Honorable Mentions for the International Latino Book Awards Include Téllez, Chávez, Boffone, Herrera, Aguasaco, and Rathbun

June 28, 2022

We are thrilled to announce that six University of Arizona Press authors received honorable mentions for the 2022 International Latino Book Awards! These selections are a salute to the wide variety of quality books being created by and about Latinx people, both inside and outside the USA.

Border Women and the Community of Maclovio Rojas by Michelle Téllez and The Sound of Exclusion by Christopher Chávez both received honorable mentions for the Victor Villaseñor Best Latino Focused Nonfiction Book Award!

Latinx Teens by Trevor Boffone and Cristina Herrera received an honorable mention for the Best Nonfiction – Multi-Author Award!

Cardinal in My Window with a Mask on Its Beak, written by Carlos Aguasaco and translated by Jennifer Rathbun, received an honorable mention for the Best Poetry Book – Multi Author Award!

Congratulations to Michelle, Christopher, Trevor, Cristina, Carlos, and Jennifer!

Sown in Earth Chosen for 2022 Saroyan Prize Shortlist

May 6, 2022

We are thrilled that Sown in Earth by Fred Arroyo was chosen for the nonfiction section of the Stanford Libraries’ shortlist for the tenth William Saroyan International Prize for Writing (Saroyan Prize), a Prize intended to encourage new or emerging writers and honor the Saroyan literary legacy of originality, vitality, and stylistic innovation. The Prize recognizes newly published works of both fiction and non-fiction. Winners and finalists will be announced in late summer or early fall. 

Fred Arroyo

View the entire shortlist here.

The Saroyan Prize is a biennial competition jointly awarded by the Stanford Libraries and the William Saroyan Foundation. It commemorates the life, legacy and intentions of William Saroyan – author, artist, dramatist, composer – and is intended to encourage new or emerging writers, rather than to recognize established literary figures. 

The 2022 Prize engaged over 230 Stanford alumni and friends who participate as readers and judges. “On this tenth anniversary of the Prize, we were thrilled to have a record number of entries submitted by new and emerging writers and evaluated by a dedicated, enthusiastic band of volunteers,” said Vice Provost and Ida M. Green University Librarian Michael Keller.

This year’s distinguished judging panel for fiction consists of award-winning authors Sumbul Ali-Karamali, Richard Holeton, and Elizabeth McKenzie. The non-fiction panel includes Stanford Professor of Comparative Literature, Emeritus John Bender, author and 2016 Saroyan Prize winner Lori Jakiela, and Scott Setrakian Vice Chairman of Foundry.ai, and board member of the William Saroyan Foundation. More information on our judges can be found here.

Sown in Earth

By crafting a written journey through childhood traumas, poverty, and the impact of alcoholism on families, Fred Arroyo clearly outlines how his lived experiences led him to become a writer. Sown in Earth is a shocking yet warm collage of memories that serves as more than a memoir or an autobiography. Rather, Arroyo recounts his youth through lyrical prose to humanize and immortalize the hushed lives of men like his father, honoring their struggle and claiming their impact on the writers and artists they raised.

Congratulations, Fred!

Becoming Hopi Wins the 2022 SAA Scholarly Book Award

March 29, 2022

We are so thrilled to announce that Becoming Hopi, edited by Wesley Bernardini, Stewart B. Koyiyumptewa, Gregson Schachner, and Leigh L. Kuwanwisiwma, is the 2022 SAA Scholarly Book Award winner!

About Becoming Hopi, the SAA award committee wrote the following:

Becoming Hopi shows a masterful interwoven collective work of conventional archaeological data and Hopi traditional knowledge to carefully study the Hopi Mesas of Arizona. In this volume, the voices of the Hopi are integrated with archaeological and ethnographic work conducted over two decades to show an important Indigenous group of the American Southwest with its rich and diverse historical tradition dating back more than 2,000 years. This tradition is deeply rooted in time, and the voices of the Hopi can be heard by scholars and non-experts. In addition, the collaborative effort resulted in a book that can be used by members of the Hopi community to learn about their own past.”

Congratulations to Wesley, Stewart, Gregson, and Leigh!

