May 14, 2026

The University of Arizona podcast features an interview with Kasey Jernigan author of Commod Bods: Embodied Heritage, Foodways, and Indigeneity. Kasey Jernigan is an assistant professor of American studies and anthropology at the University of Virginia, where she also co-directs the Black and Indigenous Feminist Futures Institute. She received her doctorate in medical anthropology and a graduate certificate in Native American Indigenous studies from the University of Massachusetts Amherst and a master’s in public health from the University of Oklahoma Health Sciences Center’s Department of Biostatistics and Epidemiology. She is a citizen of the Choctaw Nation of Oklahoma.

When asked about how hearing stories from her grandmother helped her connect to women she interviewed for the book, Jernigan said, “Growing up in an Indian community in Oklahoma, I watched people I loved like my grandmother, mother, and father struggle with things like diabetes, high blood pressure, and poverty—illnesses that felt like they were just part of life. We normalized it. When someone died at an early age from a heart attack, it was like we just expected it, no one asked questions, no one asked why. And the stories I heard growing up definitely came through in this ethnography. This book is my attempt to make the argument in full that colonial policies get written in our bodies across generations.”

Listen to the full podcast here.

About the book:

The term “commod bod” is used with humor and affection. It also offers a critical way to describe bodies shaped by long-term reliance on U.S. federal commodity food programs.
 
In Commod Bods, Kasey Jernigan shares her ongoing collaborative research with Choctaw women and describes the ways that shifting patterns of participation in food and nutrition assistance programs (commodity foods) have shaped foodways; how these foodways are linked to bodies and health, particularly “obesity” and related conditions; and how foodways and bodies are intertwined with settler colonialism and experiences of structural violence, identity making, and heritage in the Choctaw Nation of Oklahoma.
 
Organized thematically, the book moves from a critical history of obesity and health in Indian Country to narratives of Choctaw women navigating food, memory, and belonging. Chapters such as “Food and Fellowship” and “Heritage, Embodied” center personal stories that show how food is not only sustenance but also a site of connection, resistance, and meaning making.

May 12 , 2026

Backyard gardens flush with cucumbers, tomatoes, and peppers where bees buzz and chickens scratch. Beyond, a forest filled with blackberries and jewelweed. Inspired by childhood memories of his grandmother’s overflowing backyard garden, author Andrew Flachs has embarked on a multi-continent, decades-long look at agriculture and its value.
 
The dominant view of agriculture has focused only on what we produce. It sees value in terms of capital gains or yield efficiency, masking how our global food system produces tremendous amounts of food commodities while failing to feed people, support rural communities, or enhance ecological well-being. Feeding the World as if People Mattered: How Small Farms Produce Value Beyond Yields asks us to look more deeply and more humanely at what we perceive to be most valuable in our agricultural systems. Today, Andrew Flachs answers five questions about his research for the book.

What do you mean when you say “social reproduction,” and how do small small-scale gardens and farms support this?

Social reproduction is a shorthand for describing all the work that goes into creating society: our culture, identity, or the ways that we learn to interact with one another. If production describes what we do in our economy, then social reproduction is everything that goes into making it possible for us to have an economy in the first place. I like to imagine an iceberg (or for a more agrarian metaphor, a beet): if wages and capital and commodities are the visible parts of the economy, then there is a vast layer of work beneath the surface that makes it all possible. Small farms and gardens are great places to explore social reproduction, because this divide between production and reproduction is especially silly when you look at farming: farms are homes, not just production sites; farmers are consumers as well as producers; work you do today literally creates the landscape, shaping what sort of work is possible tomorrow; and farms themselves transcend the human because they are teeming with all sorts of life. Nobody can go to work if they are not ready or able to do their job, but a farmer can’t go to work on a farm if that particular landscape cannot continually sustain life. Creating those conditions takes work from humans, other living beings, and natural processes. This comparative approach allows me to sidestep the typical, misleading question people ask about the future of food: “how do we produce enough food?” Instead, I ask the more important question: “how do we produce enough farms?”

How do farmers and gardeners talk about values such as autonomy, dignity, care, and joy, and how do these values influence practical decisions about seeds, labor, and technology?

