the San Carlos Irrigation Project was first and foremost for their benefit and how the project and the Gila Decree fell short of restoring their water and agricultural economy.



This stunning exploration of Seri (Comcaac) basket weaving reveals the resilience and creativity of the weavers as seen through the lens of documentary photographer David Burckhalter, who has spent five decades cultivating friendships and documenting Seri traditions, landscapes, and basketry in Sonora, Mexico. Blending striking photography with reflections from years as a trader and observer of Seri culture, Baskets from the Seri Coast traces the evolution of Seri basketry from a utilitarian craft to a celebrated art form. 


In Reckon, artist Logan Phillips returns to the fabled town to face the history he was raised on as a boy—gunfights, outlaws, and Hollywood cowboys—for a new, personal confrontation with the West’s foundational mythology. This hybrid memoir also explores sexuality, masculinity, parenting, and what it means to love a land rife with contradiction and “slathered in murder.”As innovative as it is moving, this memoir is constructed of essays, photography, poetry, newspaper clippings from the Tombstone Epitaph Local Edition, and of course, movie screenplays.  


Featured Series

Arizona Crossroads explores the history of peoples and cultures, events and struggles, ideas and practices in the place we know today as Arizona. Throughout its history, Arizona has long served as a crossroads between Native peoples, settler colonists, and immigrants from around the world. It has been a contested site among peoples, nations, and empires; it is also a place where events, decisions, and struggles have had far-reaching consequences beyond its shifting borders. This is a new book series at the University of Arizona Press, in collaboration with the Arizona Historical Society.

BorderVisions, edited by Vanessa Fonseca-Chávez and Yvette J. Saavedra, engages the U.S.-Mexico borderlands’ dynamic histories and cultures and expands our understanding of the borderlands beyond a site of geopolitical inquiry. We are especially interested in books that address the complexities and richness of borderlands experiences at different historical, cultural, and sociopolitical moments. Watch a recording of the series launch for BorderVisions here.

For questions or to submit a proposal to any of these series, please contact Kristen Buckles, kbuckles@uapress.arizona.edu.

2026 LASA Conference: Featured Books & Discounts

May 25, 2026

The 2026 Latin American Studies Association Conference begins this week in Paris, and our authors will be busy presenting on panels and receiving awards in the City of Light!

To browse our books, be sure to stop by booth, #111 in the exhibit hall, where you can see University of Arizona Press titles on display with Mare Nostrum Group.

Below, read about some of our newest Latin American Studies titles—and take advantage of the 40% off discount on all books, using code AZLASA26 at checkout on our website through 6/23/26.

New & Featured Latin American Studies Titles

book cover for "Digging for Hope", magenta flower petals arranges in a halo around stem on somber black background

In the shadow of Mexico’s ongoing human rights crisis, Digging for Hope offers a powerful feminist ethnography of resistance, care, and collective memory. Drawing on nearly a decade of fieldwork, R. Aída Hernández Castillo documents the courageous work of women-led search collectives who, in the face of extreme violence, search for their disappeared loved ones. Through physical and spiritual practices such as exhumation, mourning, and poetic remembrance, these women reclaim dignity for the dead and challenge a society that has normalized disappearance.

book cover for Zavala, "Forging a Mexican People," a historic black and white woodblock print of people protesting

Forging a Mexican People shows how illustrated print culture helped to construct and deconstruct versions of “a people” in postrevolutionary Mexico. Through meticulous research, Pablo Zavala uncovers the ways photographers, graphic artists, writers, and activists used print culture to challenge hegemonic conceptions of state-guided narratives and forge alternative collective subjectivities. This book offers a fresh perspective on the sociopolitical landscape of postrevolutionary Mexico, revealing how cultural artifacts simultaneously crafted and reflected the people vis-à-vis different political and social categories.

book cover for Johnson, "Mexico in Space," a colorful collage of landmarks from Mexico, street scenery, and a spaceship, astronaut, and moon

From Aztec sun stones to satellite launches, from muralist visions to dark sky parks, Mexico’s engagement with outer space is fundamental to its identity. Mexico in Space offers a groundbreaking look at how the country has navigated the tensions between technological dependence and sovereign dreams. Anthropologist Anne W. Johnson reveals Mexico’s unique relationship with outer space, describing Indigenous knowledge, nationalist projects, artistic visions, and community practices. Through rich ethnographic detail and historical insight, Johnson challenges the notion that space is for everyone and shows whose voices truly shape the world’s cosmic futures.

Book cover for "Across Canons" by Thania Muñoz D., featuring two overlapping beige and orange circles with a wavy pattern at their intersection, and the subtitle ‘Language, Latin American Immigrant Literature, and the Making of Latinx Narratives’ displayed below.