Danzirly Wins Gold in the Florida Book Awards Poetry Section

March 4, 2022

We are so thrilled to announce that Danzirly by  Gloria Muñoz won gold in the 2021 Florida Book Awards poetry section!

The Florida Book Awards, established in 2006, is an annual awards program that recognizes, honors and celebrates the literature by Florida authors and books about Florida published in the previous year. The awards program is coordinated by the Florida State University Libraries and co-sponsored by the State Library and Archives of Florida, the Florida Humanities, the Florida Literary Arts Coalition, the Florida Library Association, Friends of the Florida State University Libraries, the Florida Writers Association, and the Florida Chapter of the Mystery Writers of America. Florida Book Award-winning books are on permanent display in the library at the Governor’s Mansion in Tallahassee, and in an exhibit case on the third floor of Florida State University’s Strozier Library.

Danzirly is a striking bilingual poetry collection that fiercely examines the nuances of the American Dream for Latinx people in the United States. With a backdrop of stringent immigration policies, the #MeToo movement, and the increasingly tangible threat of climate change, this collection considers multigenerational Latinx identities in a rapidly changing country and world. Through the author’s Colombian American lens, the poems explore the intersections of culture, gender, history, and intergenerational grief.

Gloria Muñoz is a Colombian American writer and translator. She is the author of Danzirly, winner of the Academy of American Poets’ Ambroggio Prize, and the chapbook Your Biome Has Found You. Her work has won a Lumina multilingual award, a New York Summer Writers Fellowship, a Creative Pinellas Grant, and a USF Humanities Poetry Prize. She holds degrees from Sarah Lawrence College and the University of South Florida, and she teaches at Eckerd College.

Congratulations, Gloria!

Urayoán Noel’s ‘Transversal’ on 2022 PEN Open Book Award Longlist

December 15, 2021

We are thrilled to announce that Urayoán Noel‘s poetry collection, Transversal, has been selected for the Longlist of the 2022 PEN America Open Book Award. Finalists will be announced in early 2022 and the winner will be honored at the 2022 PEN America Literary Awards Ceremony.

“These Longlists are a ‘who’s who’ of the most exceptional writers of our generation and the next,” said Clarisse Rosaz Shariyf, senior director of literary programs at PEN America. “Reading their names evokes memories of some of our all-time favorite works that brought us comfort during this strange year.”

Transversal takes a disruptive approach to poetic translation, opening up alternative ways of reading as poems get translated or transcreated into entirely new pieces. Noel masterfully examines his native Puerto Rico and the broader Caribbean as sites of transversal poetics and politics. Transversal seeks to disrupt standard English and Spanish, and it celebrates the nonequivalence between languages. Inspired by Caribbean poet and philosopher Édouard Glissant, the collection celebrates Caribbean practices of creolization as maximalist, people-centered, affect-loaded responses to the top-down violence of austerity politics. This groundbreaking, modular approach to poetic translation opens up alternative ways of reading in any language.

The Longlists represent 11 PEN America literary awards. The PEN Open Book Award, formerly the Beyond Margins Awards, invites book submissions by authors of color, published in the United States during the applicable calendar year. The Open Book Award was created by PEN America’s Open Book Committee, a group committed to racial and ethnic diversity within the literary and publishing communities. Works of fiction, literary nonfiction, biography/memoir, poetry, and other works of literary character are strongly preferred.

From Pen America:

In an era of publishing consolidation, more than half (53 percent) of the longlisted titles come from independent and university presses. Almost a quarter come from small independent publishers (12 percent) and university presses (nine percent).

“Our Longlists highlight the groundbreaking and vital work produced by independent publishers, many of which continue to face significant challenges in today’s publishing market,” Shariyf said. “These publishers are often leaders in promoting diverse voices and stories not just along racial and gender lines, but showcasing cultural and geographic diversity, too. The Awards ceremony allows writers and publishers to gather with readers and champions of creative free expression and celebrate the power of storytelling as an inclusive literary community.”

Check out all literary award Longlists, including the Open Book Award, here. You can also read the press release here.

