New OA Titles: The Hemenway Southwestern Archaeological Expedition

May 8, 2024

The University of Arizona Press is thrilled to feature a new collection on our open access platform Open Arizona, featuring new and previously published works on the Hemenway Southwestern Archaeological Expedition.

In the fall of 1886, Boston philanthropist Mary Tileston Hemenway sponsored an archaeological expedition to the American Southwest. Directed by anthropologist Frank Hamilton Cushing, the Hemenway Expedition sought to trace the ancestors of the Zuñis with an eye toward establishing a museum for the study of American Indians. In the third year of fieldwork, Hemenway’s overseeing board fired Cushing based on doubts concerning his physical health and mental stability, and much of the expedition’s work went unpublished. Today, however, it is recognized as a critical base for research for southwestern archaeology.

The volumes in this collection examine the expedition through the diaries and writings of those who participated. These books are part of the Southwest Center Series, an ongoing partnership between the University of Arizona Press and the Southwest Center, which is a research unit of the College of Social and Behavioral Sciences of the University of Arizona.

The titles in this new featured collection are available for online reading or downloading from Open Arizona, the press’s OA portal. Learn more about each title:



On a Trail of Southwest Discovery
Edited by Curtis M. Hinsley and David R. Wilcox, print publication April 2024
This final volume examines the Hemenway Southwestern Archaeological Expedition, directed by Frank Hamilton Cushing, through the diaries of two participants who fell in love on the expedition: the field secretary, Fred Hodge—who became a major figure in early twentieth-century anthropology—and the expedition artist, Margaret Magill. Divided into three parts, the book’s first two sections chronicle the field operations of the expedition, while the third part describes the anthropological career of Hodge after the end of the expedition.



The Lost Itinerary of Frank Hamilton Cushing
Edited by Curtis M. Hinsley and David R. Wilcox, print publication May 2002
This second installment of a multivolume work on the Hemenway Expedition focuses on a report written by Cushing—at the request of the expedition’s board of directors—to serve as vindication for the expedition, the worst personal and professional failure of his life. Reconstructed between 1891 and 1893 by Cushing from field notes, diaries, jottings, and memories, it provides an account of the origins and early months of the expedition. Hidden in several archives for a century, the Itinerary is assembled and presented here for the first time.

The Southwest in the American Imagination
Edited by Curtis M. Hinsley and David R. Wilcox, print publication May 1996
This work is the first installment of this multivolume work, which presents a cultural history of the Hemenway Expedition and early anthropology in the American Southwest, told in the voices of its participants and interpreted by contemporary scholars.

***
About the authors
Curtis M. Hinsley is Regents’ Professor Emeritus of history at Northern Arizona University. He has written widely on American cultural history and the history of American anthropology.

David R. Wilcox was a senior research archaeologist and special assistant to the deputy director at the Museum of Northern Arizona.

A Yavapai Night to Remember: Presenting to Carlos Montezuma’s Ancestral Community

November 7, 2023                                    

By David Martínez

Every aspect of my experience writing My Heart Is Bound Up with Them: How Carlos Montezuma Became the Voice of a Generation has been profoundly rewarding and fulfilling. From delving into the treasures of the Carlos Montezuma Archival Collection in ASU’s Hayden Library to first holding the book in my hands, I felt a genuine satisfaction with the work I created and an immense amount of gratitude for everyone who has helped along the way. However, now that the book is out, the focus is more on the historic figure at the center of my book than it is on me as researcher and author. As an Indigenous scholar and public intellectual, a unique experience in my professional career is sharing my work with Indigenous communities. Of particular importance is the opportunity to speak with an historic figure’s living descendants. On the evening of October 5, 2023, I had the honor of telling members of Fort McDowell Yavapai Nation what I had written about their revered ancestor, Wassaja, also known as Carlos Montezuma. It was a night I will always remember.