Excavating narrative memories, Across Canons examines literary allusions to a classic Latin American canon that resurface in the work of Latin American writers who live and work in the United States. The immigrant literature of Edmundo Paz Soldán, Alberto Fuguet, and Cristina Rivera Garza from the late 1990s and early 2000s provides an important glimpse into representations of Latin America’s relationship with the United States and how immigration has shaped it. Author Thania Muñoz D. looks at immigrant experiences impacted by a prism of social and political factors, including free trade agreements, drug trafficking, political violence, massive foreign debt, and economic dependency. 

book cover for "Interwoven Rosewood", a tattooed arm holding out a small plant in a lush forest background, framed by wood texture

Interweaving Rosewood is a collaborative exploration of the global rosewood trade and its entanglements with Indigenous lifeways, colonial histories, and environmental crises. Co-authored by Julie Velásquez Runk and members of the Wounaan National Congress and the Wounaan Local Congress of Majé, this book traces the story of cocobolo rosewood from Wounaan lands in Panama to international markets, revealing how centuries of settler colonialism and extractive capitalism continue to shape landscapes, livelihoods, and relationships. At its heart, the book is a meditation on well-being and belonging—how people live in relation to land, each other, and the more-than-human world.

book cover for "Flows of Violence," black and white image of man sitting on water pipe

Flows of Violence offers a profound ethnographic exploration of the intricate relationship between violence and water infrastructure in one of Colombia’s most marginalized cities. This groundbreaking work engages with the concept of “infrastructural violence,” revealing how the Colombian state’s neglect and inadequate provision of water services perpetuate inequality and suffering among Buenaventura’s residents. Through extensive fieldwork, Felipe Fernández provides rich empirical data and firsthand accounts that bring to light the daily struggles and resilience of the city’s inhabitants.

Featured Series

BorderVisions engages the U.S.-Mexico borderlands’ dynamic histories and cultures and expands our understanding of the borderlands beyond a site of geopolitical inquiry. The series conceptualizes borderlands as both a place and a methodology and addresses the constraints of traditional fields, challenging authors to think creatively and critically about the expansive frameworks and possibilities of borderlands studies.

Latinx Pop Culture is a new series that aims to shed light on all aspects of Latinx cultural production and consumption as well as the Latinx presence globally in popular cultural phenomena in the late twentieth and early twenty-first centuries.

The Critical Issues in Indigenous Studies series anchors intellectual work within an Indigenous framework that reflects Native-centered concerns and objectives. Series titles expand and deepen discussions about Indigenous people beyond nation-state boundaries, and complicate existing notions of Indigenous identity.

Critical Green Engagements is a series that critically engages with the growing global advocacy of the “green economy” model for environmental stewardship and puts forth alternatives to discourses that dominate “green” practices. The series explores how different advocates, bystanders, and opponents engage with the changes envisaged by policy directives and environmental visions.

Latin American Landscapes is an environmental history series that explores the local, regional, and/or global factors affecting the peoples of Latin America and the Caribbean and the environments in which they live and work. Series titles address local, regional, national, and bioregional narratives ranging from Pre-Columbian studies to twenty-first century questions.

Are you an author or editor? Do you have a project that would be a great fit for The University of Arizona Press? For questions or to submit a proposal to any of these series, please contact Editor-In-Chief Kristen Buckles at KBuckles@uapress.arizona.edu.

2026 SAA Conference: Featured Books, Signings, & Discounts

April 27, 2026

The University of Arizona Press is excited to attend the 2026 Society for American Archaeology Conference! From April 30 to May 3, find us at booth 403 to purchase books and meet our staff.

We’ll also have authors signing books at our booth this year! Check out the schedule below:

Thursday, April 30

2:00 p.m.-3:00 p.m. Carla Hernández Garavito, author of Reinvention and History Making in Huarochirí

3:00 p.m.-4:00 p.m. Fumiyasu Arakawa and Octavius Seowtewa, authors of Collaboration in Practice

Friday, May 1

10:00 a.m.-11:00 a.m. Chris Loendorf, author of Collaborative Archaeology

1:00 p.m.-2:00 p.m. Joe Watkins, author of Indigenizing Japan

Saturday, May 2

2:00 p.m.-3:00 p.m. Michael A. Adler, author of Transilient Acts and Resilient Villages

Finally, read on to get a glimpse at this year’s incredible new work. And don’t forget, the 40% conference discount is good for all books on our website from April 29 through May 27, 2026! Just enter AZSAA26 when you checkout on our website.

New & Featured Titles

book cover with illustration of fish and humans swimming alongside

Grounded in decades of collaborative research with Pueblo communities, Transilient Acts and Resilient Villages is a vital contribution to southwestern archaeology. Focusing on the Tiwa-speaking communities of Taos, Picuris, and Pot Creek Pueblos, Michael A. Adler shows how social and ritual organization, architectural change, and sacred geographies were mobilized in response to disruption. He challenges conventional resilience theory, which emphasizes systemic stability, instead centering Indigenous agency, mobility, and sacred practice as key to understanding cultural endurance.

book cover with desert landscape and photo of two archaeologists talking inset in top right

Focusing on the Chavez Cave collections in Las Cruces, New Mexico, Collaboration in Practice presents a study of the partnership between New Mexico State University and the Zuni Cultural Resource Advisory Team (ZCRAT). Rather than centering on artifact analysis, the authors emphasize the collaborative process itself—visiting the site, curating an exhibition, and co-authoring this volume—as a model for ethical and respectful research. Ultimately, this work charts a path forward for community-based research that centers Indigenous voices and values. It advocates for an archaeology that is not only more inclusive but also more meaningful to the communities whose histories are being studied.

