Field Notes: Inside Birds, Bats, and Blooms

November 22, 2024

In the new book Birds, Bats, and Blooms author Theodore H. Fleming provides an in-depth look at the ecology and evolution of two groups of vertebrate pollinators: New World hummingbirds and nectar-feeding bats and their Old World counterparts. Today, the author gives us a behind-the-scenes look at this book and what inspired him to write it.

By Theodore H. Fleming

This book is meant to be a scientifically rigorous but engaging account of two groups of my favorite animals—nectar-feeding birds and bats—with a special emphasis on hummingbirds and bats that visit flowers in the New World. It reflects my long-term research interests from observing and studying these animals in Brazil, Ecuador, Panama, Costa Rica, Mexico, southern Arizona, and Australia. In retirement I have also spent considerable time photographing them in many of these countries.

Mexican long-tongued bat visiting Agave flowers © Theodore H. Fleming

In a sense, this book is a modern version of Rudyard Kipling’s Just So Stories in which he tells us how various animals acquired their most notable features (e.g., a camel’s hump, a giraffe’s long neck, etc.). Thus, the major sections of this book include “How to Build a Hummingbird,” “How to Build a Nectar Bat,” “How to Build a Vertebrate-pollinated Flower,” and “What About Their Ecological Counterparts in the Old World?” It ends with an overview of the “Conservation Status” of these animals.

Here are examples of some of the species that I discuss in this book:

Nectar-feeding bat hovering over flowers.
Lesser long-nosed bat in southern Arizona © Theodore H. Fleming
Hummingbird in flight
Whit-necked Jacobin in Cost Rica © Theodore H. Fleming
Bat hovering of flowers
Dusky nectar bat in Costa Rica © Theodore H. Fleming

My “How To …” sections review the evolutionary histories of New World nectar-feeding birds and bats as well as many of their notable adaptations to an unusual food source, i.e. sugary water produced by flowers. It compares and contrasts the evolution and adaptations of flower-visiting birds and bats and discusses the botanical consequences of their behavior. Hummingbirds and nectar-bats have been interacting with their food plants for over 20 million years, and as a result, several thousand species of plants in dozens of families currently depend on these high energy and expensive pollinators for their reproductive success. A similar situation exists in the Old World where at least four families of birds (e.g., sunbirds, honeyeaters, flower-peckers, and lorikeets) and a few nectar-bats pollinate a wide variety of flowers. I discuss evolutionary convergences and differences between these Old World nectar-feeders and their New World counterparts.

Photographer set up for photography bats
Setup for photographing nectar bats in southern Arizona © Theodore H. Fleming

Finally, I review the conservation status of these animals. Most of them are not threatened currently with extinction, but habitat loss caused by human activities is always a major concern. Hunting and the pet trade threaten lorikeets in Australasia. In addition, in the New World human fear of vampire bats is a constant threat to its cave-dwelling nectar bats.

Photographer set up for hummingbird photography
Setup for photographing hummingbirds in Panama © Theodore H. Fleming

In the end, though, hummingbirds, sunbirds, lorikeets, and nectar-bats are among the most interesting vertebrates to have evolved on Earth. We must cherish and protect them for future generations to enjoy.

***

Theodore H. Fleming is a professor emeritus of biology at the University of Miami. He spent thirty-nine years in academia at the University of Missouri–St. Louis and the University of Miami, teaching ecology courses and conducting research on tropical rodent populations and plant-visiting bats and their food plants in Panama, Costa Rica, Australia, Mexico, and Arizona. He lives in Tucson.

Behind the Scenes at the Lunar and Planetary Laboratory

August 22, 2024

The University of Arizona Press staff recently had the opportunity to visit Carina A. Bennett and Cat W.V. Wolner, two of the five authors of Bennu 3-D: Anatomy of an Asteroid, at the Lunar and Planetary Laboratory in the Gerard P. Kuiper Space Sciences Building! Below, you can see photos from the tour, including a map of the asteroid Bennu’s surface, a close-up look at some of the sample collected from Bennu, and the powerful microscopes used to analyze and image the sample.