This question reminds me of an interview with a Midwest apple farmer who told me that he wasn’t allowed in the farm store anymore because he gave too many apples away—a part-time teacher, he loved the idea of introducing people to new flavors. In turn, this influenced the apples he planted, the insects who came for the apple flowers, the birds who came for the insects, and the artists and entrepreneurs who came to paint landscapes, grow lavender, or sell honey to his community. On this small scale, it’s especially easy to see the biological and social consequences of this sort of creativity. Bigger picture, many of the decisions that I cover in this book from India to Bosnia to the American Midwest are focused around making sure that someone in the family can keep farming. When organic coffee farmers in South India invest in coffee groves that do not turn a profit for years, they are also staking a long-term claim on land that they can pass on to their kids. With that claim, it is much harder for a mining speculator to take their land. Similarly rural Bosnian gardeners maintain small orchards and vegetable allotments even when they only work as migrant laborers for most of the year. The garden helps to ensure that there is a home to return to. This value becomes more visible when we focus on agriculture’s potential for reproduction, not just production alone. 

What do we lose, culturally and ecologically, when agriculture is reduced to yields and profits alone?

 Agricultural researchers, myself included, have collected detailed descriptions of which seeds farmers plant and what sorts of returns they receive on that investment in the form of profits and yields. My last book, Cultivating Knowledge, was based on hundreds of farm surveys with cotton farmers in South India. But, the backs and margins of those surveys were covered with intimate stories about everything else that was going on in farmers lives that impacted how they were able to get to work in the first place. Because it can’t neatly cleave off its social reproduction, a farm is not a business like any other. Small-scale family farming involves plenty of business, but most of them are not a capitalist enterprise in the strictest sense. The neat divisions of capitalism—where some people own things, decide things, and control investment, and others earn wages, follow orders, and own only their time and energy—do not apply well to farms. We hear all the time that we should run institutions like businesses to make them more efficient: universities, philanthropic organizations, and, of course, the government. But, most businesses fail. If we want to ensure sustainability and security in the food system, we’re going to need a different model. Agriculture is a living landscape that involves people, plants, animals, microbes, soils, waterways, and all kinds of other activity. For many farmers, this work is not just an economic cost-benefit analysis. In India, it offers a political claim on land; in Bosnia, it is a religious fulfillment to ensure that the vital forces of the world continue even when humans invite our own disasters; in the United States, it is an opportunity to work for meaning or repair. In focusing just on a narrow snapshot of their productivity, we miss the real value that these spaces reproduce over the long term.

How do historical plantation logics still show up in modern agriculture and rural communities today?

Plantations and factories create ecologies and economies that externalize social reproduction: the work of recreating our world. By paying for as little of that work as possible, a very small number of powerful people learned to create big profits for themselves. In turn, this economy produced an ecology that was hostile to any life that cannot be commodified. In the colonial capitalism that emerged from Europe after the 1400s, nature in the colonies existed to be captured, controlled, commodified, and sent back to the industrial core. Centering value in private property and wages, this new way of thinking about the economy made the work of women, colonized people, and nature invisible—even as that work made the engines of industry and colonial rule possible. This bait and switch led to the creation of the plantation, a system of extracting profit from soil by radically simplifying how people worked, what they grew, and how they cared for the land. Plantations offered the first assembly lines and economies of scale, all in the interest of producing more and paying people less for it. In this way, plantations are much more like mines than they are like farms, which must continually reproduce the conditions of life in order to be viable. Through this economic system, plantations enacted a new kind of ecology: commodity monoculture. Colonial plantation crops like sugarcane, tobacco, cotton, indigo, or opium were not foods but products to be sold. If those divisions of labor and motives for production on the plantation sound familiar, it’s because they were retooled for factories in the 19th and 20th centuries. However, since land had been more thoroughly colonized by that point, industrial farm interests had to find new and profitable frontiers in genetics, agricultural processing, and inputs like fertilizers and pesticides instead. And, the effects of this, do not stop at the field’s edge. By the mid-20th century, a clear agrarian pattern emerged in the United States:  farm towns with large, corporate ownership following industrial models had half as many small businesses and a much lower volume of local retail trade. Infrastructure from sidewalks to electricity to roads fell into disrepair, parks and schools closed, and newspapers that would report on this problem shuttered. This loss cascaded into lower tax bases, less purchasing power, and fewer independent businesses to employ a middle class. This resulting context for rural communities is not some inherent flaw in rural culture, whatever that means, but with the concentration of power in farm spaces. Many rural communities are faced with an unpleasant choice: on the one hand, they may not wish to defend industrial hog producers, chicken producers, or strawberry conglomerates, about whom they hold complex feelings regarding the long-term impact of economic and ecological destabilization. On the other hand, they fear losing opportunities to farm and stay in place altogether amid the withdrawal of economic possibility and political will for change.