brown book cover with photo image of indigenous women sitting in half circle making baskets

Collaborative Archaeology brings together a diverse group of scholars and tribal cultural resource professionals to showcase how Indigenous knowledge is transforming archaeological practice. Edited by Chris Loendorf, this volume features twelve case studies that highlight the power of partnership between Native American communities and archaeologists. These collaborations not only enrich our understanding of the past but also affirm Indigenous cultural continuity. From the establishment of Tribal Historic Preservation Offices to tribally led research initiatives, the book illustrates how Native voices are reshaping the field.

book cover with scenic mountain landscape in black and white and archaeological site in color in foreground

Within just two generations, communities in the Peruvian Andes experienced conquest by the Indigenous Inka Empire (1450–1532 CE) and the European Spanish (1532–1821 CE), leading to three centuries of colonial subjugation. Reinvention and History Making in Huarochirí is an archaeological and historical rendering of the experience of the people of Huarochirí (Lima, Peru) and their interactions with successive waves of colonialism. Using archaeological and historical datasets and spatial modeling, Carla Hernández Garavito builds on Andean epistemological frameworks to argue that in the face of drastic sociopolitical changes, the people of Huarochirí turned to their own history.

book cover with paper texture background and japanese print with ocean waves and red sun

In Indigenizing Japan, archaeologist Joe Watkins provides a comprehensive look at the rich history and cultural resilience of the Ainu, the Indigenous people of Hokkaido, Japan, tracing their journey from ancient times to their contemporary struggles for recognition. Watkins’s insightful analysis highlights the Ainu’s enduring spirit and their resurgence as part of the global Indigenous movement. Key events such as the 1997 Nibutani Dam case and the 2007 recognition of the Ainu as Japan’s Indigenous people are explored in depth, showcasing the Ainu’s ongoing fight for cultural preservation and self-determination. By situating the Ainu’s experiences within broader global colonial histories, Indigenizing Japan underscores the shared struggles and resilience of Indigenous communities worldwide.

book cover with abstract geometric pattern in background and "Archaeological Structuration" in bold letters running vertically up left side

Archaeological Structuration is a critical analysis of the theory of structuration and its utility in the study of societal development over deep time. Structuration theory was originally developed by Anthony Giddens in sociology and adopted piecemeal into archaeology. This book takes a closer look at its contributions to new materialism and develops novel ways to operationalize the theory in archaeological research in the twenty-first century. To illustrate the usefulness of structuration theory, archaeologist Michael T. Searcy deploys it to uncover new understandings of ancient societies, particularly focusing on the Casas Grandes civilization in precolonial northern Mexico.

book cover with white background and archaeological dig site in photo frame, with ceramic pot on right side

Mimbres Far from the Heartland offers a unique investigation into the complexities of Mimbres identity and social dynamics beyond the traditional Mimbres Valley heartland. Situated at the western edge of the Mimbres region, the Powers Ranch site represents a professionally excavated Classic period settlement in Arizona’s Gila River Valley. Through excavation and analysis of architecture and a rich array of artifacts, including ceramic sherds, projectile points, and shell artifacts, authors Mary E. Whisenhunt and Patricia A. Gilman provide a detailed look at the lives of Mimbres people on the periphery.

Featured Series

The Anthropological Papers of the University of Arizona is a peer-reviewed monograph series sponsored by the School of Anthropology. Established in 1959, the series publishes archaeological and ethnographic papers that use contemporary method and theory to investigate problems of anthropological importance in the southwestern United States, Mexico, and related areas. Selected volumes in the series are now open-access titles available through the University of Arizona Campus Repository.

The Archaeology of Indigenous-Colonial Interactions in the Americas is a series that highlights leading current research and scholarship focused on Indigenous-colonial processes and engagement throughout all regions of the Americas. The series builds on the success of its predecessor, The Archaeology of Colonialism in Native North America.

Amerind Studies in Anthropology is a series that publishes the results of the Amerind Seminars, annual professional symposia hosted by the Amerind Foundation in Dragoon, Arizona, and cosponsored by the Society for American Archaeology (SAA). Series titles that emerge from these symposia focus on timely topics like the analysis of regional archaeological sites, current issues in methodology and theory, and sweeping discussions of world phenomena such as warfare and cultural settlement patterns.

Native Peoples of the Americas is an ambitious series whose scope ranges from North to South America and includes Middle America and the Caribbean. Each volume takes unique methodological approaches—archaeological, ethnographic, ecological, and/or ethno-historical—to frame cultural regions. Volumes cover select theoretical approaches that link regions, such as Native responses to conquest and the imposition of authority, environmental degradation, loss of Native lands, and the appropriation of Native knowledge and cosmologies. These books illuminate the strategies that Native Peoples have employed to maintain both their autonomies and identities. The series encourages the participation of Native, well-established, and emerging scholars as authors, contributors, and editors for the books.