A major highlight of the tour was seeing a vial of sample collected from the Bennu asteroid. Bennett and Wolner revealed that, among many surprises, researchers have discovered that the asteroid is more like a “rubble pile” held together by microgravity and loose cohesion, rather than a solid rock.

Bennu, named for the ancient Egyptian phoenix, was the chosen destination of OSIRIS-REx, NASA’s premier mission of asteroid exploration, launched in 2016. In 2020 the OSIRIS-REx spacecraft successfully landed on the surface of Bennu and collected pristine asteroid material for delivery to Earth in September 2023.

Like a map of the planet Earth, the asteroid Bennu is depicted here in stunning high resolution. Author Carina A. Bennett explains how it took around 2,500 individual images to create this massive picture.
Bennett explains how the OSIRIS-REx team selected a location to collect a sample from the asteroid.

Below, members of the Press admire commemorative posters designed by Heather Roper, celebrating milestones of the OSIRIS-REx mission.

Our staff was also delighted to find not one, but two Guinness World Record certificates hanging in the halls of the Lunar and Planetary Laboratory offices!

And finally, the tour concluded with a visit to the basement where we saw some extremely powerful microscopes. This equipment is stored below ground level to avoid vibrations, which is of utmost importance when analyzing images as small as 100 nanometers—far, far smaller than the width of a human hair.

Thanks for coming along with us on this virtual version of the tour! If all of these pictures have inspired you with a sense of wonder about the mysteries of the cosmos, check out our incredible list of space science books!

Header image photo credit: Leigh McDonald

Author Toolbox: Prepare for Publication Day

August 8, 2024

Your publisher has years of expertise in publicizing your book to targeted audiences, whether they are scholars or general readers. But your publisher values your expertise too! Authors are their own best publicists. You know more about your book, your research, your process, and your readers than anyone else. In our second installment of the “Author Toolbox” series, we offer a behind the scenes look at how the University of Arizona Press tells the world about your book, and the author’s role in publicity.

Author Questionnaire

Preparing for publication begins long before your book even goes to the printer. The University of Arizona Press, and most other publishers, provide an Author Questionnaire for you to fill out to help provide feedback to the Press’s marketing department. At our Press, this is part of our final manuscript submission process.  We ask authors to help us identify key review outlets books for review and press releases. It is very important that authors answer these questions. If you know an editor at a specific journal or publication, let us know so we may contact that person directly. In addition, provide information so that we may notify your institution as well as your alma mater so the book can be publicized through the alumni magazine or online channels.

Author Self-Promotion

Some authors enjoy talking about themselves, their research, and writing; others do not. Maybe you fall somewhere in the middle. Fear not! There are easy ways to market your book through venues you use every day. First, include your book in your email signature, “Author of [book title here], forthcoming [publication date] from the University of Arizona Press.” As soon as your book is listed in our catalog and on our website, you can link to the book’s webpage from your email signature line. Second, update your bio online—on your personal website, on your institution’s website—to include the title of your book and publication date. Third, if you write articles for newspapers or magazines, make sure the title of your book is in your author bio and link if possible. For example, author Tom Zoellner wrote an opinion piece for the New York Times, and linked his book Rim to River in his bio at the end (see screenshot below).

Book Launch

Your colleagues, friends, and family want to celebrate with you, so plan a book launch! There are many places to hold a book launch party: your academic department, your local bookstore, your backyard, your favorite cafe or brewpub. Send invitations far and wide. If your event is open to the public, create a flyer to post around campus and around town. Post your book launch in online campus and community calendars. Choose a place that fits the tone of your book and your personality. Refreshments create a festive atmosphere, and maybe you want to add music—create your own playlist, hire musicians or a DJ. Photos below are from Alma García’s All That Rises book launch for her debut novel at Secret Garden Books in Seattle.

At the event, schedule a time to read from your book and tell people why the topic of your book is important, or what first inspired you to write it. Make sure there are books available for sale and a place for you to sign books. You may order books using your author discount, and sell directly to people at your launch. Ask your academic department for support in organizing, or ask your friends and family to help out. People want to share in your success, so bring them along for the ride.