         While many today think of the Wekopa Resort and Casino complex when they think of Fort McDowell, for others the lands along the Verde River are the ancestral Yavapai homeland. For my Akimel O’odham ancestors, however, the Yavapai were o’ob, which is how we say “enemy” in our ne’oki, our O’odham language. In turn, the Yavapai called us jo’go ha’na. Nonetheless, as Arizona Territory was building its economy for the purpose of being admitted into the Union as the forty-eighth state, which it did in 1912, local business interests in the Verde Valley coveted Yavapai land and water. Toward that end, they convinced the Office of Indian Affairs under Commissioner Cato Sells to take steps at relocating the Yavapai from Fort McDowell to the Salt River Pima-Maricopa reservation. Needless to say, neither tribe was pleased with this proposition. Fortunately, someone arrived, a protector, who would fight the Indian Office, advocate for their rights, and avert an economic catastrophe and a humanitarian crisis. His Yavapai relatives knew him as Wassaja and always addressed him in their copious letters as “Dear Cousin.” The rest of the country, including my O’odham ancestors, knew him as Carlos Montezuma, the author of “Let My People Go” (1915). What Montezuma did for Salt River, not to mention the Gila River reservation, which would have also felt the impact of the Yavapai forced removal, was the story that I wanted to tell at Fort McDowell.

               When Clissene Lewis, director of the Fort McDowell Yavapai Nation Museum & Cultural Center, invited me to present, it was at the behest of Irasema Coronado, director of ASU’s School of Transborder Studies, where I have a joint appointment (with American Indian Studies). Clissene, in addition to other Yavapai community leaders, were given signed copies shortly after the book’s release this past February. So, it was no surprise that Clissene was anxious to organize an event. She had read the book already and had written to me to share her favorable opinion. The only restriction with respect to the event was limiting it to Fort McDowell community members. Irasema and I were amenable to this request. Fort McDowell wanted this to be just for them. Consequently, my wife Sharon and I drove from our home in Tempe to the Fort McDowell Recreation Center, which contains a ballroom and theater stage. A sign inside called this venue the “Large Room.”

               While the recreation center, which stands near the museum, isn’t that far away from the casino and resort complex, it feels a world apart. The facility was decorated for Halloween and the workout room, gymnasium, pool, and other rooms were busy with Yavapai children and adults. Clissene was waiting for us in the Large Room. Having arrived early, Sharon and I were introduced to the small team of community members that were there to help make the night’s event run smoothly. I wish I could recall all of their names. But the night turned into a whirlwind. Not long before 6 pm, the room began to fill. Before I knew it, Clissene was greeting the audience. She then asked an elder to say a prayer and bless the refreshments. People ate and visited, all the while laughing and having a pleasant time. A few minutes later, it was time to begin.

               After thanking Clissene for her warm introduction, I began telling my Yavapai audience why their ancestor, Wassaja, was so important to my people as well. I showed them the ooshikbina, the calendar sticks, which recounted how my O’odham ancestors at Salt River and Blackwater villages remembered young Wassaja as Hejel-wi’ikam, or “Left Alone,” when he was captured by O’odham scouts, who were working for the US Army during the late 1860s. I told them what the Indian Office wanted to do to Yavapai; how their rights were disregarded and their well-being ignored, all in the name of progress. Significantly, I shared with them my feelings when Montezuma showed compassion for the O’odham, even though they were the ones that stole him and sent him into exile from his homeland. In fact, as Anna Moore Shaw related in A Pima Past, Montezuma once visited Sacaton Village on the Gila River reservation, where he asked to meet his captors. According to oral history, Wassaja’s captors, now elderly, were apprehensive about meeting the young boy who was now a man. Yet, when Montezuma met one of these former scouts, he shook his hand and thanked him for saving him from the devastating conditions that his Yavapai family had to endure in the aftermath of the Army’s invasion. My story concluded with an account from Yavapai oral history, which said that not long before Montezuma passed away in January 1923, he was taken to Skeleton Cave, the site of an 1872 massacre that shattered the community. Ancestral remains were being recovered. However, even after fifty years, the cave walls still showed the blood stains. Montezuma wept. My presentation concluded with a reverential silence, which I honored by saying that whatever one may think about Montezuma’s political legacy—he was a friend to Carlisle Indian School founder Richard Pratt and a strong proponent of abolishing the Indian Office—no one should ever doubt that Montezuma loved his people.