For questions or to submit a proposal to any of these series, please contact Senior Acquiring Editor Allyson Carter at acarter@uapress.arizona.edu.

March 30, 2026

Thank you to everyone who made the 2026 Tucson Festival of Books an unforgettable celebration of literacy! We are grateful to so many people: the authors who shared their books; the staff who worked at our tent; the volunteers who worked behind the scenes to make it all happen; and most important, the Tucson community who showed up to support the Press and our authors.

We’re continuing the celebration until April 11, 2026 by offering a 25% discount off all books when you use code AZTFOB26 on our website.

Below, enjoy some highlights from the weekend:

The festival begins for staff on Friday, when we set up our tent! Later in the afternoon, authors arrive for a special reception in the Campus Store.

University of Arizona Press authors were presenting at panels and signing book all around campus.

And hosting book signings at our tent is something we look forward to every year!

A University of Arizona Press author and guest are seated at a table sign books.
Author Joe Watkins with his wife and collaborator, Carol Ellick.
People gather around a table where a University of Arizona Press author is seated to sign books.
Author Ann Lane Hedlund discusses her book, Mac Schweitzer.
Two University of Arizona Press authors seated at a table. The one on the left signs a book.
Author David Burckhalter signs a copy of his new book beside author Jennifer Jenkins.
People gather around a table where a University of Arizona Press author is seated to sign books.
Arizona Poet Laureate, Laura Tohe (seated right), talks with festival attendees alongside UA Press Director, Kathryn Conrad (seated left) and Art Director, Leigh McDonald (right).

A very special session on Sunday, March 15, introduced the new Tucson and Arizona Poet Laureates, who are both University of Arizona Press authors!

If you’re still reading, here’s your reward: this photo of a VIP who visited our tent this year. You never know who you’ll run into at the Tucson Festival of Books!

A bunny on a leash, with a person in blue jeans stooping over to touch it gently.

See you next year, Tucson!

People gather around a table of books and browse at the Tucson Festival of Books.

2026 NACCS Conference: Featured Books & Discounts

March 30, 2026

The University of Arizona Press is attending the 2026 National Association for Chicana and Chicano Studies Conference in San Antonio this week! From April 1 to 4, find our table at The St. Anthony Hotel to browse books and meet Editor-in-Chief Kristen Buckles.

If you can’t attend this year, or if you’d like to purchase a book you discover at our table, we’ve got you covered: enter AZNACCS26 at checkout on our website for 40% off all titles through 4/29/26.

New & Featured Chicano/a/x and Latina/o/x Studies Titles

Book cover with the title "Indigenous Genres of the Human" by Gabriella Raquel Rios. In background, a photo of an agave from overhead.

In Indigenous Genres of the Human, scholar Gabriela Raquel Ríos considers how Latina/o/x communities engage in the ethical reclamation of indigeneity. Through case studies that include testimonios and other Indigenous storytelling practices, Ríos reveals how cultural logics of colonization continue to shape—and often constrain—understandings of indigeneity across Latin America and in the United States. Rather than reinforcing binaries defined by settler colonialism, Ríos proposes a framework that centers community knowledge and grounded practices.

Book cover for "Across Canons" by Thania Muñoz D., featuring two overlapping beige and orange circles with a wavy pattern at their intersection, and the subtitle ‘Language, Latin American Immigrant Literature, and the Making of Latinx Narratives’ displayed below.

Excavating narrative memories, Across Canons examines literary allusions to a classic Latin American canon that resurface in the work of Latin American writers who live and work in the United States. The immigrant literature of Edmundo Paz Soldán, Alberto Fuguet, and Cristina Rivera Garza from the late 1990s and early 2000s provides an important glimpse into representations of Latin America’s relationship with the United States and how immigration has shaped it. Author Thania Muñoz D. looks at immigrant experiences impacted by a prism of social and political factors, including free trade agreements, drug trafficking, political violence, massive foreign debt, and economic dependency.

Book cover for "Contentious Citizenship" by Arely M. Zimmerman, featuring an illustrated protest scene with crowds holding signs calling for solidarity, workers’ rights, and an end to violence in El Salvador.

Contentious Citizenship reshapes how we understand belonging, identity, and political participation in the context of migration. Drawing on decades of Salvadoran activism from the 1980s solidarity movement to the post–civil war era, Arely M. Zimmerman offers a powerful ethnographic account of how migrants challenge exclusionary state practices and redefine citizenship on their own terms using transnational networks and revolutionary politics that transcend borders.

Book cover for "Border Afterlives" by Gabriella Soto, showing colorful fabric‑strip figures arranged in a line on a paved surface, creating an abstract, faceless group that evokes themes of loss and remembrance.

Border Afterlives begins with the undocumented individuals who die crossing the U.S.-Mexico border—deaths that are both preventable and politically produced. Drawing on over a decade of ethnographic, participatory, and community-engaged research, author Gabriella Soto examines the postmortem journeys of these migrants through the fragmented infrastructure of medicolegal death investigation in the U.S. Southwest. She reveals how the state’s deterrence-based border policies not only generate death but also fail to provide adequate care for the dead. Soto argues that these deaths should be understood as structural homicides and that the forensic neglect they face is a form of ongoing violence.