Keep the Momentum Going

Before your book is published, ask your colleagues at other universities if they would like to host you as a campus speaker. Perhaps they can fund your travel to their university, or perhaps it is a place that is a simple train ride or car drive from where you live. The more places you speak about your book, the more it is advertised on flyers, email lists, and local newspapers. Keep your book title on the digital and traditional media airwaves by organizing events in the months after your book is published.

Social Media

Book publicity starts long before your book’s publication date. As you prepare your manuscript and as you move through the copy-editing process, you can share the process on social media. Use the social media platform where you already have a presence and where you already connect with family, friends, and colleagues. There is no need to start another social media account. Give people updates on your writing and make them feel part of your progress: “Happily writing draft of chapter 4 of my book,” “Great news! Just finished writing the conclusion of my book,” “This week, I’m excited to work with the copyeditor to fine-tune my book,” or “Summer is here and I have time to finish my book edits.” Include the title of your book, and the specific names of chapters. Be sure to include images: a view of your workspace, a view out your window, a picture of your feline or canine assistant, photos of places or people from when you researched your book, or images from your book. As soon as your cover is finalized, you can post a “cover reveal.” Check out the cover reveal example below from Diego Báez on his Instagram for his book, Yaguareté White. This format is simple and works for any other social media with image and text.

When you receive your advance copies of the book, create an “unboxing” social media post or post a picture of yourself proudly holding your book in your hands. If you want to make a video, check out tools like Canva or Adobe Express that are user friendly and have free versions. Be creative and have fun! If you remind people once a month or so that you’re writing a book, it increases the likelihood that they will purchase your book on publication day.

Links to Current Events and Special Months

The University of Arizona Press will promote your book during the special months to which it relates. For example, we will promote our new Chicano/a/x books during National Hispanic Heritage Month, September 15-October 15, 2024. We promote books during Women’s History Month, Black History Month, and other months too. Perhaps your book deals with issues along the U.S.-Mexico Border, and border issues are often in the news. You can pitch an opinion piece to your local or even a national newspaper like the New York Times or Washington Post. For example, Mehnaaz Momen, author of Listening to Laredo, wrote an opinion piece for the L.A. Times (see screenshot below). Be sure to include the title of your book in your bio.

The University of Arizona Press Website and Social Media

As you schedule events, be sure to let us know. For every event that is open to the public, we will create an event post, and share it via our social media channels. Let us know your social media handles so we can tag you in our posts. We also share some events in our monthly newsletter that reaches about 4,000 people.

We are teammates in the marathon of promoting your book. Just as you provide the names of journals or mainstream media where your book should be reviewed to the publicity team at the University of Arizona Press, we will support your promotion efforts to celebrate your book on publication day and in the months following publication.

Author Toolbox: Getting the Most out of Conferences

We’re excited to be kicking off a new series called “Author Toolbox,” a collection of insider tips and tricks for both aspiring and established authors. Through this series, we hope to demystify parts of the university press world and share lessons learned from our work with the incredible authors who form the foundation of the University of Arizona Press.

First up in this series are some suggestions to help authors optimize their limited time at a professional conference. Read on, and then go pitch that book!

Why attend conferences?

Conferences are a way to stay up-to-date on academic trends, and they provide dedicated time for networking and collaboration. Conferences are also an essential moment to connect with publishers and fellow authors. That goes for both seasoned academics who have published extensively in their discipline and first-time authors promoting a new book that may be an important step toward academic advancement.

For many of our authors, conferences are also a valuable chance to promote a new or forthcoming book. Depending on a book’s publication date, authors will sometimes bring promotional fliers with a discount code so that anyone interested can pre-order the book, or they will work with their publisher to arrange book signings. In the photo below, for example, you can see University of Arizona Press authors signing books for admiring fans—and sometimes, signing books for other authors!

Juan Martinez draws customized creatures as he signs books for attendees at the 2024 Association of Writers & Writing Programs.
Authors Rita Urquijo-Ruiz and Yvette J. Saavedra signing books for each other at the 2024 National Association for Chicana and Chicano Studies conference in San Francisco.