Simón Ventura Trujillo Receives Honorable Mention for MLA Prize for Land Uprising

December 13, 2021

We are thrilled to announce that University of Arizona Press author Simón Ventura Trujillo received an honorable mention for the MLA Prize in United States Latina and Latino and Chicana and Chicano Literary and Cultural Studies for his recent book, Land Uprising! The MLA prize committee wrote the following statement about Trujillo’s book:


In Land Uprising: Native Story Power and the Insurgent Horizons of Latinx Indigeneity, Simón Ventura Trujillo both broadens the parameters and reassesses the foundations of Latinx literary and cultural studies. Placing Latinx and Indigenous writers, activists, and scholars into conversation, he critically foregrounds the significance of Latinx indigeneity—a term he carefully distinguishes from Indigenous peoples and from the appropriative indigenismos—in ongoing struggles for land and self-determination. Land Uprising displays impressive breadth and nuance, offers a crucial intervention into the conversation between Latinx and Indigenous studies, and engages seriously with gender, foregrounding the voices and perspectives of feminist scholars in reexamining historical events often remembered through masculine heroes and masculinist ideologies.

Congratulations, Simón!

A Desert Feast and Rosa’s Einstein Chosen as Finalists for the New Mexico-Arizona Book Awards

October 20, 2021

We are thrilled to announce that A Desert Feast by Carolyn Niethammer and Rosa’s Einstein by Jennifer Givhan were chosen as finalists for the New Mexico-Arizona Book Awards! A Desert Feast was chosen as a finalist in the History of Arizona category, and Rosa’s Einstein was chosen as a finalist in the Poetry of New Mexico category.

In 2007, the New Mexico Book Co-op launched an awards program for excellence in books, which is now one of the largest and most prestigious programs in the Southwest, attracting entries from across the region as well as from major national presses.

A Desert Feast offers a food pilgrimage, where stories and recipes demonstrate why the desert city of Tucson became American’s first UNESCO City of Gastronomy. You’ll meet the farmers, small-scale food entrepreneurs, and chefs who are dedicated to making Tucson taste like nowhere else.

Using details both from Einstein’s known life and from quantum physics, poet Jennifer Givhan imagines Lieserl, the daughter Albert Einstein and his wife Mileva allegedly gave up for adoption at birth, in a circus-like landscape of childhood trauma and survival, guided by Rosa and her sister Nieve. Rosa’s Einstein is a Latinx retelling of the Brothers Grimm’s Snow-White and Rose-Red, reevaluating border, identity, and immigration narratives through the unlikely amalgamation of physics and fairy tale.

Congratulations, Carolyn and Jennifer!

Intersectional Chicana Feminisms Wins Bronze Medal in the International Latino Book Awards

October 20, 2021

We are thrilled to announce that Intersectional Chicana Feminisms by Aída Hurtado won a bronze medal in the Victor Villaseñor Best Latino Focused Nonfiction Book Award section of the International Latino Book Awards!

Since 1997, Empowering Latino Futures has celebrated literature through its book awards. These awards have grown to become the largest Latino cultural awards in the U.S.

Chicana feminisms are living theory deriving value and purpose by affecting social change. Advocating for and demonstrating the importance of an intersectional, multidisciplinary, activist understanding of Chicanas, Intersectional Chicana Feminisms provides a much-needed overview of the key theories, thinkers, and activists that have contributed to Chicana feminist thought.

Aída Hurtado is Professor of Psychology at the University of California, Santa Cruz, and author of Voicing Chicana Feminisms: Young Women Speak Out on Sexuality and Identity.

Congratulations, Aída!

Academy of American Poets Announces Ambroggio Prize 2021 Winner: ‘Cardinal in My Window with a Mask on its Beak’

September 15, 2021

The Academy of American Poets announced today the winner of the Ambroggio Prize 2021, Carlos Aguasaco’s Cardenal en mi ventana con una máscara en el pico / Cardinal in My Window with a Mask on its Beak, translated by Jennifer Rathbun.

The Ambroggio Prize is a $1,000 publication prize given for a book-length poetry manuscript originally written in Spanish and with an English translation. The winning manuscript is published by the University of Arizona Press. Established in 2017, the Ambroggio Prize is the only annual award of its kind in the United States that honors American poets whose first language is Spanish. This year’s judge was Rigoberto González.