Book cover for Forging a Mexican People by Pablo Zavala, showing a woodcut‑style illustration of a large crowd carrying union banners and flags in a postrevolutionary protest scene.

Forging a Mexican People shows how illustrated print culture helped to construct and deconstruct versions of “a people” in postrevolutionary Mexico. Through meticulous research, Pablo Zavala uncovers the ways photographers, graphic artists, writers, and activists used print culture to challenge hegemonic conceptions of state-guided narratives and forge alternative collective subjectivities. This book offers a fresh perspective on the sociopolitical landscape of postrevolutionary Mexico, revealing how cultural artifacts simultaneously crafted and reflected the people vis-à-vis different political and social categories.

Book cover for "Life Undocumented" by Edelina M. Burciaga, featuring horizontal painted bands of blue, green, yellow, and white with silhouettes of birds flying across the textured background.

Life Undocumented captures the compelling stories of Latinx undocumented young adults growing up and living in two distinct sociopolitical contexts: California, which provides legal pathways into higher education for undocumented youth, and Georgia, which does not. The book is about how undocumented young adults in these two contexts navigate the pathway to and through adulthood, and the powerful role state laws and policies play in shaping their prospects for social mobility and their sense of belonging. Edelina M. Burciaga examines how state laws and policies in California and Georgia shape the pathways to adulthood for these individuals.

Book cover with illustrated image of brown hands transforming into avocado trees and the title "Avocado Dreams: Remaking Salvadoran Life and Art in the Washington D.C. Metro Area" by Ana Patricia Rodriguez

For more than four generations, Salvadorans have made themselves at home in the greater Washington, D.C. metropolitan area and have transformed the region, contributing their labor, ingenuity, and culture to the making of a thriving but highly neglected and overlooked community. In Avocado Dreams, Ana Patricia Rodríguez draws from her own positionality as a Salvadoran transplant to examine the construction of the unique Salvadoran cultural imaginary made in the greater D.C. area.

Book cover with winding lines representing "routes" and the title, "MeXicana Roots and Routes" by Vanessa Fonseca-Chavez and Anita Huizar-Hernandez

Community voices are often an underrepresented aspect of our historical and cultural knowledge of the U.S. Southwest. In meXicana Roots and Routes, editors Vanessa Fonseca-Chávez and Anita Huízar-Hernández gather established and emerging scholars to draw upon their rootedness in the U.S. Southwest and U.S.-Mexico borderlands. The meXicana contributors use personal and scholarly inquiry to discuss what it means to cultivate spaces of belonging, navigate language policies, and explore and excavate silences in various spaces, among other important themes.

Featured Series

BorderVisions engages the U.S.-Mexico borderlands’ dynamic histories and cultures and expands our understanding of the borderlands beyond a site of geopolitical inquiry. The series conceptualizes borderlands as both a place and a methodology and addresses the constraints of traditional fields, challenging authors to think creatively and critically about the expansive frameworks and possibilities of borderlands studies.

The Feminist Wire Books: Connecting Feminisms, Race, and Social Justice is a new series from The Feminist Wire (TFW) and the University of Arizona Press that presents a cultural bridge between the digital and printing worlds. These timely, critical books will contribute to feminist scholarship, pedagogy, and praxis in the twenty-first century.

Latinx Pop Culture is a new series that aims to shed light on all aspects of Latinx cultural production and consumption as well as the Latinx presence globally in popular cultural phenomena in the late twentieth and early twenty-first centuries.

The Critical Issues in Indigenous Studies series anchors intellectual work within an Indigenous framework that reflects Native-centered concerns and objectives. Series titles expand and deepen discussions about Indigenous people beyond nation-state boundaries, and complicate existing notions of Indigenous identity.

Arizona Crossroads explores the history of peoples and cultures, events and struggles, ideas and practices in the place we know today as Arizona.

Are you an author or editor? Do you have a project that would be a great fit for The University of Arizona Press? For questions or to submit a proposal to any of these series, please contact Editor-In-Chief Kristen Buckles at KBuckles@uapress.arizona.edu.

2026 LSA Conference: New Books & Conference Discount

March 23, 2026

We are thrilled to be attending the 2026 Latina/o/x Studies Association conference in Austin this week! From March 26 to 29, find our table in the LSA Plaza, “a dynamic space to get together with long-time friends and colleagues—and find new ones—over coffee and conversation.” Navigation help and additional details are available on the LSA website.

We’ll have a curated selection of our new, featured, and popular Latinx studies titles on display. To order books, enter AZLSA26 at checkout on our website for 40% off all titles through 4/23/26.

New & Featured Latinx Studies Titles

Book cover for "Central American Women in Diaspora," by Karina Alma and Ester E. Hernández, featuring a colorful painting of three hummingbirds flying above large red flowers with mountains and a swirling blue sky in the background.

Central American Women in Diaspora by Karina Alma and Ester E. Hernández focuses on Central American women’s voices within the growing narrative of the Central American diaspora. It provides a tapestry of testimonios—from grandmothers, mothers, daughters, and sisters—who explore what it means to be Central American women in the United States. An intervention that centers gendered experiences and challenges oppressive structures, this volume celebrates the solidarity, cultural memory, and healing found within transnational ties.