Navigating the exhibit hall

As Rebecca Knight writes, “Conferences are exhausting, and can be especially so if you’re not an extrovert.” This is true nowhere more than conference exhibit halls. But before you skip your visit, remember that some of the most important networking happens here: the exhibit hall is the “public square” of the conference, part social gathering, part workday meeting. The mood is casual and people are ready to chat, unencumbered by the usual demands of the office and classroom.

Inside the Kansas City Convention Center, attendees gather on their way up to the AWP bookfair.

Before you commit to visiting every booth, it’s worth taking a moment to find the exhibit hall map and prioritize which publishers you want to meet. You can also usually find a list of exhibitors in the conference program. Doing some reconnaissance in advance will save you precious time and energy. Which leads us to the next point…

Know your potential publisher

Being familiar with a university press’s publishing program before you talk to editors can be a big advantage. For example, we always appreciate when fiction and poetry authors who visit our booth at the annual Association of Writers and Writing Programs (AWP) conference are already familiar with our Camino del Sol and Sun Tracks series, highlighting Latinx and Indigenous literature, respectively. An author who is familiar with some of our titles in either series will probably have a decent idea about whether their work is a good fit for our Press.

Before a conference, check prospective publishers’ websites and take a quick glance at their current catalog or recently published titles in your field. Do you recognize any of the authors’ names? Do you like the design of the covers? Do you notice any bestsellers or books people in your network are talking about on social media? If the answer to any of these is yes, it may be a sign that you’re on the right track.

Talking with exhibitors and pitching your book

Once you stop at a publisher’s booth and strike up a conversation, it’s wise to take a moment to do proper introductions before launching into a book pitch. A good exhibit interaction might follow these steps: explain your academic role and affiliation, ask what the person you’re talking to does at the press (acquiring? marketing? editing? production?), and then ask if an acquiring editor has time to hear about a book project that might be a good fit for their list.

Don’t feel weird about asking to talk with an editor—it’s a big part of the reason they’re attending! Acquiring editors typically use conferences to find (and compete for) the most compelling new books in their fields. They want to know about your project! But set reasonable expectations: editors have packed schedules and won’t have time to read a whole chapter from your manuscript (this is where having a good two-minute pitch ready comes in handy), and you’re not going to leave with a contract in hand. If an editor is truly interested, they may ask to exchange information, to meet again later during the conference, or to receive a draft of your project proposal. You might just get a link to their website or a business card. If your project isn’t a great fit, they might politely redirect you to another publisher at a booth nearby.

Find the University of Arizona Press at an upcoming conference

Keep an eye on our events page to see the most updated list of conferences we plan to attend each year!

Do you have some conference wisdom you’d like to share? Things you wish you’d known when you first started attending the conferences of your professional organizations? Whether it’s at WHA, ASA, AAA, or WLA 2024 right here in Tucson, we hope you’ll stop by our table and tell us about it. And if you have a book project in the works, we’d love to hear about it!

New OA Titles: The Hemenway Southwestern Archaeological Expedition

May 8, 2024

The University of Arizona Press is thrilled to feature a new collection on our open access platform Open Arizona, featuring new and previously published works on the Hemenway Southwestern Archaeological Expedition.

In the fall of 1886, Boston philanthropist Mary Tileston Hemenway sponsored an archaeological expedition to the American Southwest. Directed by anthropologist Frank Hamilton Cushing, the Hemenway Expedition sought to trace the ancestors of the Zuñis with an eye toward establishing a museum for the study of American Indians. In the third year of fieldwork, Hemenway’s overseeing board fired Cushing based on doubts concerning his physical health and mental stability, and much of the expedition’s work went unpublished. Today, however, it is recognized as a critical base for research for southwestern archaeology.

The volumes in this collection examine the expedition through the diaries and writings of those who participated. These books are part of the Southwest Center Series, an ongoing partnership between the University of Arizona Press and the Southwest Center, which is a research unit of the College of Social and Behavioral Sciences of the University of Arizona.