You suggest that it is “expensive to feed the world as if people mattered” because it requires investing in care, community, and ecology. What would it take—politically or socially—to make this kind of agriculture possible at scale?

The 21st century of consolidation has created a rural oligarchy that blocks many possibilities for justice and thwarts opportunities for alternative futures through diverse economies. We need a new vocabulary to fight back. In this book, I suggest that we should look to s farms to learn how to optimize stability and autonomy, think with social reproduction to account for the full range of relationships between people, and learn to see the landscape as the physical manifestation of the political economy. Because the scale of the problem is global, there is not going to be an individual solution, like a better choice at the grocery store or a new garden, that can solve it. And, the farmers I profile in India, Bosnia, and the United States have very different agrarian histories. Instead, I suggest that we look to better institutions, regional solidarity, and the exploration of a very human thing: helping life grow. This is not something that any individual achieves alone. It’s not about an individual growing a garden, but rather the possibilities that emerge when lots of us can grow gardens together. To grow is to grow with others. This transformation in what we value requires us to embrace an expansive view of farm life and farm work so as to understand how social and ecological relationships create each other, for better or worse. We don’t need more food; we need more farms. Against an estimated $13 trillion dollar cost in terms of degraded land, polluted water, choked air, and unpaid wages that we, the eating public, pay, we can’t afford not to recognize the profound time and energy that people around the world spend for small farms and gardens. In this book, I show how land reforms help to secure land rights for small farmers against consolidation, while regional buying programs help to pay a diverse set of farmers to manage a diversified ecology that feeds institutions like schools and food hubs. In our twenty-first century of climate change, rising authoritarianism, and widening inequality, gardens and small farms have a major role in strengthening solidarity and cooperation at the community level to help nourish life on earth.


About the author:

Andrew Flachs is an associate professor of anthropology at Purdue University, a father of two children, and a semi-retired musician. His writing on sustainable farming has appeared in scientific venues including American Anthropologist, the Journal of Peasant Studies, and the Journal of Ethnobiology, as well as in public-facing venues like The Conversation, Salon, and National Geographic Magazine. His 2019 book Cultivating Knowledge discussed genetically modified and organic cotton farming in India.

Interview: Gabriella Soto on Borderlands Conflict Archaeology

May 8, 2026

The Border Chronicle interviewed Gabriella Soto author of Border Afterlives: Migrant Deaths, Forensic Investigations, and the Politics of Haunting. Soto is an associate teaching professor and honors faculty fellow at Arizona State University’s Barrett, the Honors College. She is affiliated faculty with the Binational Migration Institute at the University of Arizona. Soto studies death investigation for undocumented people on the U.S.-Mexico border and the contemporary archaeology of militarized borders.

When asked about defining border deaths as homicides, Soto replied: “We know from border policy, from when prevention through deterrence was first articulated—it was written into a 1994 strategy document—that the goal was to increase the cost of migrating to deter people’s entry. And that ‘cost’ seemed to be a euphemism for mortal risk. They talked about hostile terrain. They talked about the desert surrounding urban centers that was being closed off in the U.S. Southwest as places where people could find themselves in mortal danger.”

Read the full interview here.

About the book:

Border Afterlives begins with the undocumented individuals who die crossing the U.S.-Mexico border—deaths that are both preventable and politically produced.
 
Drawing on over a decade of ethnographic, participatory, and community-engaged research, author Gabriella Soto examines the postmortem journeys of these migrants through the fragmented infrastructure of medicolegal death investigation in the U.S. Southwest. She reveals how the state’s deterrence-based border policies not only generate death but also fail to provide adequate care for the dead. Soto argues that these deaths should be understood as structural homicides and that the forensic neglect they face is a form of ongoing violence.
 
Moving between the practical and the philosophical, Soto asks what it means to care for the dead and what society owes to those who die in its name. Through the lens of haunting, she explores how the dead continue to shape the living, not as objects of horror but as moral agents whose presence demands justice.

