Why Does the Desert Smell Like Rain? New UA Research Suggests the Diverse “Osmocosm” of the Sonoran Desert

April 13, 2022

In the upcoming fall 2022 season, the University of Arizona Press will celebrate the 40th anniversary of Gary Paul Nabhan’s beloved classic, The Desert Smells Like Rain, about nature, how to respect it, and what transplants can learn from the longtime residents of the Sonoran Desert, the Tohono O’odham people. This new edition includes a new introduction by the loved ethnobotonist. In this article below, Nabhan digs into UA research on the smell of the desert, and its goodness.

In the Sonoran Desert of Arizona and Northwest Mexico, many long-time residents claim that with the onset of the summer’s monsoonal rains, a feeling of elation and relief comes as fragrances fill the air in a way that makes it seem as though “the desert smells like rain.”

For decades, geologists, botanists, atmospheric scientists, and ecologists have debated the causes and triggers of this euphoric sensation. Some scientists have focused on fragrances emitted by cryptogamic or biological soil crusts during rains, while other have focused on the terpentine-like smell of the creosote bush known in Sonoran Spanish as hediondilla, ‘the little stinker.” But now two scientists from the University of Arizona have teamed up with an herbalist-author and owner of an herb nursery (the Desert Canyon Farm) in Southern Colorado to propose a novel, but more comprehensive answer:

The Sonoran Desert flora is one of the richest in the world in plants that emit fragrant volatile oils, and many of those fragrances confer stress-reducing health benefits to humans, wildlife, and the plants themselves. What’s more, the biogenic volatile organic compounds (BVOCs) that evolved to protect plants from damaging solar radiation, heat waves, drought stress and herbivores may also have protective value for humans as climate change turns the Earth into “Planet Desert.”

Initially, desert scientists focused their attention on an earthy fragrance called petrichor that is emitted from the biological soil crusts by a compound called geosmin. Geosmin underlies the earthy taste of beetroots, with notes like eucalyptus, cinnamon, and cloves and can be detected by the human nose at concentrations as low as 400 parts per trillion. It is secreted from dead microbes in the soil crusts of many different kinds of landscapes but is now known to be emitted only sporadically in Sonoran Desert soils after summer rains.

Ecologists who studied the North American deserts then tried to explain this phenomenon through a “single cause” focus on one of the most common plants in the Mohave, Sonoran and Chihuahuan desert: Larrea tridentata, known in English as the creosote-bush.  Curiously, it emits more than 35 distinct terpenes and other BVOCs, some of which (like trans-caryophyllene) are generated by an endophytic fungus growing “hidden” within the plant’s tissues. With the onset of monsoons, the high density of shrubs forming creosote flats emit terpentine-like fragrances (like isoprene) as potent as any botanical emissions into the atmosphere. Nevertheless, this dominant plant is by no means the only major emitter of BVOCs that give Sonoran Desert habitats their renowned fragrances.

The new research from the Desert Laboratory on Tumamoc Hill has found more than 60 species of 178 native plants in the ancient ironwood-giant cactus forests of the Sonoran Desert which emit fragrant biogenic volatile organic compounds (BVOCs) immediately before, during and after rainstorms.  storms.  From these desert species, more than 115 volatile oils have been identified, as high a number as is known from any biogeographic region in the world. In particular, the researchers Gary Nabhan, Eric Dougherty and Tammi Hartung identified more than 60 potent fragrances emitted from the foliage and flowers of desert plants during the monsoonal rainy season of the iconic “Sonoran Desert summer.”

The authors hypothesize that the a “suite” of 15 particular BVOCs emitted from this diversity of desert plants during the monsoons may function synergistically to generate tangible health benefits. Just 5 of these fragrances confer most of the health benefits now amply documented half-way around the world along the “forest bathing” (Shinrin-Roku) trails used by millions of Japanese and Korean dwellers to reduce the stresses of their urban lifestyles.