The titles in this new featured collection are available for online reading or downloading from Open Arizona, the press’s OA portal. Learn more about each title:



On a Trail of Southwest Discovery
Edited by Curtis M. Hinsley and David R. Wilcox, print publication April 2024
This final volume examines the Hemenway Southwestern Archaeological Expedition, directed by Frank Hamilton Cushing, through the diaries of two participants who fell in love on the expedition: the field secretary, Fred Hodge—who became a major figure in early twentieth-century anthropology—and the expedition artist, Margaret Magill. Divided into three parts, the book’s first two sections chronicle the field operations of the expedition, while the third part describes the anthropological career of Hodge after the end of the expedition.



The Lost Itinerary of Frank Hamilton Cushing
Edited by Curtis M. Hinsley and David R. Wilcox, print publication May 2002
This second installment of a multivolume work on the Hemenway Expedition focuses on a report written by Cushing—at the request of the expedition’s board of directors—to serve as vindication for the expedition, the worst personal and professional failure of his life. Reconstructed between 1891 and 1893 by Cushing from field notes, diaries, jottings, and memories, it provides an account of the origins and early months of the expedition. Hidden in several archives for a century, the Itinerary is assembled and presented here for the first time.

The Southwest in the American Imagination
Edited by Curtis M. Hinsley and David R. Wilcox, print publication May 1996
This work is the first installment of this multivolume work, which presents a cultural history of the Hemenway Expedition and early anthropology in the American Southwest, told in the voices of its participants and interpreted by contemporary scholars.

***
About the authors
Curtis M. Hinsley is Regents’ Professor Emeritus of history at Northern Arizona University. He has written widely on American cultural history and the history of American anthropology.

David R. Wilcox was a senior research archaeologist and special assistant to the deputy director at the Museum of Northern Arizona.

A Yavapai Night to Remember: Presenting to Carlos Montezuma’s Ancestral Community

November 7, 2023                                    

By David Martínez

Every aspect of my experience writing My Heart Is Bound Up with Them: How Carlos Montezuma Became the Voice of a Generation has been profoundly rewarding and fulfilling. From delving into the treasures of the Carlos Montezuma Archival Collection in ASU’s Hayden Library to first holding the book in my hands, I felt a genuine satisfaction with the work I created and an immense amount of gratitude for everyone who has helped along the way. However, now that the book is out, the focus is more on the historic figure at the center of my book than it is on me as researcher and author. As an Indigenous scholar and public intellectual, a unique experience in my professional career is sharing my work with Indigenous communities. Of particular importance is the opportunity to speak with an historic figure’s living descendants. On the evening of October 5, 2023, I had the honor of telling members of Fort McDowell Yavapai Nation what I had written about their revered ancestor, Wassaja, also known as Carlos Montezuma. It was a night I will always remember.

         While many today think of the Wekopa Resort and Casino complex when they think of Fort McDowell, for others the lands along the Verde River are the ancestral Yavapai homeland. For my Akimel O’odham ancestors, however, the Yavapai were o’ob, which is how we say “enemy” in our ne’oki, our O’odham language. In turn, the Yavapai called us jo’go ha’na. Nonetheless, as Arizona Territory was building its economy for the purpose of being admitted into the Union as the forty-eighth state, which it did in 1912, local business interests in the Verde Valley coveted Yavapai land and water. Toward that end, they convinced the Office of Indian Affairs under Commissioner Cato Sells to take steps at relocating the Yavapai from Fort McDowell to the Salt River Pima-Maricopa reservation. Needless to say, neither tribe was pleased with this proposition. Fortunately, someone arrived, a protector, who would fight the Indian Office, advocate for their rights, and avert an economic catastrophe and a humanitarian crisis. His Yavapai relatives knew him as Wassaja and always addressed him in their copious letters as “Dear Cousin.” The rest of the country, including my O’odham ancestors, knew him as Carlos Montezuma, the author of “Let My People Go” (1915). What Montezuma did for Salt River, not to mention the Gila River reservation, which would have also felt the impact of the Yavapai forced removal, was the story that I wanted to tell at Fort McDowell.