Podcast: Arely Zimmerman Explores Salvadoran Migration and Activism

May 6, 2026

The University of Arizona Press’ latest podcast features an interview with Arely M. Zimmerman, author of Contentious Citizenship: Salvadoran Activism and Belonging Across Borders. Zimmerman is associate professor in the Intercollegiate Department of Chicana/o-Latina/o Studies at Pomona College. She earned her PhD in political science from University of California, Los Angeles and has been a Mellon postdoctoral fellow in social movements at University of Southern California, and a Latino/a Studies Faculty Fellow at New York University.

Asked about the origin story for the book, Zimmerman answered, “I remember the first time I heard the testimonios of some of the people featured in the book. As the daughter of Salvadorans who immigrated prior to the civil war, I felt a connection to their stories. But I was also surprised that I had never heard of the activism that had taken place in the 1980s through the sanctuary and solidarity movement. This is when I was an undergrad in college, and these testimonios sparked my curiosity and a deep desire to understand what took place. My hope is that this book will fill in some of the gaps in our knowledge about Salvadoran migrant activists.”

Listen to the full podcast here.

About the book:

Contentious Citizenship reshapes how we understand belonging, identity, and political participation in the context of migration. Drawing on decades of Salvadoran activism from the 1980s solidarity movement to the post–civil war era, Arely M. Zimmerman offers a powerful ethnographic account of how migrants challenge exclusionary state practices and redefine citizenship on their own terms using transnational networks and revolutionary politics that transcend borders.
 
Drawing on nearly fifty interviews with activists who fled El Salvador, Zimmerman traces how political refugees carried with them strategies of resistance and community organizing that shaped social justice movements in the United States. The book addresses the political turmoil and grassroots mobilizations in El Salvador, the sanctuary movement of the 1980s, contemporary activism, and the impact of women’s strategies and forms of resistance.

“Frontera Madre(hood)” Editors on Las Comadres Youtube Channel

April 21, 2026

Frontera Madre(hood): Brown Mothers Challenging Oppression and Transborder Violence at the U.S.-Mexico Border editors Cynthia Bejarano and Maria Cristina Morales were interviewed on the Las Comadres & Friends National Latino Book Club Youtube channel.

Asked about the meaning of the words “Frontera Madrehood,” Morales said, “Frontera Madrehood encapsulates three concepts. First, ‘frontera’ is the geopolotical border that separates the United States and Mexico, but also the cultural, social, and psychological boundaries that are formed in society. ‘Madre’ refers to mothering in the Latino/Latina world, but we think of mothering . . . as the practice of raising and protecting Latinos and Latinas in a broader sense. And the ‘hood’ refers to the spaces of the borderland; and ‘hood’ is also how we make reference to the barrio, right? Our ‘hood’ being our neighborhoods. So this book is very much place-based, in this case, on the U.S.-Mexico border.”

Watch the full interview here, interview starts at 6:45.

April 16, 2026

The University of Arizona podcast features an interview with Gabriel S. Estrada author of Queer Indigenous Cinemas: Sovereign Genders from Seven Directions. Estrada is a professor in religious studies at California State University Long Beach, where ze teaches queer spirituality, Indigenous graduate classes, and Nahuatl texts. A Caxcan/Xicanx genderqueer author, ze published over twenty works on Indigenous LGBTQI+/Two-Spirit film and literature.

When asked about what drew Estrada to Indigenous cinema as a scholarly subject, Estrada replied that ze received their Ph.D. in Comparative Literature from the University of Arizona and “Media studies was part of comp lit. Then I found my first job in American Indian studies . . . and I identify both with Indigeneity and being Xhicanx (I’m using the gender queer form of that with double x at beginning and at the end). So I was interested in Indigenous and Xhicanx cinema and film throughout my education. . . . Then I got a new job teaching religious studies, and I noticed that with teaching graduate classes, some students who were neurodivergent said: ‘we can’t just read and write essays, we need to look at other visual things, we need to write poetry.’ And I thought this is great because film allows us to look at the world in so many different ways that go beyond just looking at a text.”

Listen to the full podcast here, on Spotify, Apple, or wherever you listen to podcasts.

About the book:

The seven Indigenous directions—east, south, west, north, down, up, and center—provide a map of understanding gender in media history.

In Queer Indigenous Cinemas, scholar Gabriel S. Estrada offers an analysis of queer Indigenous media from the Americas, the Pacific, and the Caribbean. This groundbreaking work uses Indigenous directional space and sovereign mapping methods to uncover the emotional, spiritual, and cultural dimensions of queer Indigenous lives. The book’s seven chapters—each one of the directions—look closely at media such as cinema and streaming videos that draw on Indigenous concepts from diverse nations such as Diné, Caxcan, Kanaka Maoli, and Nehiyawak. Estrada discusses how the cinema brings into focus the ways that many Indigenous genders do not conform with the male/female binary, genders and sexualities that may or may not overlap with contemporary constructions of gay, lesbian, bisexual, transgender, intersex, and two-spirit (LGBTQI2+) identities.