Book cover for "Across Canons" by Thania Muñoz D., featuring two overlapping beige and orange circles with a wavy pattern at their intersection, and the subtitle ‘Language, Latin American Immigrant Literature, and the Making of Latinx Narratives’ displayed below.

Excavating narrative memories, Thania Muñoz looks at immigrant experiences impacted by a prism of social and political factors. Across Canons examines literary allusions to a classic Latin American canon that resurface in the work of Latin American writers who live and work in the United States. The immigrant literature of Edmundo Paz Soldán, Alberto Fuguet, and Cristina Rivera Garza from the late 1990s and early 2000s provides an important glimpse into representations of Latin America’s relationship with the United States and how immigration has shaped it.

Book cover for "Border Afterlives" by Gabriella Soto, showing a sculpture installation made of colorful fabric‑strip figures arranged in a line on a paved surface, creating an abstract, faceless group that evokes themes of loss and remembrance.

Border Afterlives begins with the undocumented individuals who die crossing the U.S.-Mexico border—deaths that are both preventable and politically produced. Drawing on over a decade of ethnographic, participatory, and community-engaged research, author Gabriella Soto examines the postmortem journeys of these migrants through the fragmented infrastructure of medicolegal death investigation in the U.S. Southwest. She reveals how the state’s deterrence-based border policies not only generate death but also fail to provide adequate care for the dead.

Book cover for "Contentious Citizenship" by Arely M. Zimmerman, featuring an illustrated protest scene with crowds holding signs calling for solidarity, workers’ rights, and an end to violence in El Salvador.

Contentious Citizenship reshapes how we understand belonging, identity, and political participation in the context of migration. Drawing on decades of Salvadoran activism, Arely M. Zimmerman offers a powerful ethnographic account of how migrants challenge exclusionary state practices and redefine citizenship on their own terms using transnational networks and revolutionary politics that transcend borders. Zimmerman’s work honors the ingenuity and resilience of Salvadoran activists and invites readers to consider what it means to belong.

Book cover for "Forging a Mexican People" by Pablo Zavala, showing a woodcut‑style illustration of a large crowd carrying union banners and flags in a postrevolutionary protest scene.

Forging a Mexican People shows how illustrated print culture helped to construct and deconstruct versions of “a people” in postrevolutionary Mexico. Through meticulous research, Pablo Zavala uncovers the ways photographers, graphic artists, writers, and activists used print culture to challenge hegemonic conceptions of state-guided narratives and forge alternative collective subjectivities. This book offers a fresh perspective on the sociopolitical landscape of postrevolutionary Mexico, revealing how cultural artifacts simultaneously crafted and reflected the people.

Book cover for "Life Undocumented" by Edelina M. Burciaga, featuring horizontal painted bands of blue, green, yellow, and white with silhouettes of birds flying across the textured background.

Life Undocumented captures the compelling stories of Latinx undocumented young adults growing up and living in two distinct sociopolitical contexts: California, which provides legal pathways into higher education for undocumented youth, and Georgia, which does not. Edelina M. Burciaga examines how undocumented young adults in these two contexts navigate the pathway to and through adulthood, and the powerful role state laws and policies play in shaping their prospects for social mobility and their sense of belonging.

Featured Series

BorderVisions engages the U.S.-Mexico borderlands’ dynamic histories and cultures and expands our understanding of the borderlands beyond a site of geopolitical inquiry. The series conceptualizes borderlands as both a place and a methodology and addresses the constraints of traditional fields, challenging authors to think creatively and critically about the expansive frameworks and possibilities of borderlands studies.

The Feminist Wire Books: Connecting Feminisms, Race, and Social Justice is a new series from The Feminist Wire (TFW) and the University of Arizona Press that presents a cultural bridge between the digital and printing worlds. These timely, critical books will contribute to feminist scholarship, pedagogy, and praxis in the twenty-first century.

Latinx Pop Culture is a new series that aims to shed light on all aspects of Latinx cultural production and consumption as well as the Latinx presence globally in popular cultural phenomena in the late twentieth and early twenty-first centuries.

The Critical Issues in Indigenous Studies series anchors intellectual work within an Indigenous framework that reflects Native-centered concerns and objectives. Series titles expand and deepen discussions about Indigenous people beyond nation-state boundaries, and complicate existing notions of Indigenous identity.

Arizona Crossroads explores the history of peoples and cultures, events and struggles, ideas and practices in the place we know today as Arizona.

Are you an author or editor? Do you have a project that would be a great fit for The University of Arizona Press? For questions or to submit a proposal to any of these series, please contact Editor-In-Chief Kristen Buckles at KBuckles@uapress.arizona.edu.

2026 SfAA Conference: New Books & Discounts

March 12, 2026

The University of Arizona Press is attending the 2026 Society for Applied Anthropology annual meeting in Albuquerque this week! From March 17 through 21, find our table in the Hotel Albuquerque at Old Town to browse our anthropology books and talk with our Senior Acquiring Editor, Allyson Carter.