               When Clissene Lewis, director of the Fort McDowell Yavapai Nation Museum & Cultural Center, invited me to present, it was at the behest of Irasema Coronado, director of ASU’s School of Transborder Studies, where I have a joint appointment (with American Indian Studies). Clissene, in addition to other Yavapai community leaders, were given signed copies shortly after the book’s release this past February. So, it was no surprise that Clissene was anxious to organize an event. She had read the book already and had written to me to share her favorable opinion. The only restriction with respect to the event was limiting it to Fort McDowell community members. Irasema and I were amenable to this request. Fort McDowell wanted this to be just for them. Consequently, my wife Sharon and I drove from our home in Tempe to the Fort McDowell Recreation Center, which contains a ballroom and theater stage. A sign inside called this venue the “Large Room.”

               While the recreation center, which stands near the museum, isn’t that far away from the casino and resort complex, it feels a world apart. The facility was decorated for Halloween and the workout room, gymnasium, pool, and other rooms were busy with Yavapai children and adults. Clissene was waiting for us in the Large Room. Having arrived early, Sharon and I were introduced to the small team of community members that were there to help make the night’s event run smoothly. I wish I could recall all of their names. But the night turned into a whirlwind. Not long before 6 pm, the room began to fill. Before I knew it, Clissene was greeting the audience. She then asked an elder to say a prayer and bless the refreshments. People ate and visited, all the while laughing and having a pleasant time. A few minutes later, it was time to begin.

               After thanking Clissene for her warm introduction, I began telling my Yavapai audience why their ancestor, Wassaja, was so important to my people as well. I showed them the ooshikbina, the calendar sticks, which recounted how my O’odham ancestors at Salt River and Blackwater villages remembered young Wassaja as Hejel-wi’ikam, or “Left Alone,” when he was captured by O’odham scouts, who were working for the US Army during the late 1860s. I told them what the Indian Office wanted to do to Yavapai; how their rights were disregarded and their well-being ignored, all in the name of progress. Significantly, I shared with them my feelings when Montezuma showed compassion for the O’odham, even though they were the ones that stole him and sent him into exile from his homeland. In fact, as Anna Moore Shaw related in A Pima Past, Montezuma once visited Sacaton Village on the Gila River reservation, where he asked to meet his captors. According to oral history, Wassaja’s captors, now elderly, were apprehensive about meeting the young boy who was now a man. Yet, when Montezuma met one of these former scouts, he shook his hand and thanked him for saving him from the devastating conditions that his Yavapai family had to endure in the aftermath of the Army’s invasion. My story concluded with an account from Yavapai oral history, which said that not long before Montezuma passed away in January 1923, he was taken to Skeleton Cave, the site of an 1872 massacre that shattered the community. Ancestral remains were being recovered. However, even after fifty years, the cave walls still showed the blood stains. Montezuma wept. My presentation concluded with a reverential silence, which I honored by saying that whatever one may think about Montezuma’s political legacy—he was a friend to Carlisle Indian School founder Richard Pratt and a strong proponent of abolishing the Indian Office—no one should ever doubt that Montezuma loved his people.

               In conclusion, as people applauded, a little girl, about seven years old, came rushing up to the stage. When she gestured to me that she wanted to say something, I leaned forward so I could hear her. “Can I have your autograph?” Needless to say, I was delighted. At the same time, I noticed that she wasn’t holding anything. Clissene had purchased books for community members, however, I didn’t expect a little girl to be among my readers. “What did you want me to sign?” I asked her. “I don’t know. But my grandmother said that we could get your autograph.” Naturally, like a typical college professor, I had a pen and yellow pad with me, complete with my lecture notes. I then led her to the table where Sharon was sitting. While writing a thank you note to my young autograph seeker, others began lining up to get their books signed. One at a time, they told me their names, expressed appreciation for my lecture, and asked me an assortment of questions about my book, Montezuma, and me. Among the attendees was the Fort McDowell Yavapai Nation president, Bernadine Burnette; the vice president, Paul J Russell; and the treasurer, Pansy P Thomas. Only on my own reservation have I felt so moved and honored. Thank you all.