Gabriella Soto Discusses “Border Afterlives” on KJZZ Phoenix

April 9, 2026

Sam Dingman interviewed Gabriella Soto author of Border Afterlives: Migrant Deaths, Forensic Investigations, and the Politics of Haunting on KJZZ’s “The Show.” Soto is an associate teaching professor and honors faculty fellow at Arizona State University’s Barrett, the Honors College. She is affiliated faculty with the Binational Migration Institute at the University of Arizona. Soto studies death investigation for undocumented people on the U.S.-Mexico border and the contemporary archaeology of militarized borders.

In the interview, Soto discusses “bodies as objects of horror,” explaining how the Border Patrol, Department of Homeland Security, and other groups circulate images of the dead in public outreach to achieve different effects. She said, “First, there has been an outreach campaign, first by the Border Patrol, then the Department of Homeland Security, had images that were circulated beyond the border, into the south, into Mexico, into Central America, that said, ‘Do not come.’ You know, there are dangers here. And they consider this a public outreach campaign that we’re preventing deaths by circulating these images [of dead people]. . . . And then the other thing that happens is also in the circles of people who want to bring attention to these deaths that are happening. They will use some of these images, too, to shock the public. And you know, in shocking too, you [try] to make people change their minds.”

Listen to the full radio show online here.

About the book:

Border Afterlives begins with the undocumented individuals who die crossing the U.S.-Mexico border—deaths that are both preventable and politically produced.
 
Drawing on over a decade of ethnographic, participatory, and community-engaged research, author Gabriella Soto examines the postmortem journeys of these migrants through the fragmented infrastructure of medicolegal death investigation in the U.S. Southwest. She reveals how the state’s deterrence-based border policies not only generate death but also fail to provide adequate care for the dead. Soto argues that these deaths should be understood as structural homicides and that the forensic neglect they face is a form of ongoing violence.
 
Moving between the practical and the philosophical, Soto asks what it means to care for the dead and what society owes to those who die in its name. Through the lens of haunting, she explores how the dead continue to shape the living, not as objects of horror but as moral agents whose presence demands justice.

April 8, 2026

Blending striking photography with reflections from years as a trader and observer of Seri culture, photographer David Burckhalter traces the evolution of Seri basketry from a utilitarian craft to a celebrated art form. Baskets from the Seri Coast: Comcaac Weavers and Their Craft examines how Seri weavers have navigated the influences of the craft economy, outside forces like anthropologists, and changing traditions, while preserving their unique oral history and spiritual connections. With detailed insights into the artistry, labor, and legends surrounding Seri baskets, this work is a tribute to the resilience and creativity of Seri women, whose weaving continues to be passed on to future generations. Today, Burckhalter answers four questions about his five decades as a photographer on the Seri coast.

What first drew you to document Seri basketry and the lives of the Comcaac people through photography, and how has that initial spark evolved over the decades?

I liked the people from the start, including the ironwood sculptures of desert and sea animals they were selling. I was charmed by the women who emerged with their artistic baskets. Getting to know the Seris/Comcaac as a commercial buyer who routinely visited the Punta Chueca and Desemboque villages, I built friendships where taking a few photos posed no problem. Yes, the spark is still there.

Seri basketry is deeply tied to survival and tradition. How does this book showcase the intersection of artistry and necessity?

My book starts with historic black and white photos showing how Seri women once used their baskets, for example, as daily burden carriers and to winnow edible seeds. Since 1970, due to their demand as Native American art, Seri baskets have been woven only to sell. Today, a steady production of Comcaac baskets continues to provide important income for the weavers.

When photographing baskets, what aspects of design and production were you hoping to document?

I focused on photographing tightly woven Seri baskets with strong designs, creations both traditional and original. I have documented all aspects of Seri basketmaking, for example, the collection and preparation of plant materials with a focus on the weaving process. In the book, I also touch on stories from Seri oral history about their baskets.

Do you share the photos with the Seri community?