If you can’t attend this year, or if you want to order a book you discover at our booth, we’ve got you covered: use AZSFAA26 for 40% off all titles through April 14, 2026.

Are you an author or editor? Do you have a project that would be a great fit for The University of Arizona Press? To learn more about publishing with us, click here.

New Anthropology Titles

andrew flachs book cover with a big beet and the title"feeding the world as if people mattered"

The dominant view of agriculture has focused only on what we produce. It sees value in terms of capital gains or yield efficiency, masking how our global food system produces tremendous amounts of food commodities while failing to feed people, support rural communities, or enhance ecological well-being. In Feeding the World as if People Mattered, Andrew Flachs asks us to look more deeply and more humanely at what we perceive to be most valuable in our agricultural systems.

In the shadow of Mexico’s ongoing human rights crisis, Digging for Hope offers a powerful feminist ethnography of resistance, care, and collective memory. Drawing on nearly a decade of fieldwork, R. Aída Hernández Castillo documents the courageous work of women-led search collectives who, in the face of extreme violence, search for their disappeared loved ones. Through physical and spiritual practices such as exhumation, mourning, and poetic remembrance, these women reclaim dignity for the dead and challenge a society that has normalized disappearance.

Border Afterlives begins with the undocumented individuals who die crossing the U.S.-Mexico border—deaths that are both preventable and politically produced. Drawing on over a decade of ethnographic, participatory, and community-engaged research, author Gabriella Soto examines the postmortem journeys of these migrants through the fragmented infrastructure of medicolegal death investigation in the U.S. Southwest. She reveals how the state’s deterrence-based border policies not only generate death but also fail to provide adequate care for the dead.

In Central American Women in Diaspora, Karina Alma and Ester E. Hernández provide a tapestry of testimonios—from grandmothers, mothers, daughters, and sisters—who explore what it means to be Central American women in the United States. Through the practice of testimonio, contributors create intergenerational dialogues between mothers and daughters, engage with Indigenous oral traditions, and reflect on the violent histories of war in Guatemala, El Salvador, Honduras, and Nicaragua.

From Aztec sun stones to satellite launches, from muralist visions to dark sky parks, Mexico’s engagement with outer space is fundamental to its identity. Mexico in Space offers a groundbreaking look at how the country has navigated the tensions between technological dependence and sovereign dreams. Anthropologist Anne W. Johnson reveals Mexico’s unique relationship with outer space, describing Indigenous knowledge, nationalist projects, artistic visions, and community practices.

In Commod Bods, Kasey Jernigan shares her ongoing collaborative research with Choctaw women and describes the ways that shifting patterns of participation in food and nutrition assistance programs (commodity foods) have shaped foodways; how these foodways are linked to bodies and health, particularly “obesity” and related conditions; and how foodways and bodies are intertwined with settler colonialism and experiences of structural violence, identity making, and heritage in the Choctaw Nation of Oklahoma.

Featured Series

Global Change/Global Health is a new series for scholarly monographs that treat global change and human health as interconnected phenomena. The goals of the series are to advance scholarship across the social and health sciences, contribute to public debates, and inform public policies about the human dimensions of global change.

biodiversity in small spaces is a series that provides short, to-the-point books that re-examine the conservation of biodiversity in small places and focus on the interplay of memory, identity, and affect in determining what matters, and thus what stays, thereby shaping the fabric of biodiversity in the present and, ultimately, the future. The authors will cover, in an accessible way, the range of marginalities, subjectivities, and chronologies, from indigenous farmers nurturing, defending, or repatriating their traditional crop varieties to college towns re-embedding food production and consumption into the social fabric of their communities.

Critical Issues in Indigenous Studies anchors intellectual work within an Indigenous framework that reflects Native-centered concerns and objectives. Series titles expand and deepen discussions about Indigenous people beyond nation-state boundaries, and complicate existing notions of Indigenous identity.

Critical Green Engagements is a series that critically engages with the growing global advocacy of the “green economy” model for environmental stewardship and puts forth alternatives to discourses that dominate “green” practices. The series explores how different advocates, bystanders, and opponents engage with the changes envisaged by policy directives and environmental visions.

For questions or to submit a proposal to any of these series, please contact Senior Acquiring Editor, Allyson Carter, at acarter@uapress.arizona.edu.

2026 AWP Conference: Signings, Discounts, and New Books

March 2, 2026

The University of Arizona Press is attending the 2026 AWP Conference and Bookfair in Baltimore, Maryland! March 4-7, find us at booth #838 to purchase books and meet our authors.

We’re looking forward to hosting University of Arizona Press authors for book signings at our booth this year! Take a look at the schedule below to find out where and when you can meet them and get your books signed.

If you can’t attend this year, or if you need an extra copy of a book you discover at our booth, we’ve got you covered: enter AZAWP26 at checkout on our website for 40% off all titles through 4/23/26.