Many of these BVOCs can be readily absorbed by the human body through inhalation, so that they register within the brain in as little time as 22 seconds. It then takes less than 90 more seconds more for them to be released into the bloodstream. Within a half hours’ time, they may be found present in every cell of the body and reach all the body’s organs. It takes two and a half hours or less for most of therapeutical aerosol inhalation of volatile oils to be metabolized in ways that may potentially affect human health in a more lasting manner.

The fragrant BVOCs from desert plants may in many ways contribute to improving sleep patterns, stabilizing emotional hormones, enhancing digestion, heightening mental clarity, and reducing depression or anxiety. Their accumulation in the atmosphere immediately above desert vegetation can reduce exposure to damaging solar radiation in ways that protect the desert plants themselves, the wildlife which use them as food and shelter, and the humans who dwell among them. As climate change accelerates, regular exposure to these BVOC health benefits may become more important to prevent or mitigate diseases of oxidative stress and other climate maladies in a hotter, drier world.

The lead author, Gary Paul Nabhan of the University of Arizona Southwest Center, has recently been co-designing “desert smells like rain gardens” in public spaces like the Sonoran Desert Inn and Conference Center in Ajo, Arizona; the base of Tumamoc Hill at the University of Arizona Desert Laboratory in downtown Tucson; and the Seri Indian (Comcaac) fishing village of Punta Chueca, Sonora Mexico. These public gardens will not only produce nutritious foods, but offer residents, out-of-town guests, and hikers a powerful opportunity to sense how the desert smells like rain.  Nabhan’s classic natural history book by the same title was first published 40 years ago this spring and will be re-released in a 40th anniversary edition with a new introduction this year by the University of Arizona Press.

NiemanLab Interviews Christopher Chávez on Future of NPR and ‘Sound of Exclusion’

February 23, 2022

NiemanLab’s Hanaa’ Tameez recently interviewed University of Arizona Press author Christopher Chávez on his new book, Sound of Exclusion: NPR and the Latinx Public.

From the interview:

The American public looks different now. When we look at the world, demographically, we’re changing. We’re becoming much more diverse in really beautiful and interesting ways. There are all kinds of important stories to tell. During my research, I found that some of the policing [over what can be on NPR] comes from executives and broadcast-level producers, news directors who make small choices. But some of the policing comes from audience members themselves. Some people would react negatively when they heard somebody speaking in an accent, for example, or when a lot of time was spent on a Latinx-oriented story.

Consumers are very vocal, and in today’s digital environment, that feedback can be given to institutions immediately. And it can be swift and severe. That often came up and it was really profound in terms of the range of stories in Los Angeles, where I grew up. L.A. is a predominantly Latinx city. The radio station KPCC’s motto is “We speak Angeleno,” but it’s really speaking in English, speaking without an accent, excluding people that are primarily Spanish-dominant, not telling their stories, and just not showing the breadth of the reality that I know there to be in Los Angeles.

Read the entire interview here.

New Books Network Podcast Features Christopher Chávez on ‘Sound of Exclusion’

February 21, 2022

Susan Liebell of the New Books Network recently interview University of Arizona Press author Christopher Chávez on his new book, The Sound of Exclusion: NPR and the Latinx Public.

How is power enacted in everyday broadcast practices? National Public Radio has a “rhetoric of impartiality” but this obscures the ideological work done by the network.” In The Sound of Exclusion: NPR and the Latinx Public (The University of Arizona Press, 2021), Dr. Christopher Chavez interrogates how NPR determines what it means to be American and what is deemed American news. NPR’s original mandate included engaging listeners in civic discourses and representing the diversity of the nation. Yet Chavez argues that NPR has created a “white public space” that pushes Latinx listeners to the periphery. As a result, NPR promotes the cultural logic that Latinx identity is separate from national identity – hindering Latinx participation in civic discourses. But Chavez maintains that the shared act of listening might facilitate the ways in which Latinx listeners negotiate and resist norms of what it means to belong, also known as sonic citizenship. He writes that through the act of listening, “… those without sustained access to political power might imagine alternative political possibilities in which they are included.”

Listen to the podcast here.

Watch: Miriam Davidson Talks ‘Beloved Border’ with OLLI Members

February 18, 2022

The University of Arizona’s Osher Lifelong Learning Institute hosted University of Arizona Press author Miriam Davidson to talk about her new book, Beloved Border: Humanity and Hope in a Contested Land.