From the Academy:

Carlos Aguasaco is the Professor of Latin American Cultural Studies and Chair of the Department of Interdisciplinary Arts & Sciences at the City College of the City University of New York (CUNY). He has edited eleven literary anthologies and published seven books of poems, most recently The New York City Subway Poems (Ashland Poetry Press, 2020). He has also published a short novel and an academic study of Latin America’s prime superhero, El Chapulín Colorado. He is the editor of Transatlantic Gazes: Studies on the Historical Links between Spain and North America (IF-UAH, 2018). Carlos is the founder and director of Artepoetica Press (artepoetica.com). He is also director of The Americas Poetry Festival of New York (poetryny.com) and coordinator of The Americas Film Festival of New York (taffny.com). His poems have been translated into English, French, Portuguese, Romanian, Galician, and Arabic.

Jennifer Rathbun is a Spanish Professor and Chair of the Department of Modern Languages and Classics at Ball State University. She’s published fourteen books of poetry in translation by Hispanic authors such as Alberto Blanco, Minerva Margarita Villarreal, Fernando Carrera and Juan Armando Rojas Joo; two anthologies of poetry denouncing femicide along the US-Mexico border; and the poetry collection El libro de las traiciones / The Book of Betrayals (Artepoetica Press, 2021). Rathbun completed her Ph.D. at the University of Arizona in Spanish, specializing in contemporary Latin American Literature. She’s a member of The American Literary Translators Association and she’s the Associate Editor of Ashland Poetry Press. 

About Aguasaco’s winning manuscript, judge Rigoberto González said: “Cardenal en mi ventana con una máscara en el pico / Cardinal in My Window with a Mask on its Beak takes the reader on a journey through the surreal and the melancholic, to inventive scenarios like an encounter between Stein and Vallejo going to the movies, to the heartbreaking stories of sideshow attractions where bodies are stripped of their humanity. Yet this book reaches beyond surprising premises and literary inspirations to arrive at a place where the poet also finds wonder in everyday encounters and solace in the sobering knowledge that everything comes to an end, but not before dispelling its magic upon the world: like that red bird mirroring the masked face during the pandemic, like the arresting language of the poet that will eventually succumb to silence. Each poem in this exquisite collection brings a startling (and necessary) revelation about our aches, follies, and mortality, to light.” 

Girl of New Zealand and La Raza Cosmética Honored as Finalists for NAISA’s 2021 Best First Book in Native American and Indigenous Studies Prize

June 21, 2021

We are thrilled to announce that two University of Arizona Press books, Girl of New Zealand by Michelle Erai and La Raza Cosmética by Natasha Varner, were honored as finalists for the 2021 NAISA Best First Book in Native American and Indigenous Studies Prize!

“The committee expresses its deep admiration for the two finalists, Michelle Erai and Natasha Varner, for their outstanding work excavating and analyzing discourses of gender and power in relation to Indigenous women in different contexts.”—NAISA Book Prize Committee

Girl of New Zealand and La Raza Cosmética are both a part of our Critical Issues in Indigenous Studies series. This series anchors intellectual work within an Indigenous framework that reflects Native-centered concerns and objectives. Series titles expand and deepen discussions about Indigenous people beyond nation-state boundaries, and complicate existing notions of Indigenous identity. Learn more here.

Girl of New Zealand presents a nuanced insight into the way violence and colonial attitudes shaped the representation of Māori women and girls. Michelle Erai examines more than thirty images of Māori women alongside the records of early missionaries and settlers in Aotearoa, as well as comments by archivists and librarians, to shed light on how race, gender, and sexuality have been ascribed to particular bodies.

La Raza Cosmética examines postrevolutionary identity construction as a project of settler colonialism that at once appropriated and erased indigeneity. In its critique of Indigenous representation, it also shows how Indigenous women strategically engaged with and resisted these projects as they played out in beauty pageants, films, tourism, art, and other realms of popular culture.

Congratulations, Michelle and Natasha!

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