Book Signing Schedule

Thursday, March 5

2:00-3:00 PM: Logan Phillips, author of Reckon

3:00-4:00 PM: Silvia Bonilla, author of City of Eves

Friday, March 6

1:00-2:00 PM: Danielle P. Williams, author of Chamorrita Song

2:00-3:00 PM: Chloe Garcia Roberts, author of Carne de Dios

3:00-4:00 PM: Manuel Iris, author of The Whole Earth Is a Garden of Monsters / Toda la tierra es un jardín de monstruos


New & Featured Titles

Book cover for Reckon by Logan Phillips. A black and white old western building with the title in red text hovering over the roof.

What’s it like to have been born in Tombstone, Arizona? 

In Reckon, artist Logan Phillips returns to the fabled town to face the history he was raised on as a boy—gunfights, outlaws, and Hollywood cowboys—for a new, personal confrontation with the West’s foundational mythology. This hybrid memoir also explores sexuality, masculinity, parenting, and what it means to love a land rife with contradiction and “slathered in murder.” With an original, searing voice, Reckon is an essential answer to the tough questions of past and future, inheritance and reinvention, all from the perspective of a boy stuck in the middle.

Book cover of "Chamorrita Song" by
Danielle P. Williams. A tropical collage featuring the flora, fauna, and landscape of Guam. In the center, a photo of the author as a little girl wearing an intricately patterned textile.

For poet and spoken-word artist Danielle P. Williams, Kantan Chamorrita is more than just the ancient craft of Chamorro folk song. It is also a return and a homecoming. This impromptu style of communal call-and response performance art forms the spokes for Williams’s debut collection. Rooted in oral tradition, Chamorrita Song pays homage to Black and Chamorro cultures, honoring the artistic expressions that these communities have created to reconcile lifetimes of imposed trauma. These poems transform and spread the messages of those long silenced. They act as song and prayer.

Book cover of Manuel Iris' "The Whole Earth Is a Garden of Monsters / Toda la tierra es un jardín de monstruos", a close up on a monstrous humanoid-owl hybrid from a Hieronymus Bosch painting.

Winner of the Ambroggio Prize of the Academy of American Poets

This award-winning bilingual collection intertwines the lives of a Renaissance painter and a modern migrant worker, offering a fresh perspective on art and migration. In this highly imaginative work, the lives of the northern Renaissance painter Hieronymus Bosch (1450–1516) and an imagined contemporary migrant worker named Juan Coyoc, later known as Juan Domínguez, run in parallel as they mirror each other across languages, time, and continents.

Book cover of "Carne de Dios" by Homero Aridjis (Author), Chloe Garcia Roberts (Translator). A psychedelic drawing of mushrooms with small people arranged around the fungi; some lounge, some smoke, and one plays the guitar.

In the remote mountains of Oaxaca, the Beatniks have arrived. María Sabina, the renowned Mazatec healer, spends her days in the small town of Huautla de Jiménez selling produce at the market and foraging under the new moon for the sacred mushrooms that grow near her home—her Holy Children, Carne de Dios, or Flesh of God. Homero Aridjis’s novel, vividly translated by Chloe Garcia Roberts, tells the story of the motley crew of bohemians, researchers, and holy fools, both real and imagined, who descend on the town of Huautla de Jiménez searching for inspiration, distraction, and salvation in the sacred mushrooms.

Book cover of "City of Eves" by Silvia Bonilla. A painting of a woman's face in profile, her black hair suspended upwards as if in water, with fish swimming adjacent.

In City of Eves, Silvia Bonilla evokes the lives and longing of three young women who suspect the wider world is a ship on the verge of departure—and who are determined not to be stranded on shore. Subtle and unsparing, Bonilla’s lyrical poems capture the wild inner horizons and vivid embodiment of youth as it shades into the reflective poignance of maturity marked by disappointment, compromise, and loss.

Severalty begins in a garden and moves through ancestral and contemporary hometowns that shimmer between wholeness and severing. In these poems, river currents tick with the intrusion of the clock’s lavish precincts. From powerfully compressed lyrical fragments to pulsing narrative sequences, Severalty shifts perspectives to examine devastation and healing, transience and seasonality, loss and resurrection. Weaving the past and present into a stunning tapestry, this collection is a powerful testament to Indigenous endurance and creativity, offering readers a deeply insightful and necessary work.

Featured Series

Camino del Sol was established in 1994 by writer and poet Ray Gonzalez. As one of the first publishers to spotlight poetry, fiction, and essays from both emerging and established voices in Latinx literature, the University of Arizona Press and its critically acclaimed Camino del Sol series have provided a literary home for distinguished writers such as Juan Felipe Herrera, Carmen Giménez Smith, Luis Alberto Urrea, Richard Blanco, Alberto Ríos, Pat Mora, Tim Z. Hernandez, Emmy Pérez, and Francisco X. Alarcón.

Sun Tracks was one of the first publishing programs to focus exclusively on the creative works of Native Americans. Launched in 1971, the series has included more than eighty volumes of poetry, prose, art, and photography by such distinguished artists as Joy Harjo, N. Scott Momaday, Simon J. Ortiz, Carter Revard, and Luci Tapahonso.

For questions or to submit a proposal to any of these series, please contact Elizabeth Wilder, EWilder@uapress.arizona.edu.

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