Kids in cages, family separations, thousands dying in the desert. Police violence and corruption. Environmental devastation. These are just some of the dramatic stories recounted by veteran journalist Davidson in The Beloved Border. This groundbreaking work of original reporting also gives hope for the future, showing how border people are responding to the challenges with compassion and creativity.

Watch: Professor Latinx and Mighty Peter Talk Top Five Latinx TV Shows

February 16, 2022

We’re so excited about Frederick Luis Aldama‘s latest book debut, Latinx TV in the Twenty-First Century, an edited volume that brings together leading experts who show how Latinx TV is shaped by historical, social, cultural, regional, and global contexts. Contributors address head on harmful stereotypes in Latinx representation while giving key insights to a positive path forward.

The final chapter in the book is a fascinating interview with Peter Murrieta by Aldama. Murrieta is described as “one of the most significant of Latinx creators, writers, and producers actively shaping a Brown-ocular twenty- first-century TVLandia. His scroll-long resume includes countless accolades, accomplishments, and awards, including multiple Emmys for Wizards of Waverly Place and an Imagen Award for Mr. Iglesias. He is also the creator of the comic book Rafael Garcia: Henchman. He is a Latinx pop cultural creative without measure.”

Latinx TV, which hits the shelves in April, is part of the University of Arizona Press’s Latinx Pop Culture series, co-edited by Frederick Luis Aldama and Arturo J. Aldama.

For a bit of insight, check out this discussion with Mighty Peter (Peter Murrieta) and Professor Latinx (Frederick Luis Aldama) on their respective top 5 Latinx TV picks of all time:

Abalone Mountain Press Podcast on ‘Diné Reader’

February 3, 2022

Abalone Mountain Press Podcast interviewed Esther Belin, co-editor of The Diné Reader: An Anthology of Navajo Literature, published by the University of Arizona Press. Also interviewed were Byron Aspaas, Nia Francisco and Laura Tohe. Together they discussed what it is like growing up on the Navajo Reservation, writing poems in Navajo, and hopes for The Diné Reader.

Listen to the podcast here.

Frederick Aldama to be Inducted in Texas Institute of Letters

February 3, 2022

University of Arizona Press author and editor Frederick Luis Aldama will be inducted in the Texas Institute of Letters (TIL) at the organization’s annual meeting and banquet in El Paso, Texas on April 22-23, 2022. The event will also include the Annual TIL Literary Awards.

Founded in 1936 to celebrate Texas literature and recognize distinctive literary achievement, TIL’s membership consists of the state’s most respected writers–including winners of the Pulitzer Prize, National Book Award, PEN/Faulkner Award, Academy Award, Americas Award, International Latino Book Award, Lambda Literary Award, MacArthur Fellowship, and Guggenheim Fellowship.

Membership is based on ongoing and exceptional literary accomplishment. Aldama is one of 15 new members approved for 2022 fiction and nonfiction authors.

Sergio Troncoso, president of the Texas Institute of Letters states, “The Texas Institute of Letters continues to identify and honor outstanding writers from all literary genres. Our newest members have expanded literary audiences to include diverse voices and readers, and have opened minds with books that reconsider history and scholarship. We are extremely proud of the outstanding work that these writers represent: children’s stories full of empathy and humor, poetry that breaks open the heart to imagine new perspectives, prose that challenges narrative forms and explores
psychological complexities, and publishing that finds and amplifies voices on the margins of society. These fifteen masters of the word include novelists, short-story writers, poets, memoirists, publishers, children’s authors, and scholars.”

Aldama is the author of over forty books, which he has authored, co-authored, and edited, including Long Stories Cut Short: Fictions from the Borderlands and Eisner Award-winner Latinx Superheroes in Mainstream Comics, both published by the University of Arizona Press. Aldama is also co-editor of the University of Arizona Press’s Latinx Pop Culture Series.