***
David Martínez is professor of American Indian and Transborder studies at Arizona State University and is enrolled in the Gila River Indian Community. He is the author of My Heart Is Bound Up with Them: How Carlos Montezuma Became the Voice of a Generation, Life of the Indigenous Mind: Vine Deloria Jr. and the Birth of the Red Power Movement, and Dakota Philosopher: Charles Eastman and American Indian Thought.

Alma García Essay in “Poets & Writers”

October 20, 2023

“Poets & Writers,”  the nation’s largest nonprofit organization serving creative writers, invited 5 over 50 authors to write essays for the November/December 2023 magazine. One of them is Alma García, author of All That Rises. In the introduction, the editor says, “These first-time authors, who range from their early fifties to early seventies, remind us that time, and its inevitable passage, is a gift that enriches our personal and literary lives and that age can make us both robust and nimble, ready to persevere, to put words on the page.”

García explains her writing journey from short stories to journalism to debut novel. She writes:

Writing a book over a very long time is sometimes a deadly enterprise. Ideas drift. The end point disappears. A lack of urgency can overtake you. You might find yourself appalled when you pass your own characters in age. You become aware of your own mortality, of the soul-sucking thought that your best creative years already might be behind you.

But if you listen quietly, sometimes you’ll hear the truth of your own creative being whispering in your ear.

Read her beautiful essay here.

About the book:

In the border city of El Paso, Texas, two guardedly neighboring families have plunged headlong into a harrowing week. Rose Marie DuPre, wife and mother, has abandoned her family. On the doorstep of the Gonzales home, long-lost rebel Inez appears. As Rose Marie’s husband, Huck (manager of a maquiladora), and Inez’s brother, Jerry (a college professor), struggle separately with the new shape of their worlds, Lourdes, the Mexican maid who works in both homes, finds herself entangled in the lives of her employers, even as she grapples with a teenage daughter who only has eyes for el otro lado—life, American style.

In Honor of Roberto Cintli Rodriguez: An Excerpt from Yolqui, A Warrior Summoned from the Spirit World

August 11, 2023

In Nahuatl yolqui is the idea of a warrior brought back from the dead. For Roberto Cinctli Rodríquez, it described his own experience one night in March 1979 after a brutal beating at the hands of L.A. sheriffs.

In November 2019, we celebrated the publication of his book Yolqui, a Warrior Summoned from the Spirit World: Testimonios on Violence. Today, we re-share a portion of the excerpt in honor of his memory and his tremendous contributions:


In the middle of a cornfield in Huitzilac, Morelos, Mexico, I am given aguamiel, the juice of the maguey plant, to drink. That night, presumably, it prompts a dream.

I am hovering above a sprawled body.

Suddenly, I realize that the body is mine.

My spirit and my consciousness are outside of my body.

But how can this be possible? How can I be here, looking down at my own body?

I observe my bloodied body sprawled on the ground below me. I know it is me because those are my pants, my jacket, my hair.

I am not struggling. I am not moving. I am lifeless. A cold realization sets in, but it doesn’t make sense.

If my spirit and my consciousness are outside of my body, what does this mean?

I know I am not awake. This must be a dream. How else could this be happening?

The only other explanation is that I am no longer alive . . . that I am dead. No. This must be a mistake. There must be another explanation. I’m not going anywhere—I’m not ready to go!

At that, I am startled awake. I am in shock, trying to understand what I just saw.

For the past twenty years I’ve not had any dreams nor nightmares; either I
was not dreaming, or I was unable to remember my dreams. Either way, something changed that day in the cornfield, and that night I finally had a dream that I could remember. I was very disturbed by the dream, knowing full well there was meaning attached to it.

In the dream I’d been conscious of observing myself. It was the night of March 23–24, 1979, in East L.A., the night I was assaulted while photographing the brutal beating of a young man on Whittier Boulevard. Once I understood what I was looking at and where I was, my mind forced me to wake up.

That long-ago night resulted in my being arrested and charged with attempting to kill the four deputies who almost took my life. It took nine months to win that trial and another seven years to win the lawsuit I filed against those same deputies and the Los Angeles County Sheriff ’s Department.