               In conclusion, as people applauded, a little girl, about seven years old, came rushing up to the stage. When she gestured to me that she wanted to say something, I leaned forward so I could hear her. “Can I have your autograph?” Needless to say, I was delighted. At the same time, I noticed that she wasn’t holding anything. Clissene had purchased books for community members, however, I didn’t expect a little girl to be among my readers. “What did you want me to sign?” I asked her. “I don’t know. But my grandmother said that we could get your autograph.” Naturally, like a typical college professor, I had a pen and yellow pad with me, complete with my lecture notes. I then led her to the table where Sharon was sitting. While writing a thank you note to my young autograph seeker, others began lining up to get their books signed. One at a time, they told me their names, expressed appreciation for my lecture, and asked me an assortment of questions about my book, Montezuma, and me. Among the attendees was the Fort McDowell Yavapai Nation president, Bernadine Burnette; the vice president, Paul J Russell; and the treasurer, Pansy P Thomas. Only on my own reservation have I felt so moved and honored. Thank you all.

***
David Martínez is professor of American Indian and Transborder studies at Arizona State University and is enrolled in the Gila River Indian Community. He is the author of My Heart Is Bound Up with Them: How Carlos Montezuma Became the Voice of a Generation, Life of the Indigenous Mind: Vine Deloria Jr. and the Birth of the Red Power Movement, and Dakota Philosopher: Charles Eastman and American Indian Thought.

Alma García Essay in “Poets & Writers”

October 20, 2023

“Poets & Writers,”  the nation’s largest nonprofit organization serving creative writers, invited 5 over 50 authors to write essays for the November/December 2023 magazine. One of them is Alma García, author of All That Rises. In the introduction, the editor says, “These first-time authors, who range from their early fifties to early seventies, remind us that time, and its inevitable passage, is a gift that enriches our personal and literary lives and that age can make us both robust and nimble, ready to persevere, to put words on the page.”

García explains her writing journey from short stories to journalism to debut novel. She writes:

Writing a book over a very long time is sometimes a deadly enterprise. Ideas drift. The end point disappears. A lack of urgency can overtake you. You might find yourself appalled when you pass your own characters in age. You become aware of your own mortality, of the soul-sucking thought that your best creative years already might be behind you.

But if you listen quietly, sometimes you’ll hear the truth of your own creative being whispering in your ear.

Read her beautiful essay here.

About the book:

In the border city of El Paso, Texas, two guardedly neighboring families have plunged headlong into a harrowing week. Rose Marie DuPre, wife and mother, has abandoned her family. On the doorstep of the Gonzales home, long-lost rebel Inez appears. As Rose Marie’s husband, Huck (manager of a maquiladora), and Inez’s brother, Jerry (a college professor), struggle separately with the new shape of their worlds, Lourdes, the Mexican maid who works in both homes, finds herself entangled in the lives of her employers, even as she grapples with a teenage daughter who only has eyes for el otro lado—life, American style.

In Honor of Roberto Cintli Rodriguez: An Excerpt from Yolqui, A Warrior Summoned from the Spirit World

August 11, 2023

In Nahuatl yolqui is the idea of a warrior brought back from the dead. For Roberto Cinctli Rodríquez, it described his own experience one night in March 1979 after a brutal beating at the hands of L.A. sheriffs.

In November 2019, we celebrated the publication of his book Yolqui, a Warrior Summoned from the Spirit World: Testimonios on Violence. Today, we re-share a portion of the excerpt in honor of his memory and his tremendous contributions:


In the middle of a cornfield in Huitzilac, Morelos, Mexico, I am given aguamiel, the juice of the maguey plant, to drink. That night, presumably, it prompts a dream.

I am hovering above a sprawled body.

Suddenly, I realize that the body is mine.

My spirit and my consciousness are outside of my body.

But how can this be possible? How can I be here, looking down at my own body?

I observe my bloodied body sprawled on the ground below me. I know it is me because those are my pants, my jacket, my hair.

I am not struggling. I am not moving. I am lifeless. A cold realization sets in, but it doesn’t make sense.

If my spirit and my consciousness are outside of my body, what does this mean?

I know I am not awake. This must be a dream. How else could this be happening?

The only other explanation is that I am no longer alive . . . that I am dead. No. This must be a mistake. There must be another explanation. I’m not going anywhere—I’m not ready to go!

At that, I am startled awake. I am in shock, trying to understand what I just saw.

For the past twenty years I’ve not had any dreams nor nightmares; either I
was not dreaming, or I was unable to remember my dreams. Either way, something changed that day in the cornfield, and that night I finally had a dream that I could remember. I was very disturbed by the dream, knowing full well there was meaning attached to it.