In his newest book with the Press, Latinx TV in the Twenty-First Century, Aldama brings together leading experts who show how Latinx TV is shaped by historical, social, cultural, regional, and global contexts. Contributors address head on harmful stereotypes in Latinx representation while giving key insights to a positive path forward. TV narratives by and about Latinx people exist across all genres. In this century, we see Latinx people in sitcoms, sci-fi, noir, soap operas, rom-coms, food shows, dramas, action-adventure, and more. Latinx people appear in television across all formats, from quick webisodes, to serialized big-arc narratives, to animation and everything in between. The diverse array of contributors to this volume delve into this rich landscape of Latinx TV from 2000 to today, spanning the ever-widening range of genres and platforms.

Most Anticipated 2022 Latinx Books List Includes Reyes Ramirez’s ‘Book of Wanderers’

February 2, 2022

Reyes Ramirez’s The Book of Wanders is No. 10 on the Most Anticipated 2022 Latinx Books.

The Book of Wanderers deeply explores Houston, a Gulf Coast metropolis that incorporates Southern, Western, and Southwestern identities near the borderlands with a connection to the cosmos. As such, each story becomes increasingly further removed from our lived reality, engaging numerous genres from emotionally touching realist fiction to action-packed speculative fiction, as well as hallucinatory realism, magical realism, noir, and science fiction.

To read the entire list from Latinos in Publishing, go here.

Esther Belin Talks Poetry and Social Justice on PEN South Africa Podcast

February 1, 2022

Esther G. Belin, co-editor of The Diné Reader: An Anthology of Navajo Literature, was featured in the sixth and final episode of Season Two of The Empty Chair from PEN South Africa.

The conversation included PEN South Africa president Nadia Davids and Toni Giselle Stuart, a South African poet, performer and educator. Her work includes Krotoa-Eva’s Suite in collaboration with filmmaker Kurt Orderson; I Come to My Body as a Question with dotdotdot dance and forgetting. and memory with vangile gantsho & Vusumzi Ngxande.

Belin, a citizen of the Navajo Nation and lives on the Colorado side of the 4 corners region, has two poetry collections, From the Belly of My Beauty, and Of Cartography, all published by the University of Arizona Press.

To learn more about the podcast, Pen South African, and listen to the podcast, visit here.

Tucson Weekly Honors Big Jim Griffith in Special Issue

January 28, 2022

In “Adios, Big Jim: Saying Goodbye to the Man Who Stirred Tucson’s Melting Pot,” the Tucson Weekly recently honored the life and work of the late University of Arizona Press author James S. Griffith.

Friends and colleagues shared stories, including University of Arizona Press author and editor Noma E. Cantú:

My world would’ve been different had I not been blessed with meeting Jim Griffith. I learned from him; he supported my work; and offered advice when I didn’t even know I needed it. 

One memorable trip across to Sonora began in Nogales, Arizona. I am a border dweller from Texas, but I didn’t know the Arizona-Sonora border and despite having close friends and family in Nogales, I had not ventured south of Nogales until I went with Big Jim. His encyclopedic knowledge of the folklore of the region was almost as rich as his love for the land and the people. On that memorable trip, I met some of the folks he had been working with for decades, learned about particular folk saints from that borderland, like Malverde—he had been working on what would become his book Folk Saints of the Borderlands: Victims, Bandits, and Healers (2003)—and I learned of his penchant for telling tall tales. 

He could sure spin a yarn and only an experienced raconteur would notice the glimmer in his eye that signaled you were in for a treat! Most people believed him until his grin would turn to laughter as the listener figured out Jim had been telling a tall tale. 

At American Folklore Society (AFS) meetings, he would jam with the best of them, deliver brilliant papers with powerful images, and chat with budding folklorists, listening intently and offering sources from his vast knowledge. I remember such a conversation after a paper I delivered on the Texas border saints sometime in the late 1990s or early 2000s.

His and Loma’s home filled with folk objects and books was a welcoming space for many of us and he never tired of sharing his space and his stories. I will miss him at AFS, and on my infrequent visits to Tucson. 

Read the entire tribute here.

Here’s a video by Abraham Cooper with excerpts from his final conversation Jim Griffith on August 12, 2021:

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