Even as I write this, I realize that something else happened to me all those years ago, beyond the constant harassment and death threats, beyond having to live in fear and operating on survival instincts. Something was taken from me that night in 1979: the trauma to my brain and skull also had a long-term impact on my ability to process my thoughts in the dreamworld. I lost the ability to recall my dreams. A psychologist could probably comment about that; I know our ability to dream is a critical part of what makes us human. Dreams permit us to process our thoughts, our emotions, and our experiences, and dreams are what connect us to that other world. That was taken from me that weekend. Many Indigenous healers whom I am close to believe that our dream state is as important, if not more so, as our awakened state, and most view the inability to dream as unhealthy. I am also conscious as I write this that I am providing a psychological portrait of my mind and my spirit some forty years after that night in 1979 in East Los Angeles.

What was the meaning of the dream I had in Huitzilac? At the time, I was unsure, and that was disconcerting. In subsequent days, I internalized the idea that I had died that night in East L.A. Was that a nightmare, or was it a memory of what had happened to me that weekend? Regardless, I realized I had become a spirit walking outside of my body.

Sometime later, when I was living in San Antonio, Texas, I discussed that disturbing dream with a good friend, Enrique Maestas, who is also an Azteca/Mexica danzante. I told him I remembered having had recurring bouts of fear between 1979 and 1986, fear that I was going to be killed. “The dream is nothing to worry about,” Enrique told me.

All warriors have to die.

Okay. I got that. I now understand that I died on March 23, 1979, and on March 24, 1979, I was resuscitated. But why?

So that as warriors, we can come back and fight again.

Perhaps that was the answer I was looking for, though Enrique’s explanation did not sink in right away.


Roberto Cintli Rodríguez was an associate professor in the Department of Mexican American Studies at the University of Arizona. He wrote for Truthout’s Public Intellectual Page and was an award-winning journalist, columnist, and author. His first book with the UA Press was Our Sacred Maíz Is Our Mother: Indigeneity and Belonging in the Americas.

Poet Richard Blanco Receives National Humanities Medal

On March 21, 2023, President Joe Biden awarded the National Humanities Medal to Richard Blanco. Blanco, who delivered his poem “One Today” at President Barack Obama’s second inauguration, is one of 12 people from across the nation chosen to receive the award.

In 2005, University of Arizona Press published Blanco’s Directions to The Beach of the Dead, for which the author received the Beyond Margins Award from the PEN American Center. His latest poetry collection is How to Love a Country.

This week, the National Endowment for the Humanities (NEH) Chair Shelly C. Lowe (Navajo) said of the National Humanities Medal: “The recipients have enriched our world through writing that moves and inspires us; scholarship that enlarges our understanding of the past; and through their dedication to educating, informing, and giving voice to communities and histories often overlooked.” She continued, “I am proud to join President Biden in recognizing these distinguished leaders for their outstanding contributions to our nation’s cultural life.” 

The NEH described Richard Blanco: “An award-winning poet and author, professor and public speaker, and son of Cuban immigrants, Richard Blanco’s powerful storytelling challenges the boundaries of culture, gender, and class while celebrating the promise of our Nation’s highest ideals.”

Congratulations Richard Blanco!

Photos from We Love the Night Sky celebration

On February 15, Tim Hunter, author of The Sky at Night, spoke at Western National Parks Association, in Oro Valley, Arizona. Fueled by cookies and hot chocolate, participants saw Jupiter and the Galilean moons through telescopes. David Levy, Tim Hunter, and other astronomers pointed out planets, bright stars, and constellations in the sky.

Author Tim Hunter speaks about his book: The Sky at Night: Easy Enjoyment from Your Backyard
Author Tim Hunter explains the planisphere, an analog star chart
We looked at Jupiter from the same telescope as President Obama (POTUS). This telescope went to the White House!
Chuck and Steve from Astronomy Adventures set up Celestron Telescope
Author Tim Hunter signs The Sky at Night
Half moon and star cookies and hot chocolate

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