In the dream I’d been conscious of observing myself. It was the night of March 23–24, 1979, in East L.A., the night I was assaulted while photographing the brutal beating of a young man on Whittier Boulevard. Once I understood what I was looking at and where I was, my mind forced me to wake up.

That long-ago night resulted in my being arrested and charged with attempting to kill the four deputies who almost took my life. It took nine months to win that trial and another seven years to win the lawsuit I filed against those same deputies and the Los Angeles County Sheriff ’s Department.

Even as I write this, I realize that something else happened to me all those years ago, beyond the constant harassment and death threats, beyond having to live in fear and operating on survival instincts. Something was taken from me that night in 1979: the trauma to my brain and skull also had a long-term impact on my ability to process my thoughts in the dreamworld. I lost the ability to recall my dreams. A psychologist could probably comment about that; I know our ability to dream is a critical part of what makes us human. Dreams permit us to process our thoughts, our emotions, and our experiences, and dreams are what connect us to that other world. That was taken from me that weekend. Many Indigenous healers whom I am close to believe that our dream state is as important, if not more so, as our awakened state, and most view the inability to dream as unhealthy. I am also conscious as I write this that I am providing a psychological portrait of my mind and my spirit some forty years after that night in 1979 in East Los Angeles.

What was the meaning of the dream I had in Huitzilac? At the time, I was unsure, and that was disconcerting. In subsequent days, I internalized the idea that I had died that night in East L.A. Was that a nightmare, or was it a memory of what had happened to me that weekend? Regardless, I realized I had become a spirit walking outside of my body.

Sometime later, when I was living in San Antonio, Texas, I discussed that disturbing dream with a good friend, Enrique Maestas, who is also an Azteca/Mexica danzante. I told him I remembered having had recurring bouts of fear between 1979 and 1986, fear that I was going to be killed. “The dream is nothing to worry about,” Enrique told me.

All warriors have to die.

Okay. I got that. I now understand that I died on March 23, 1979, and on March 24, 1979, I was resuscitated. But why?

So that as warriors, we can come back and fight again.

Perhaps that was the answer I was looking for, though Enrique’s explanation did not sink in right away.


Roberto Cintli Rodríguez was an associate professor in the Department of Mexican American Studies at the University of Arizona. He wrote for Truthout’s Public Intellectual Page and was an award-winning journalist, columnist, and author. His first book with the UA Press was Our Sacred Maíz Is Our Mother: Indigeneity and Belonging in the Americas.

Poet Richard Blanco Receives National Humanities Medal

On March 21, 2023, President Joe Biden awarded the National Humanities Medal to Richard Blanco. Blanco, who delivered his poem “One Today” at President Barack Obama’s second inauguration, is one of 12 people from across the nation chosen to receive the award.

In 2005, University of Arizona Press published Blanco’s Directions to The Beach of the Dead, for which the author received the Beyond Margins Award from the PEN American Center. His latest poetry collection is How to Love a Country.

This week, the National Endowment for the Humanities (NEH) Chair Shelly C. Lowe (Navajo) said of the National Humanities Medal: “The recipients have enriched our world through writing that moves and inspires us; scholarship that enlarges our understanding of the past; and through their dedication to educating, informing, and giving voice to communities and histories often overlooked.” She continued, “I am proud to join President Biden in recognizing these distinguished leaders for their outstanding contributions to our nation’s cultural life.” 

The NEH described Richard Blanco: “An award-winning poet and author, professor and public speaker, and son of Cuban immigrants, Richard Blanco’s powerful storytelling challenges the boundaries of culture, gender, and class while celebrating the promise of our Nation’s highest ideals.”

Congratulations Richard Blanco!

Photos from We Love the Night Sky celebration

On February 15, Tim Hunter, author of The Sky at Night, spoke at Western National Parks Association, in Oro Valley, Arizona. Fueled by cookies and hot chocolate, participants saw Jupiter and the Galilean moons through telescopes. David Levy, Tim Hunter, and other astronomers pointed out planets, bright stars, and constellations in the sky.