Over the years, I have shared my photos with most Seri friends, and of course, with the basketmakers I patronized in order to give them a record of their work. These days I publish photos on Instagram @dlburckhalter where some seventy Comcaac are my followers.


About the author:

David Burckhalter is a photographer and research associate at the Southwest Center of the University of Arizona. After settling in Tucson, he worked for years as an importer of Seri (Comcaac) arts and crafts into the United States. He continues to visit friends in Seri villages. He is the photographer/author of two other University of Arizona Press books: Baja California Missions: In the Footsteps of the Padres (2013) and The Seris (1976).

Podcast: Gabriella Soto on Conflict Archaeology on the Border

April 3, 2026

The Latin@ Stories podcast features an interview with Gabriella Soto author of Border Afterlives: Migrant Deaths, Forensic Investigations, and the Politics of Haunting. Soto is an associate teaching professor and honors faculty fellow at Arizona State University’s Barrett, the Honors College. She is affiliated faculty with the Binational Migration Institute at the University of Arizona. Soto studies death investigation for undocumented people on the U.S.-Mexico border and the contemporary archaeology of militarized borders.

When asked about the concept of “migration materiality,” Soto said her study of twentieth-century conflict archaeology at the University of Bristol and her father inspired her: “As part of my master’s program, I studied mass graves in Spain and Latin America, and the objects that were on remains that helped identify people. And my father said to me, ‘don’t you think there’s some conflict archaeology here in Arizona?’ And this was in the early 2000s when areas on the border line were routes of migration. The change was noticeable, with people leaving objects behind. And so in this space, there were industrialized objects of war and walls, and right next to them there were things like tortilla wrappers, worn-out shoes, and backpacks with holes in them where people rubbed up against a cactus. It is such a laden place . . . with a combination of high tech and low tech material.”

Listen to the full podcast here, on Spotify, Apple, or wherever you listen to podcasts.

About the book:

Border Afterlives begins with the undocumented individuals who die crossing the U.S.-Mexico border—deaths that are both preventable and politically produced.
 
Drawing on over a decade of ethnographic, participatory, and community-engaged research, author Gabriella Soto examines the postmortem journeys of these migrants through the fragmented infrastructure of medicolegal death investigation in the U.S. Southwest. She reveals how the state’s deterrence-based border policies not only generate death but also fail to provide adequate care for the dead. Soto argues that these deaths should be understood as structural homicides and that the forensic neglect they face is a form of ongoing violence.
 
Moving between the practical and the philosophical, Soto asks what it means to care for the dead and what society owes to those who die in its name. Through the lens of haunting, she explores how the dead continue to shape the living, not as objects of horror but as moral agents whose presence demands justice.

March 26, 2026

The University of Arizona podcast features an interview with Manuel Iris, author of The Whole Earth Is a Garden of Monsters / Toda la Tierra Es Un Jardín de Monstruos. This book is Winner of the 2025 Ambroggio Prize of the Academy of American Poets. Manuel Iris is is a Mexican-born American poet who has served as poet laureate of Cincinnati, Ohio, writer-in-residence at the Cincinnati and Hamilton County Public Library, and writer-in-residence at Thomas More University. Iris is the author of five poetry collections, published in several countries.

When asked about how he decided to pair one Renaissance character with a contemporary Mexican character, Iris replied, “I have always been intrigued by Bosch’s paintings, especially The Garden of Earthly Delights. This painting was a contemporary of The Mona Lisa, but Bosch’s painting seems to be centuries ahead, in the future, like a contemporary of Dalí, as a surrealist. It’s even crazier than the surrealists. I first wanted to write about Hieronymus Bosch, but then I wanted a way to bring all those creative struggles and epiphanies to our reality. I am a believer that every human being is a representation of all humanity.”

Listen to the full podcast here, on Spotify, Apple, or wherever you listen to podcasts.

About the book:

This award-winning bilingual collection intertwines the lives of a Renaissance painter and a modern migrant worker, offering a fresh perspective on art and migration. In this highly imaginative work, the lives of the northern Renaissance painter Hieronymus Bosch (1450–1516) and an imagined contemporary migrant worker named Juan Coyoc, later known as Juan Domínguez, run in parallel as they mirror each other across languages, time, and continents.

By comparing and at times intertwining these two poetic narratives, the book explores themes of art, migration, narco-violence, family, spirituality, and the idea that every human being represents all humanity at any moment in history. Both Hieronymus Bosch and Juan Domínguez become relatable and intimate figures, part of our own story.

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