Author Tim Hunter speaks about his book: The Sky at Night: Easy Enjoyment from Your Backyard
Author Tim Hunter explains the planisphere, an analog star chart
We looked at Jupiter from the same telescope as President Obama (POTUS). This telescope went to the White House!
Chuck and Steve from Astronomy Adventures set up Celestron Telescope
Author Tim Hunter signs The Sky at Night
Half moon and star cookies and hot chocolate

Lavender Fields Shout-out in Ms. Magazine

Lavender Fields: Black Women Experiencing Fear, Agency, and Hope in the Time of COVID-19 made Ms. Magazine’s January Reads for the Rest of Us. Edited by Julia A. Jordan-Zachery, Lavender Fields uses autoethnography to explore how Black girls and women are living with and through COVID-19. It centers their pain, joys, and imaginations for a more just future as we confront all the inequalities that COVID-19 exposes.

Writes Karla J. Strand, “Black women have been among the hardest hit by COVID-19 and this collection illustrates the devastating ramifications with candor, compassion, heart and hope. By centering the voices, experiences and stories of Black women, Jordan-Zachery ensures they don’t go unheard.”

About the Book
Black women and girls in the United States are among the hardest hit by the pandemic in terms of illnesses, deaths, evictions, and increasing economic inequality. Riffing off Alice Walker’s telling of her search for Zora Neal Hurston, the authors of these essays and reflections offer raw tellings of Black girls’ and women’s experiences written in real time, as some of the contributors battled COVID-19 themselves.

Remembering Richard Shelton

December 1, 2022

Richard Shelton brought Southern Arizona to the world. Again and again, we heard stories of how Going Back to Bisbee touched readers near and far, from the person who moved here from across the country, inspired by the book, to the job candidate from Connecticut who went to their local library to see what the Press had published and discovered this literary gem. He was a brilliant storyteller.

In Crossing the Yard, he chronicled what was perhaps his life’s work—teaching writing in the Arizona State prisons. As publishers, it was incredibly moving to work on this book. It is a testament to the transformative power of writing and our common humanity. As one of his students, facing relocation to another prison, wrote to him, “I am not afraid, dear Richard. I am singing.”

Shelton’s exploration of our common humanity continued in his final work of nonfiction, Nobody Rich or Famous, a quietly profound memoir of his upbringing in Boise, Idaho. Evoking both the beauty of the natural world and the sorrows of poverty, it stands alongside the greatest of contemporary memoirs.

Richard Shelton’s legacy will be detailed by many—and it will take many to document his transformative contributions to the University of Arizona, to literature, and to so many lives. When we remember Dick, however, we will remember him through these books, books that let us know him and that touched us all.

***
Going Back to Bisbee
Crossing The Yard
Nobody Rich or Famous

Read the Remembrance from Ken Lamberton

Returning Home Wins 2022 Donald L. Fixico Award

November 3, 2022

We are thrilled to announce that Returning Home, edited by Farina King, Michael P. Taylor, and James R. Swensen is the winner of the 2022 Donald L. Fixico Award from the Western History Association!

The Donald Fixico Book Award recognizes innovative work in the field of American Indian and Canadian First Nations History that centers Indigenous epistemologies and perspectives. The award honors Dr. Fixico’s prolific scholarly legacy and celebrates the vibrant future of the field. Books that address Indigenous history in the United States and Canada are eligible for the award.  

Returning Home features and contextualizes the creative works of Diné (Navajo) boarding school students at the Intermountain Indian School, which was the largest federal Indian boarding school between 1950 and 1984. Diné student art and poetry reveal ways that boarding school students sustained and contributed to Indigenous cultures and communities despite assimilationist agendas and pressures.

Learn more about the book and watch book trailer videos from the editors here.

Congratulations, Farina, Michael, and James!

‘Returning Home’ Finalist for Best Book in Utah History

August 30, 2022

Congratulations to University of Arizona Press author’s Farina Noelani KingMichael P. Taylor, and James R. Swensen for their book Returning Home: Diné Creative Works from the Intermountain Indian School placing as finalist for Best Book in Utah History from the Utah Division of State History and Utah State Historical Society.

Returning Home features and contextualizes the creative works of Diné (Navajo) boarding school students at the Intermountain Indian School, which was the largest federal Indian boarding school between 1950 and 1984. Diné student art and poetry reveal ways that boarding school students sustained and contributed to Indigenous cultures and communities despite assimilationist agendas and pressures.

This book works to recover the lived experiences of Native American boarding school students through creative works, student interviews, and scholarly collaboration. It shows the complex agency and ability of Indigenous youth to maintain their Diné culture within the colonial spaces that were designed to alienate them from their communities and customs. 

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